Sheet Music for Mixed Choir (SATB)

Antonio Vivaldi set Psalm 111 (112) "Beatus vir" three times ("Blessed is the man who fears the Lord"). Of these, two have survived that could hardly be more different: the extensive, double-choir wor...

Antonio Vivaldi set Psalm 111 (112) "Beatus vir" three times ("Blessed is the man who fears the Lord"). Of these, two have survived that could hardly be more different: the extensive, double-choir wor...

Antonio Vivaldi set Psalm 111 (112) "Beatus vir" three times ("Blessed is the man who fears the Lord"). Of these, two have survived that could hardly be more different: the extensive, double-choir wor...

Antonio Vivaldi set Psalm 111 (112) "Beatus vir" three times ("Blessed is the man who fears the Lord"). Of these, two have survived that could hardly be more different: the extensive, double-choir wor...

Antonio Vivaldi set Psalm 111 (112) "Beatus vir" three times ("Blessed is the man who fears the Lord"). Of these, two have survived that could hardly be more different: the extensive, double-choir wor...

I composed this cantata for the Edinburgh Gaelic Choir. The Scottish Gaelic text is by the poet Myles Campbell (Maoilios Caimbeul) from the Isle of Skye. The text is a dialog between the ocean and man...

I composed this cantata for the Edinburgh Gaelic Choir. The Scottish Gaelic text is by the poet Myles Campbell (Maoilios Caimbeul) from the Isle of Skye. The text is a dialog between the ocean and man...

The Road is a new multi-movement work for choir, piano, harp, and strings with beautiful new lyrics by Charles Anthony Silvestri and music by Ola Gjeilo. Featuring beautiful nature imagery and Gjeilo'...

In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...

In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...

The composer Joseph Martin Kraus was born in the same year as Mozart, and like Salzburg's famous son, he was highly gifted and died too young. But in recent years he has received more attention. And r...

Die zu Michael Haydns Zeit sehr beliebte Gabrielsmesse liegt in zwei Fassungen vor: die erste und ursprüngliche Fassung enthält ein sehr kurzes Gloria und Credo. In der zweiten Fassungen wurden die be...

Song from Utanmyra is a Swedish folk melody that gained renewed popularity after jazz musician Jan Johansson recorded it on the album "Jazz på svenska" in 1964. Bjørn Linderoth wrote the lyrics that a...

Passion Music continues the fusion of jazz and choral music so successfully blended in Will Todd's Mass in Blue. The structure highlights different points in the Passion story, beginning with a new se...

In seinem Passionsoratorium Christus am Ölberge gelang es Beethoven einerseits, an eine Tradition des 18. Jahrhunderts anzuknüpfen, andererseits aber auch die aufblühende Gattung des deutschsprachigen...

Tango Argentino meets Classic! The Argentine composer Martín Palmeri, whose Misatango is beloved by many choirs, has set Psalm 127 Nisi Dominus for solo soprano and mixed choir, accompanied by bandone...

Tango Argentino meets Classic! The Argentinian composer Martín Palmeri, whose "Misatango" is known and loved by many choirs, sets the 127th psalm "Nisi Dominus" to music for solo soprano and mixed cho...

Soli SSAT, Coro SATB, 2 Ob, Tr, 2 Vl, Va, Bc

Kantate zu einer Trauerfeier (deutsch/englisch), nach der Neuen Bach-Ausgabe. Alt solo, Bass solo, Gemischter Chor-SATB, Alt-Blockflöte in f,g (2), Viola da gamba (2), Basso continuo

The cantata 'Mein liebster Jesus ist verloren' BWV 154 was first performed on 9 January 1724, the 1st Sunday after Epiphany. The structure and extent of the work are unusual: it comprises eight, inste...