Sheet Music for Mixed Choir (SATB)

As an acclaimed opera composer, Georges Bizet admitted that he had no real sensibility for sacred music. His Te Deum is nonetheless a truly fascinating and highly expressive work. From the majestic "T...

In 1892 Dvorák received a prestigious commission from New York to write a festive cantata to commemorate the 400th anniversary of Christopher Columbuss discovery of America. In response he wrote an im...

In 1892 Dvorák received a prestigious commission from New York to write a festive cantata to commemorate the 400th anniversary of Christopher Columbuss discovery of America. In response he wrote an im...

In 1892 Dvorák received a prestigious commission from New York to write a festive cantata to commemorate the 400th anniversary of Christopher Columbuss discovery of America. In response he wrote an im...

In 1892 Dvorák received a prestigious commission from New York to write a festive cantata to commemorate the 400th anniversary of Christopher Columbuss discovery of America. In response he wrote an im...

Unter den zahlreichen Kompositionen Verdis bleibt das Requiem als kirchenmusikalisches Werk singulär. Es ist als musikalisches Memorial für den von Verdi tief verehrten italienischen Nationaldichter A...

Heinichens Requiem zum Gedächtnis Kaiser Josephs I., das hier als Erstausgabe vorliegt, präsentiert sich als vielfältiges, 20 Nummern umfassendes Totengedenken im damals modernen italienischen Stil, m...

Fassung für Sinfonieorchester - nicht lieferbar für Frankreich - Soli SBar, Coro SATB, 2 Fl, 2 Clt, 2 Fg, 4 Cor, 2 Tr, 3 Trb, Timp, Vl, 2 Va, 2 Vc, Cb, Arpa, Org

Fassung für Sinfonieorchester - nicht lieferbar für Frankreich - Soli SBar, Coro SATB, 2 Fl, 2 Clt, 2 Fg, 4 Cor, 2 Tr, 3 Trb, Timp, Vl, 2 Va, 2 Vc, Cb, Arpa, Org

Das Requiem von Gabriel Fauré ist das Schlüsselwerk innerhalb der geistlichen Kompositionen des französischen Meisters. Bereits zu Lebzeiten des Komponisten stellte sich der Erfolg des Werkes beim Pub...

Through works such as Verdi’s Requiem or Puccini’s Messa di Gloria, we know that the great composers of Italian bel canto opera also wrote marvelous sacred music. Yet most of these pieces are rarely p...

Through works such as Verdi’s Requiem or Puccini’s Messa di Gloria, we know that the great composers of Italian bel canto opera also wrote marvelous sacred music. Yet most of these pieces are rarely p...

Bruckner described his setting of Psalm 150 of 1892 as 'my best festive cantata of all'. Psalm 150 has a definite festive character, manifested straight away in the monumental Hallelujah theme for the...

Bruckner described his setting of Psalm 150 of 1892 as 'my best festive cantata of all'. Psalm 150 has a definite festive character, manifested straight away in the monumental Hallelujah theme for the...

Bruckner described his setting of Psalm 150 of 1892 as 'my best festive cantata of all'. Psalm 150 has a definite festive character, manifested straight away in the monumental Hallelujah theme for the...

Bruckner described his setting of Psalm 150 of 1892 as 'my best festive cantata of all'. Psalm 150 has a definite festive character, manifested straight away in the monumental Hallelujah theme for the...

Bruckner described his setting of Psalm 150 of 1892 as 'my best festive cantata of all'. Psalm 150 has a definite festive character, manifested straight away in the monumental Hallelujah theme for the...

Bruckner described his setting of Psalm 150 of 1892 as 'my best festive cantata of all'. Psalm 150 has a definite festive character, manifested straight away in the monumental Hallelujah theme for the...

Bruckner described his setting of Psalm 150 of 1892 as 'my best festive cantata of all'. Psalm 150 has a definite festive character, manifested straight away in the monumental Hallelujah theme for the...

Luigi Cherubini’s "Messe solennelle in D minor" is certainly one of the most extensive settings of the Mass Ordinary ever composed—the Gloria alone spans nearly 900 measures. After a seemingly familia...

How does a female composer apply for a position at court? With her own music! When Luigi Cherubini sought to recommend himself in 1810 as Joseph Haydn’s successor at the court of Hungarian Prince Nich...

How does a female composer apply for a position at court? With her own music! When Luigi Cherubini sought to recommend himself in 1810 as Joseph Haydn’s successor at the court of Hungarian Prince Nich...

How does a female composer apply for a position at court? With her own music! When Luigi Cherubini sought to recommend himself in 1810 as Joseph Haydn’s successor at the court of Hungarian Prince Nich...

How does a female composer apply for a position at court? With her own music! When Luigi Cherubini sought to recommend himself in 1810 as Joseph Haydn’s successor at the court of Hungarian Prince Nich...

How does a female composer apply for a position at court? With her own music! When Luigi Cherubini sought to recommend himself in 1810 as Joseph Haydn’s successor at the court of Hungarian Prince Nich...