The English conductor and composer Howard Arman has presented us with a completed version of Mozart’s Requiem. “Another one?” you might ask, since this publication is only the latest in a long line re...
The English conductor and composer Howard Arman has presented us with a completed version of Mozart’s Requiem. “Another one?” you might ask, since this publication is only the latest in a long line re...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Score (Urtext)
- Howard Arman
- Carus-Verlag
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This urtext edition of George Frideric Handel's most famous work, was edited by Arnold Schering and Kurt Soldan. Instrumentation included in the set: 0.2.0.1: 0.2.0.0: Timp: Hpchd.Org: Str (4-4-...
This urtext edition of George Frideric Handel's most famous work, was edited by Arnold Schering and Kurt Soldan. Instrumentation included in the set: 0.2.0.1: 0.2.0.0: Timp: Hpchd.Org: Str (4-4-...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Score and Parts (Urtext)
- Arnold Schering Kurt Soldan
- Edwin F. Kalmus
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In 1733, the emergence of a rival opera company led George Frideric Handel (1685-1759) to seek a new audience by writing English-language oratorios. ISRAEL IN EGYPT, HWV 54, serves as one of the fines...
In 1733, the emergence of a rival opera company led George Frideric Handel (1685-1759) to seek a new audience by writing English-language oratorios. ISRAEL IN EGYPT, HWV 54, serves as one of the fines...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Score
- Friedrich Chrysander
- Edwin F. Kalmus
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In 1733, the emergence of a rival opera company led George Frideric Handel (1685-1759) to seek a new audience by writing English-language oratorios. ISRAEL IN EGYPT, HWV 54, serves as one of the fines...
In 1733, the emergence of a rival opera company led George Frideric Handel (1685-1759) to seek a new audience by writing English-language oratorios. ISRAEL IN EGYPT, HWV 54, serves as one of the fines...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Score and Parts
- Friedrich Chrysander
- Edwin F. Kalmus
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Giuseppe Verdi (1813-1901) wrote his Requiem Mass for four soloists, double choir, and orchestra in 1874 in memory of Italian writer and humanist Alessandro Manzoni, whom Verdi greatly admired. It pre...
Giuseppe Verdi (1813-1901) wrote his Requiem Mass for four soloists, double choir, and orchestra in 1874 in memory of Italian writer and humanist Alessandro Manzoni, whom Verdi greatly admired. It pre...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Score
- Edwin F. Kalmus
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Giuseppe Verdi (1813-1901) wrote his Requiem Mass for four soloists, double choir, and orchestra in 1874 in memory of Italian writer and humanist Alessandro Manzoni, whom Verdi greatly admired. It pre...
Giuseppe Verdi (1813-1901) wrote his Requiem Mass for four soloists, double choir, and orchestra in 1874 in memory of Italian writer and humanist Alessandro Manzoni, whom Verdi greatly admired. It pre...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Score and Parts
- Edwin F. Kalmus
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Antonio Vivaldi (1678-1741) likely composed three settings of the hymn Gloria in excelsis Deo, though only two have survived. It was common for Vivaldi to write introductory motets to be performed bef...
Antonio Vivaldi (1678-1741) likely composed three settings of the hymn Gloria in excelsis Deo, though only two have survived. It was common for Vivaldi to write introductory motets to be performed bef...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Score
- Edwin F. Kalmus
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Antonín Dvorák (1841-1904) began composition of his setting of the Stabat Mater text in 1876 and finally finishing the orchestral version in late 1877, though it was not published until 1881 as Op. 58...
Antonín Dvorák (1841-1904) began composition of his setting of the Stabat Mater text in 1876 and finally finishing the orchestral version in late 1877, though it was not published until 1881 as Op. 58...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Score and Parts
- Antonín Cubr Otakar Sourek
- Edwin F. Kalmus
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The Missa Dei Patris ZWV 19 was composed in 1740 and ranks among the later works of the Bohemian composer Jan Dismas Zelenka. It opens an incompletely transmitted cycle of six masses which the compose...
The Missa Dei Patris ZWV 19 was composed in 1740 and ranks among the later works of the Bohemian composer Jan Dismas Zelenka. It opens an incompletely transmitted cycle of six masses which the compose...
- 4 Soloists (SATB), Mixed Choir (SATB) and Orchestra
- Set of Parts - Wind Instruments
- Breitkopf & Härtel
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Kuhnau’s setting of the 98th psalm Singet dem Herrn ein neues Lied is a sonorous cantata with the opulent scoring of two trumpets, timpani and a five-part string section. This baroque gem radiates a s...
Kuhnau’s setting of the 98th psalm Singet dem Herrn ein neues Lied is a sonorous cantata with the opulent scoring of two trumpets, timpani and a five-part string section. This baroque gem radiates a s...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Set of Parts - Harmony
- Breitkopf & Härtel
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Dvorák's is one of the Czech composer's great works of church music and one of the most important Requiem settings in music history. The profound effect is based on a sequence of variations on a death...
Dvorák's is one of the Czech composer's great works of church music and one of the most important Requiem settings in music history. The profound effect is based on a sequence of variations on a death...
- 4 Soloists (SATB), Mixed Choir (SATB), 2 Flutes, 2 Oboes, 2 Oboes d'Amore, 2 Violins, Viola and 2 Viole da Gamba
- Score
- Breitkopf & Härtel
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Jan Dismas Zelenka's Missa Dei Filii ZWV 20 is the second of the three surviving 'Missae ultimae', but like other 'short masses' in the 18th century it consists only of Kyrie and Gloria. Nevertheless,...
Jan Dismas Zelenka's Missa Dei Filii ZWV 20 is the second of the three surviving 'Missae ultimae', but like other 'short masses' in the 18th century it consists only of Kyrie and Gloria. Nevertheless,...
- Soloists (SATB), Mixed Choir and Orchestra
- Score (Urtext)
- Breitkopf & Härtel
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Zum 270. Geburtstag des Klassikkomponisten Justin Heinrich Knecht erscheint dessen 'Magnificat' beim Strube Verlag als Erstausgabe, basierend auf dem Originalmanuskript der Staatsbibliothek Berlin. Kn...
Zum 270. Geburtstag des Klassikkomponisten Justin Heinrich Knecht erscheint dessen 'Magnificat' beim Strube Verlag als Erstausgabe, basierend auf dem Originalmanuskript der Staatsbibliothek Berlin. Kn...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Score
- Strube Verlag
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Seit 2001 steht die 'Neunte' im Memory of the World Register der UNESCO. Beethoven war mit seinem einzigartigen Werk über viele Jahre, spätestens seit 1815 und noch bis kurz vor seinem Tode beschäftig...
Seit 2001 steht die 'Neunte' im Memory of the World Register der UNESCO. Beethoven war mit seinem einzigartigen Werk über viele Jahre, spätestens seit 1815 und noch bis kurz vor seinem Tode beschäftig...
- Soloists (SATB), Mixed Choir (SATB) and Orchestra
- Choral Score (Urtext)
- Breitkopf & Härtel
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Since 2001 the 'Ninth' has been included in UNESCO's Memory of the World Register. Beethoven was preoccupied with his unique work for many years, since at least 1815, and still shortly before his deat...
Since 2001 the 'Ninth' has been included in UNESCO's Memory of the World Register. Beethoven was preoccupied with his unique work for many years, since at least 1815, and still shortly before his deat...
- Soloists (SATB), Mixed Choir (SATB) and Piano
- Piano Reduction (Urtext)
- Breitkopf & Härtel
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An extended work by noted composer, Gwyneth Walker. This seven-movement work explores the unique character of each of the lakes in the upper midwestern United States and central Canada, as well as the...
An extended work by noted composer, Gwyneth Walker. This seven-movement work explores the unique character of each of the lakes in the upper midwestern United States and central Canada, as well as the...
- Soloists (SATB), Mixed Choir (SATB) and Piano
- Piano Score
- ECS Publishing
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The Light of Paradise (fourteen devotions of Margery Kempe) is a fifty-minute choral opera by Paul Mealor for chorus and saxophone quartet. The work requires the choir and soloists to physically move...
The Light of Paradise (fourteen devotions of Margery Kempe) is a fifty-minute choral opera by Paul Mealor for chorus and saxophone quartet. The work requires the choir and soloists to physically move...
- Mixed Choir (SATB) and 4 Saxophones (SATB)
- Piano Reduction
- Novello Publishing
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The Light of Paradise (fourteen devotions of Margery Kempe) is a fifty-minute choral opera by Paul Mealor for chorus and saxophone quartet. The work requires the choir and soloists to physically move...
The Light of Paradise (fourteen devotions of Margery Kempe) is a fifty-minute choral opera by Paul Mealor for chorus and saxophone quartet. The work requires the choir and soloists to physically move...
- Mixed Choir (SATB) and 4 Saxophones (SATB)
- Score
- Novello Publishing
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The Light of Paradise (fourteen devotions of Margery Kempe) is a fifty-minute choral opera by Paul Mealor for chorus and saxophone quartet. The work requires the choir and soloists to physically move...
The Light of Paradise (fourteen devotions of Margery Kempe) is a fifty-minute choral opera by Paul Mealor for chorus and saxophone quartet. The work requires the choir and soloists to physically move...
- Mixed Choir (SATB) and 4 Saxophones (SATB)
- Set of Parts
- Novello Publishing
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- Also available for download!
Urtext aus/from: Joseph Haydn Werke, G. Henle Verlag München
Urtext aus/from: Joseph Haydn Werke, G. Henle Verlag München
- Soloists (SATB), Mixed Choir (SATB) and Orchestra
- Score
- Bärenreiter Verlag
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- 4 Soloists (SATB), Mixed Choir (SATB), 2 Flutes, 2 Oboes, 2 Oboes d'Amore, 2 Violins, Viola and 2 Viole da Gamba
- Piano Reduction and Lyrics only (Urtext)
- Eike Wernhard
- Bärenreiter Verlag
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> Urtext edition of Mendelssohn's last orchestral psalm > Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng) > Words underlaid in both German and English > Piano reduction based on the first p...
> Urtext edition of Mendelssohn's last orchestral psalm > Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng) > Words underlaid in both German and English > Piano reduction based on the first p...
- 4 Soloists (SATB), Mixed Choir (SATB), 2 Flutes, 2 Oboes, 2 Oboes d'Amore, 2 Violins, Viola and 2 Viole da Gamba
- Score (Urtext)
- Bärenreiter Verlag
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> Urtext edition of Mendelssohn's last orchestral psalm > Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng) > Words underlaid in both German and English > Piano reduction based on the first p...
> Urtext edition of Mendelssohn's last orchestral psalm > Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng) > Words underlaid in both German and English > Piano reduction based on the first p...
- 4 Soloists (SATB), Mixed Choir (SATB), 2 Flutes, 2 Oboes, 2 Oboes d'Amore, 2 Violins, Viola and 2 Viole da Gamba
- Set of Parts - Flute 1, Flute 2, Oboe 1, Oboe 2, Clarinet 1, Clarinet 2, Bassoon 1, Bassoon 2, Horn 1 and Horn (Urtext)
- Bärenreiter Verlag
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The Easter oratorio BWV 249 was first performed on Easter Sunday 1725 with the text "Come, make haste and run". In the counting of the new BWV, this is already BWV 249.3, following two congratulatory...
The Easter oratorio BWV 249 was first performed on Easter Sunday 1725 with the text "Come, make haste and run". In the counting of the new BWV, this is already BWV 249.3, following two congratulatory...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Choral Score (Urtext)
- Breitkopf & Härtel
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Since 2001 the 'Ninth' has been included in UNESCO's Memory of the World Register. Beethoven was preoccupied with his unique work for many years, since at least 1815, and still shortly before his deat...
Since 2001 the 'Ninth' has been included in UNESCO's Memory of the World Register. Beethoven was preoccupied with his unique work for many years, since at least 1815, and still shortly before his deat...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Set of Parts - Harmony (Urtext)
- Breitkopf & Härtel
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