Sheet Music for Mixed Choir (SATB)

Unrestrained hope breaks through every measure of this jazzy original anthem for All Saints Day or anytime. Set in minor, a cool piano accompaniment drives this piece and gives the song a certain sacr...

This offering of gratitude is a splendid choice for Thanksgiving services. The text reminds us of our many blessings, encouraging us to share with others from our abundance. With an easily sung theme...

This offering of gratitude is a splendid choice for Thanksgiving services. The text reminds us of our many blessings, encouraging us to share with others from our abundance. With an easily sung theme...

Here's a proven winner from Emily Crocker, a buoyant setting of Psalm 100. Crisp rhythms and dynamic music come together in this powerful concert festival work. Available: SATB, 2-Part, 3-Part Mixed,...

Beginning with a spirited piano introduction, the voices take off with power and jubilance. Rhythmic vitality, meter changes and full divisi in voices make this piece an effective concert opener/close...

Beginning with a spirited piano introduction, the voices take off with power and jubilance. Rhythmic vitality, meter changes and full divisi in voices make this piece an effective concert opener/close...

Version for SATB Choir with Piano Accompaniment.

A lively Madrigal for SATB choir and Piano, with words imitated and adapted from the original Italian by W. A. Barrett.

Version of this well-known anthem for SATB choir and organ.

Les Rameaux or The Palms, is an Easter anthem for Palm Sunday by Jean-Baptiste Faure and this version is for SATB Mixed Choir and Baritone Solo with Organ accompaniment, expertly arranged by Dudley Bu...

Transcribed by Mayhew Lake. This mixed chorus octavo can be accompanied by band (Grade 4), orchestra, military band, woodwind ensemble, saxophone ensemble, brass ensemble, string ensemble, and/or mixe...

For SATB Choir and Organ, edited by Carl F. Mueller.

A round in four parts to be sung by any combination of voices. William Billings was the first major composer from the New World, and here he incorporates the text of the 'New England Psalm Singer'.

Shout For Joy! by David Stocker for SATB choir with Piano accompaniment. This piece is dedicated to the memory of Julie Effhauser. It was commissioned by the Sacred Heart High School Choir, EastGrand...

German/English.

A new setting from C. Harry Causey of Geoffrey O'Hara's classic sacred song. The optional ChoirTrax Cassette or orchestration will enhance any performance. Available: SATB, SAB, Performance/Accompanim...

A new setting from C. Harry Causey of Geoffrey O'Hara's classic sacred song. The optional ChoirTrax Cassette or orchestration will enhance any performance. Available: SATB, SAB, Performance/Accompanim...

Here is a benediction for all manner of choral programs, concert, worship, interfaith and more. Simple, direct, non-sectarian and accessible, it will offera fine close for any occasion. may the living...

Now available in one volume! Five of the most popular choral masterworks from the Schirmer classic choral library. An excellent value for schools, colleges, community choirs and churches. Also availab...

A modern sacred classic has been carefully edited to singable SATB voicing making it accessible to a wide variety of choirs for the first time. The new orchestration (or ChoirTrax CD) is majestic and...

This 6-minute sacred motet by John Harbison was premiered in January 2004 at the Vatican. Featuring a text from Psalm 17, it was composed to strengthen the ties between the Jews, Christians and Muslim...

Singer/songwriter Eliza Gilkyson wrote Requiem as a song of grief following the Asian tsunami in December, 2004 and the song found a renewed audience after Hurricane Katrina devastated the Gulf Coast...

Singer/songwriter Eliza Gilkyson wrote Requiem as a song of grief following the Asian tsunami in December, 2004 and the song found a renewed audience after Hurricane Katrina devastated the Gulf Coast...

Based on a cantillation melody collected by the composer's father in the 1920s, this short work suggests ancient origins. The tonality reflects very little of the modes we often associate with orienta...