Sheet Music for Mixed Choir (SATB)

A peaceful and uplifting meditation on death and the afterlife, with softly overlapping upper voices that weave a hypnotic texture over a gentle melody in the tenors and basses, to magical effect.

The text for this part-song is a deftly chosen selection of lines from Keats' Ode to a Nightingale. Jackson's setting features many of his stylistic hallmarks: glissandi, melismas, aleatoric patterns,...

This Advent carol is based on words from John Donne's Holy Sonnets. McDowall creates a captivating atmosphere as the voices explore a mystical soundworld. The sensitive part-writing and accessible voc...

Like as the hart sets reflective yet fervent words from Psalm 42. The vocal writing is emotive and expressive, and the fluctuating metres perfectly complement the rhythm adopted by the psalmist when p...

For unaccompanied SATB.

For unaccompanied SATB.

This lucidly reflective miniature sets an evocative text by Lucia Quinault that depicts a rural winter scene. There is a sense of waiting for the 'shining star' and, while it would make a beautiful ad...

McGrath's setting of this well-known fourteenth-century macaronic text is expressive and rich. The melodies have a chant-like quality and the metrical changes create a compelling ebb and flow. This ca...

Aspire to God, my soul sets a macaronic text by Canon John Dilnot. This anthem is optimistic and uplifting, with frequently changing time-signatures that convey a rhythmic fluidity and the flexibility...

This tender setting is a partner antiphon to Bednall's Ave Regina caelorum. In turn, this pair compliments Howells's setting of the other Marian antiphons (Salve Regina and Regina Caeli). Triplet move...

This high-energy, majestic setting of well-known words from the psalms is a welcome addition to the service repertory. The changing metre brings the text to the fore, and the semiquaver movement that...

A group of three miniatures for unaccompanied mixed voices, Some corner of a foreign field sets poems by three First World War soldiers: John William Streets, Goldfeld, and Rupert Brooke. Bednall's se...

This gentle, lilting anthem sets verses from the psalms that speak of devotion to and delight in the Lord. Bednall's sophisticated and appealing musical language gives colour and expression to the tex...

This partner antiphon to Bednall's Alma Redemptoris Mater is fast and joyful. This pair of antiphons compliments Howells's setting of the other Marian antiphons (Salve Regina and Regina Caeli). The ce...

Images of Peace is a work that encourages peace and understanding while not focussing on any particular creed or belief. Alan Bullard chooses texts from a range of sources, including the English metap...

I will be with you sets a reflective text by the composer with a message of enduring solace. Lush harmonies, with predominantly homophonic passagework, coupled with flowing and cascading lines in ever...

A contemplative setting of the Latin hymn at Lauds for The Feast of Transfiguration, Ben Parry's O nata lux features effective melodic and harmonic phrasing that creates a serene environment for refle...

In this ethereal, atmospheric setting of Canadian poet Marjorie Pickthall's 'Stars', Oliver Tarney displays great sensitivity to the poem's vivid imagery and employs an evocative harmonic language tha...

This simple, uplifting anthem is characterized by flexible rhythms that sensitively complement the metre of the text and a beautifully reflective set of Amens at its close.

A lively sixteenth-century anthem based on Psalm 81.

Two of Stanford's finest partsongs for unaccompanied SATB voices.

A rollicking arrangement of this ever-popular song for unaccompanied SATB voices. It will delight singers and audiences alike with salty evocations of sun, sea, and brass bands! Also in Encores for Ch...

This beautiful and spacious Magnificat and Nunc Dimittis setting of the Canticle of Mary is pure Jackson. Alternating stripped back, plainchant-style sections with homorhythmic passages for full choir...

A dramatic and colourful setting of Psalm 81:3 and 4 which is an ideal introit or anthem for festive occasions, or for the opening of a choral concert.

This secular work by John Rutter sets the text of Shakespeare's Sonnet No. 18. Rutter skilfully weaves the figurative language of the sonnet within the melodic lines of the music. Shakespeare's text i...