Sheet Music for Mixed Choir (SATB)

Pēteris Vasks (April 16, 1946 in Aizpute) is a Latvian composer. He now lives as a freelance composer in Riga and is one of the best-known composers from the states of the former Soviet Union.

Davide Perez (1711-1782), who was known to his contemporaries above all as a composer of operas, wrote this skilful late baroque passiontide motet setting of the well-known words from the story of Chr...

Written for church services, Bertold Hummel's motets were first performed by the choirs of the Würzburg Cathedral. This Dankhymnus enjoys remarkable popularity. The text from the first Christian centu...

A zippy song to be sung with extra motions: clapping and stomping.The big hit at the Open Singing events at the Europa Cantat Festival in Mainz!

Three Christmas carols in easy settings by the English choir conductor Malcolm Goldring.The original Basque Christmas lullaby 'The Infant King' is very popular in English-speaking areas. The gentle so...

During his second American tour (1938) Paul Hindemith wrote numerous songs for musical amateurs, including traditional children's songs for American schoolbooks, amongst others. The songs provided wit...

When it was possible to celebrate the Catholic Mass in the German language as well, Bertold Hummel wrote his motet Ehre sei Gott for mixed four-part choir. This piece is a 'German gloria' and can be p...

In addition to his world-famous film scores ('Godfather', 'La dolce vita'), Nino Rota also composed chamber and vocal music, with choral music playing a prominent role. The three choral pieces selecte...

The Pater noster for choir a cappella, is an homophonic setting of the Mozarabic melody and is suitable for both liturgy and concert. The Mozarabic traditional text includes an extra verse after Panem...

Die spanisch-deutsche Komponistin Raquel Cristóbal, die bereits mit Ihrem Gewinnerstück beim Kompositionswettbewerb des Chorverband NRW 'An den Mond' (C55497) für Aufsehen sorgte, schenkt uns zur Weih...

This work with its calmly pleading character lives on the contrast between the freely metric, virtually Gregorian passages and the strict time-beating sections. It is especially in the 'Da pacem' call...

Andreas Pieper's overall artistic aim to 'build a bridge of confidence to the world behind things' with his music can be heard clearly in his setting of Tollite iugum meum. The Latin-language motet fo...

The fact that Pascal Martiné is a real expert in the field of sacred choral music shows once again in the 'Three Motets' for mixed a-cappella choir (SATB) by the Mainz-based composer and (choir) teach...

The Spanish composer Rafael Sánchez Mombiedro set the well-established text 'O Magnum Mysterium' on the Coming of God to music in a new and inspiring way. He plays with dynamics and strange harmonies,...

The work interprets in a sensitive way the effect Pope Frances, who was elected in March 2013, has on people. Based on three Argentine folk songs, the mass with its powerful and quiet parts arouses fe...

Mit seinem 'Ave verum' hat Alwin M. Schronen ein wahres Kleinod geistlicher A-cappella-Chormusik geschaffen. Der Vertonung für vierstimmigen gemischten Chor (SATB) liegt der altbekannte Text der Eucha...

Kurze Cluster, die sich kaum merklich auflösen und die Harmonie verändern, umspielen das spätromantische Liebesgedicht. Größtenteils getragen und flächig verlangt diese Komposition eine gute Intonatio...

Das Liebesgedicht von Lord Byron lebt in dieser Vertonung durch feinste dynamische Unterschiede und sphärische Klänge. Der Komponist arbeitet mit Temposchwankungen und einer sehr expliziten Ausdeutung...

A modern interpretation and setting of the Christmas text about the Immaculate Conception by the award winning American composer Matthew Brown, who has had his choral works premiered all over the US.

The text of Hildegard von Bingen is interpreted with spherical and archaic sounds. Frictions form and dissolve, harmonies come and go. The piece is particularly suitable for chamber choir, demanding a...

'Daybreak' is a 16th-century love poem set to music by Matthew Brown for four-part chamber choir. Harmonic frictions spice up the tonal image of romantic love.