Sheet Music for Mixed Choir (SATB)

The famous words of Christina Rossetti and the music of Gustav Holst are beautifully set for a cappella voices by Jay Rouse. It begins with wind-like oo's, then followed by a more contemporary choral...

Using the traditional lyric, 'May the road rise to meet you', Joyce's a cappella creation makes a moving, easily-taught concert closer. Available: SATB a cappella.

With both an English and a Swedish text, this simple tune and comforting text are perfect for general church services or the concert stage. The melody is passed around from one voice part to another b...

A fun, syncopated, spiritual-type piece for a cappella choir. There's also a part for a soprano solo. Requires a full group, as all parts divide at times. A rousing hand-clapper!

Simplified version for SATB Choir A Cappella.

For a cappella SATB voices, with text by Gerard Manley Hopkins. Includes piano accompaniment for rehearsal purposes.

The third in a suite of four, the text forms a requiem in miniature, with varied vocal textures and harmonies and dynamic contrasts. Performance time: approx. 5:30.

Displaying Chydenius's unique style, I am the great sun is a driven and focused setting of Charles Causley's poem. This is textured choral writing: you'll find imitative passages, melodic and rhythmic...

for SATB (with divisions) unaccompanied This sacred a cappella work is a joyous anthem, written for the Papal visit to Westminster Abbey in September 2010.

for SATB with divisions, unaccompanied This is a sensitive and uplifting setting of a text by Geraldine Atkinson, who tragically died aged 24. The reflective nature of the music makes it particularly...

for SATB (with divisions) unaccompanied Jackson effectively intersperses sonorous polyphonic passages for full choir with spoken text and murmuring ostinato motifs in free time.

SATB unaccompanied This set of Preces and Responses was commissioned by the London Festival of Contemporary Church Music for their 2010 festival. The work is uplifting, beautifully crafted, and perfec...

for SATB unaccompanied A setting of the Mass in Latin, written for the Truro Cathedral Choir.

This setting was commissioned by the BBC Singers and premiered in April 2012. The text recounts the destruction of the ancient city of Jerusalem by King Nebuchadnezzar in 586 BC.

Originally published in Sun, Moon, Sea, and Stars, this piece sets a poem by Sara Teasdale that likens a heart seeking its love to a swallow's cry. Chydenius's rich harmonies, syncopated melodies, and...

For SATB unaccompanied This collection of 27 Russian sacred choral works was compiled and edited by Russian music scholar and choral director Noelle Mann, who was curator of the Prokofiev Archive at t...

This simple, well-crafted motet is bright, optimistic, and compelling. Skempton employs artful homophony and sensitive word-setting, and the repetitions of the opening refrain build towards an effecti...

Skempton's setting of the Preces and Responses is simple, well-crafted, and harmonically rewarding, and is perfect for choirs seeking new material for the liturgy.

for SATB (with divisions) unaccompanied Based on Frances Anne Kemble's poem 'An Entreaty', this enchanting piece describes the experience of leaving a beloved time and place. Lush, expressive harmonie...

A simple setting of this popular medieval Advent carol which has great originality and impact. The style is controlled, almost austere, and the effect is hypnotic. This is an unsettling but poignant p...

A mystical, atmospheric Epiphany carol, The Wise Men and the Star sets a text by Lucia Quinault depicting the journey of the wise men. Tarney's appealing musical language creates a sense of expectancy...

This short sacred work for unaccompanied mixed choir is a highly atmospheric setting of the poet Henry Vaughan's mystical and enigmatic poem of the same name. Written for the choir of St Peter's Colle...

A mystical, atmospheric Epiphany carol, The Wise Men and the Star sets a text by Lucia Quinault depicting the journey of the wise men. Tarney's appealing musical language creates a sense of expectancy...