Sheet Music for Mixed Choir (SATB)

In Skempton's effective minimalistic style, this short work sets a well-known sacred text from Ecclesiastes 3, 1DS8. Emphasis is given to the text through the homorhythmic texture and flexible metre.

Keep me as the apple of the eye is a tranquil and meditative sacred work, suitable for performance throughout the liturgical year. Drawn from Psalm 17, the text is a plea for shelter and protection in...

Faith's Foundation celebrates church architecture as a means of teaching and representing Christian values. Setting George Herbert's poem The Church Floor, this piece marvels in melodic clarity and fl...

This is an edition by Marques L. A. Garrett of a short work by Brazilian composer José Maurício Nunes Garcia, who was active in the eighteenth and nineteenth centuries. Solemn and largely chordal in t...

Setting William Johnson Cory's translation of Callimachus's epigram, this poignant piece exemplifies Skempton's minimalist aesthetic. Using a restrained rhythmic palette of minims and crotchets, the w...

Kling no, klokka! is a traditional Norwegian carol, skilfully arranged here for mixed voices by Frank Havroy. The piece has a compelling folk feel, with glissando and chromatic passages contributing t...

for SATB unaccompanied. In this gentle arrangement of Still, still, still, Remel Derrick underpins the melody of the traditional Austrian carol with contemporary harmonies, creating a warm and refresh...

For SATB (with divisions) unaccompanied. This is a harmonically rich carol setting a late medieval English text, centred on the phrase verbum caro factum est. The piece opens with a solo soprano line...

Let nothing trouble you is a striking and atmospheric setting of a prayer by the Spanish mystic, St Teresa of Ávila. Commissioned by The Genesis Foundation for Harry Christophers and The Sixteen, this...

This edition of the Salve Regina by Portuguese composer Diogo Dias Melgás (1638-1700) is the first published version of the work. Featuring simple yet highly skilful writing, this moving piece will pr...

This is a tender setting of the popular Christmas text by the Wedderburn brothers. Filled with lilting rhythms and warming dynamic swells, this lullaby will make a captivating addition to any Christma...

A very popular Renaissance chanson which is partly onomatopoeic.

This is No. 3 of a group of folksongs collectively called Four Folksongs for the British Isles. These imaginative settings of traditional songs are easy and effective - potential showpieces for any co...

This is No. 4 of a group of folksongs collectively called Four Folksongs for the British Isles. These imaginative settings of traditional songs are easy and effective - potential showpieces for any co...

A highly accessible and mellifluous arrangement for unaccompanied SATB. The delicate scoring, smooth vocal lines, and well-judged splashes of harmonic colour allow the simple beauty of the tune to be...

A highly accessible and mellifluous arrangement for unaccompanied SATB. The delicate scoring, smooth vocal lines, and well-judged splashes of harmonic colour allow the simple beauty of the tune to be...

With 'Locus iste', renowned composer Tarik O'Regan offers a poignant and contemporary setting of the traditional church dedication text. Scored for unaccompanied mixed choir (SATB), this simple yet ex...

This emotive motet sets a combination of verses from Psalms 31, 48, and 71. Essentially a prayer for God's protection and guidance, the piece is characterized by pungent and mesmerizing shifts of harm...

This piece sets a poem by Amy Lowell, vividly conveying the effect of the wind through a moving tapestry of eighth notes/quavers intertwined between the different voices. The melody floats over this b...

Setting a well-known Latin text, Miller mixes expressive harmony and flowing polyphony to create a touching anthem. The opening and closing sections develop the chant-like opening motif, enclosing a j...

SATB unaccompanied. A fine four-part motet for Christmas.

Helvey sets a combination of sacred texts to beautiful music. Similar to his Cor mundum crea in me Deus, Helvey writes mainly in homophonic textures, with thick, lush chords.