Will Todd, born in 1970, is forging a strong reputation for himself as a composer who is equally at ease in opera, oratorio, church music and jazz. His style is instantly accessible and lastingly memo...
Will Todd, born in 1970, is forging a strong reputation for himself as a composer who is equally at ease in opera, oratorio, church music and jazz. His style is instantly accessible and lastingly memo...
- Mixed Choir (SATB) and Piano
- Choral Score
- Boosey & Hawkes
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- Mixed Choir (SATB) and Organ
- Choral Score
- Boosey & Hawkes
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Antiphon at second vespers on the feast of the Immaculate Conception.
Antiphon at second vespers on the feast of the Immaculate Conception.
- Mixed Choir (SATB) and Organ
- Choral Score
- Boosey & Hawkes
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This accessible motet is a companion piece for Lullabye for Lucy (ISMN 979-0-060-03760-3), which was composed for the birth of Lucy Rendall, the first child born in Rackwick, Hoy, for 32 years. Suscip...
This accessible motet is a companion piece for Lullabye for Lucy (ISMN 979-0-060-03760-3), which was composed for the birth of Lucy Rendall, the first child born in Rackwick, Hoy, for 32 years. Suscip...
- Mixed Choir (SATB) and Organ
- Choral Score
- Boosey & Hawkes
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- Mixed Choir (SATB) and Piano
- Choral Score
- Boosey & Hawkes
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ships within 1-2 working days
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- Mixed Choir (SATB) and Piano
- Choral Score
- Boosey & Hawkes
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ships within 1-2 working days
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- Mixed Choir (SATB) and Organ
- Choral Score
- Boosey & Hawkes
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The movements set are Kyrie, Gloria, Sanctus and Benedictus (together), Acclamation and Agnus Dei. With the inclusion of a Gloria this is a more extended setting than the St Anne's Mass, and the canto...
The movements set are Kyrie, Gloria, Sanctus and Benedictus (together), Acclamation and Agnus Dei. With the inclusion of a Gloria this is a more extended setting than the St Anne's Mass, and the canto...
- Mixed Choir (SATB) and Organ
- Choral Score
- Boosey & Hawkes
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Chorpartitur.
- Mixed Choir (SATB) and Organ
- Choral Score
- Boosey & Hawkes
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Chorpartitur - mit unterlegtem Klavierauszug.
- Mixed Choir (SATB) and Piano
- Choral Score
- Boosey & Hawkes
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A highly effective and extremely straightforward setting of a text from an inscription over the door into a Jesuit church in Glasgow. The piece begins with a forceful SATB prayer in English (perhaps i...
A highly effective and extremely straightforward setting of a text from an inscription over the door into a Jesuit church in Glasgow. The piece begins with a forceful SATB prayer in English (perhaps i...
- Mixed Choir (SATB) and Organ
- Choral Score
- Boosey & Hawkes
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- Mixed Choir (SATB) and Piano
- Choral Score
- Boosey & Hawkes
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- Mixed Choir (SATB) and Piano
- Choral Score
- Boosey & Hawkes
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With words by Robert Burns, the melody used in this setting is an entirely new one, but one which is somewhat reminiscent of an old Scottish air.
With words by Robert Burns, the melody used in this setting is an entirely new one, but one which is somewhat reminiscent of an old Scottish air.
- Mixed Choir (SATB) and Piano
- Choral Score
- Boosey & Hawkes
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This setting of the familiar Cantate Domino text is full of rhythmic vitality and forward momentum. Enjoy the playful metric surprises!
This setting of the familiar Cantate Domino text is full of rhythmic vitality and forward momentum. Enjoy the playful metric surprises!
- Mixed Choir (SATB) and Piano
- Choral Score
- Boosey & Hawkes
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O come, O come Emmanuel is the first movement of the work Millennial Suite: Hymns through the Ages. The work's six movements make imaginative use of popular hymns that are presented in chronological o...
O come, O come Emmanuel is the first movement of the work Millennial Suite: Hymns through the Ages. The work's six movements make imaginative use of popular hymns that are presented in chronological o...
- Mixed Choir (SATB) and Organ
- Choral Score
- Boosey & Hawkes
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Now thank we all our God is the third movement of the work Millennial Suite: Hymns through the Ages. The work's six movements make imaginative use of popular hymns that are presented in chronological...
Now thank we all our God is the third movement of the work Millennial Suite: Hymns through the Ages. The work's six movements make imaginative use of popular hymns that are presented in chronological...
- Mixed Choir (SATB) and Organ
- Choral Score
- John Burge
- Boosey & Hawkes
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Let us break bread together is the fifth movement of the work Millennial Suite: Hymns through the Ages. The work's six movements make imaginative use of popular hymns that are presented in chronologic...
Let us break bread together is the fifth movement of the work Millennial Suite: Hymns through the Ages. The work's six movements make imaginative use of popular hymns that are presented in chronologic...
- Mixed Choir (SATB) and Organ
- Choral Score
- Boosey & Hawkes
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Hardly any melody evokes such profound emotions of farewell, gratitude, and new beginnings as the traditional Scottish classic "Auld Lang Syne." In this moving arrangement for mixed choir (SATB) and p...
Hardly any melody evokes such profound emotions of farewell, gratitude, and new beginnings as the traditional Scottish classic "Auld Lang Syne." In this moving arrangement for mixed choir (SATB) and p...
- Mixed Choir (SATB) and Piano
- Choral Score
- Lee R. Kesselman
- Boosey & Hawkes
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A setting of The Creation by James Weldon Johnson (1871-1938) from his collection of poetic sermons, “God's Trombones,” this work is in keeping with the style of the poem, flowing freely t...
A setting of The Creation by James Weldon Johnson (1871-1938) from his collection of poetic sermons, “God's Trombones,” this work is in keeping with the style of the poem, flowing freely t...
- Mixed Choir (SATB) and Piano
- Choral Score
- Boosey & Hawkes
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Beginning in mysterious darkness and progressing through brightness to exultation, this first of Raminsh's 'Two Visionary Songs' is a luminous gem.
Beginning in mysterious darkness and progressing through brightness to exultation, this first of Raminsh's 'Two Visionary Songs' is a luminous gem.
- Mixed Choir (SATB) and Piano
- Choral Score
- Boosey & Hawkes
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The second of Two Visionary Songs, this piece treats the words of medieval mystic Mechthild of Magdeburg to fluid, dance-like melodies progressing from wistfulness to passionate ecstasy.
The second of Two Visionary Songs, this piece treats the words of medieval mystic Mechthild of Magdeburg to fluid, dance-like melodies progressing from wistfulness to passionate ecstasy.
- Mixed Choir (SATB) and Piano
- Choral Score
- Boosey & Hawkes
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Vividly capturing the imagery of Matthew Arnold's poetry, this work was commissioned by the Yale Glee Club.
Vividly capturing the imagery of Matthew Arnold's poetry, this work was commissioned by the Yale Glee Club.
- Mixed Choir (SATB) and Piano
- Choral Score
- Boosey & Hawkes
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Richard Hundley, beloved by vocalists for his elegant art songs, has set one of his most popular songs for SATB chorus. Jose Garcia Villa's poem turns playful variations on the words “moonlight&...
Richard Hundley, beloved by vocalists for his elegant art songs, has set one of his most popular songs for SATB chorus. Jose Garcia Villa's poem turns playful variations on the words “moonlight&...
- Mixed Choir (SATB) and Piano
- Choral Score
- Boosey & Hawkes
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Written for the 20th anniversary of the CME Institute, A Living Song serves to honor and reflect on the passion for music that CME has instilled in countless singers throughout the years.
Written for the 20th anniversary of the CME Institute, A Living Song serves to honor and reflect on the passion for music that CME has instilled in countless singers throughout the years.
- Mixed Choir (SATB) and Piano
- Choral Score
- Boosey & Hawkes
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