Sheet Music for Mixed Choir (SATB)

A short anthem setting the Lord's Prayer in the version of the text from the First Prayer Book, hence the unusual spelling. This was premiered at the Brighton Festival in 2012.

In this unaccompanied setting of Thomas A. Clark's poem, Jackson beautifully conjures up the atmosphere of the onset of nightfall. Featuring a wide range of rhythms, textures, and dynamics, this is a...

A short Mass setting for unaccompanied chorus, written for the Exon Singers recording, The Cloths of Heaven, on Delphian Records.

Here Jackson sets early Christian texts by St Augustine of Hippo, Baldwin of Forde, and St Mary Magdalene de Pazzi alongside words by Estonian poet Doris Kareva. Each movement offers a change of mood,...

Setting a fifteenth-century English text containing some short Latin passages, this is a joyful, dance-like carol with a medieval feel. The spirited, lilting melody begins in the sopranos and altos bu...

'Rigwreck' sets a text by poet Pierre Joris on the 2010 Deepwater Horizon oil spill in the Gulf of Mexico. Frequent vocal divisions in up to eight parts, a wide range of dynamic expression, spoken lin...

This is a simple and elegant miniature in characteristic Skempton style, with graceful choral homophony, seamlessly fluctuating time signatures, and hypnotic, meandering harmonies. The text, by Willia...

O Sapientia is a tender setting of one of the seven Advent 'O' Antiphons. The rhythmic unison in this chorale-like setting brings an element of purity and calm, typical of Skempton's musical language.

Set to words by the Estonian poet Doris Kareva, Our flags are wafting in hope and grief is a humanist anthem to the power of conviction and community in times of social turmoil.

Setting a stanza of Tennyson's monumental and profound poem In Memoriam A.H.H., Jackson's work deals with reflections on loss and grief.

This work presents two contrasting yet coherent motets: The joyful 'Confirma hoc Deus', with its jubilant, melismatic motif; and the solemn 'Factus est', which features aleatoric sequences set against...

I my Best-Beloved's am was written in 1999 for the BBC Singers and focuses on the theme of marriage, setting the nuptial responses from the old Tridentine Catholic marriage service and stanzas from Fr...

This joyous, dance-like setting of Edward Lear's famous nonsense poem 'The Owl and the Pussy-cat' is taken from Rutter's Five Childhood Lyrics, a collection of unaccompanied pieces inspired by rhymes...

This paean to the divine creation of the world sets part of the Benedicite text from the US Book of Common Prayer. The four unaccompanied voice parts are used to great effect, with phrases often begin...

Jackson's Holy is the true light sets a text translated from the Salisbury Diurnal that emphasizes the solace of faith in times of conflict. The fluid changes in time and key signatures and effective...

Commissioned by King's College, Cambridge for the 2015 Festival of Nine Lessons and Carols, this setting of a poem by George Szirtes on the subject of the flight to Bethlehem has rich and ethereal har...

The text for this arrangement of the second of William Walton's Two Pieces for Strings from Henry V' is based on the line 'Touch her soft mouth, and part' from Shakespreare's Henry V (Act 2, Scene 3)....

This reflective and affirmatory communion motet features fluid shifts between 3/4 and 4/4 time signatures and expressive melodic lines that are often underpinned by a drone.

This serene communion motet sets the last two verses of the Pangue Lingua and oscillates between 3/4 and 4/4 time signatures. The melodic lines are expressive and at times melismatic, and the divisi i...

A setting of Shakespeare's much-loved Sonnet 18, Bednall's expressive work highlights this timeless text with sumptuous harmony, including pleasing tonal shifts and topical false relations. Various ch...

This setting of texts from Cymbeline and The Merchant of Venice, and Sonnet 98, is characterised by inventive textures and vibrant word-setting. The harmonic language is mostly diatonic but never plai...

Ya basta!' is a Spanish saying that roughly translates to 'Enough is enough!'. Regan has combined this with text from a poem by the Spanish poet Antonio Machado. Ya Basta! has an exuberant and carefre...

This powerful motet sets a reflective text by Augustine of Hippo. Connoisseurs of Jackson's music will recognise the hallmarks of his highly accessible style: inventive harmony that is largely diatoni...

The text for this piece is a response to Allen Ginsberg's A Supermarket in California by Latvian poet Karlis Verdins, translated by Ieva Lesinska. Jackson exploits its dramatic intent, giving space fo...

Helvey's skilful arrangement of the popular hymn by American Baptist minister Robert Wadsworth Lowry is joyous and affirmatory. It is suitable for performance throughout the liturgical year, and the s...