Sheet Music for Mixed Choir (SATB)

This gently flowing, contemplative sacred choral work sets words from Isaiah 26 and Psalm 73, expressing gratitude for God's protection and guidance. McGlade includes a short passage which may be sung...

Keep me as the apple of the eye is a tranquil and meditative sacred work, suitable for performance throughout the liturgical year. Drawn from Psalm 17, the text is a plea for shelter and protection in...

Painting vivid imagery of falling leaves through cascading layers of sound in the work's opening and closing, McDowall employs contrasting rhythmic unisons to heighten the impact of this evocative tex...

This uplifting and affirmatory piece sets a text by the composer inspired by the reflections of the Northwest Girlchoir on what their choir means to them. A gradual building of choral texture creates...

Written in celebration of the 40th anniversary of the Tallis Scholars, this joyful and virtuosic antiphon captures a sense of both jubilation and devotion, in keeping with the spirit of the anniversar...

Our Voice sets the poem 'Murmuration' by contemporary poet Eleanor Stewart-Pointing, which explores the relationship between the human voice and the sounds and music of the natural world. The piano wr...

Orchestral material is available on hire.

This is a beautiful and modern setting of a traditional text, popularised by Orlando Gibbons' well-known madrigal 'The silver swan'. Also available in versions for solo high voice and SSA.

This powerful work is a sequence of meditations on loss, longing, fear, and hope. The text is in Latvian and English - a pronunciation guide for the Latvian text is included in the vocal score. Jackso...

This SATB arrangement has been the result of 3 other versions of Greensleeves by Vaughan Williams and is perfect for a spring or autumn concert. Offprinted from Vaughan Williams for Choirs 2.

This is a simple and elegant miniature in characteristic Skempton style, with graceful choral homophony, seamlessly fluctuating time signatures, and hypnotic, meandering harmonies. The text, by Willia...

The first two of these four songs are for solo baritone. The third song, 'Pan', is written for both soloists, with the melody passing back and forth between the singers. Xenophanes is also written for...

In this poignant ballad Toby Young has set an adaptation of Emily Dickinson's poem My Letter to the World to heartfelt melodies with a pop-style piano accompaniment. The song reflects on the pain of b...

This is a version for string quartet of Erkoreka's saxophone quartet, Duduk II. It is the last of the four Duduk pieces which are based on the traditional modes/scales of Armenia.

A Catalan carol supported by a lilting melody from L'Anthologie des chants Populaires Français. Orchestral scores and parts are also available. Offprinted from the collection Twelve Christmas Carols S...

This delightful work tells the story of the 14th-century Dominican mystic Heinrich Suso who, according to legend, notated the carol In dulci jubilo after it had been sung to him by a band of angels; h...

The O nata lux text is taken from a 10th-century anonymous hymn that uses the concept of light to symbolise hope, a particularly pertinent theme for Advent. Throughout this setting the sopranos intert...

In this beautiful setting, Latvian composer Laura Jekabsone presents a modern, popular take on Henry John Gauntlett's familiar carol text. The piece is led by two soloists (one upper voice, one lower...

With a simple, appealing melody and a flowing accompaniment, The Colours of Christmas evokes a touching sense of longing for the joys of the festive season.

A triumphant arrangement of this ever-popular West Indian spiritual which was originally published in Christmas Spirituals for Choirs.

This is an energetic setting of a traditional text, with a memorable tune, attractive sequences, and an exciting climax, all in a lilting swing. A version for SATB is also available.

Setting of a text by St. Robert Bellarmine (1542-1621), a Hymn for Lauds on the feast of the Guardian Angels.