Sheet Music for Trumpet Solo
Jan Krtitel Jiri Neruda - his forenames mean John the Baptist George - received his education in Prague and for a time played the violin in a theater orchestra there, as did his elder brother by about...
Jan Krtitel Jiri Neruda - his forenames mean John the Baptist George - received his education in Prague and for a time played the violin in a theater orchestra there, as did his elder brother by about...
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Jan Krtitel Jiri Neruda - his forenames mean John the Baptist George - received his education in Prague and for a time played the violin in a theater orchestra there, as did his elder brother by about...
Jan Krtitel Jiri Neruda - his forenames mean John the Baptist George - received his education in Prague and for a time played the violin in a theater orchestra there, as did his elder brother by about...
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Adventures in Brass is a series of 6 six brass solos written by Anthony Plog and commissioned by M. Dee Stewart, Director of CAP ventures (College Auditions Preparation) at the Jacobs School of Music,...
Adventures in Brass is a series of 6 six brass solos written by Anthony Plog and commissioned by M. Dee Stewart, Director of CAP ventures (College Auditions Preparation) at the Jacobs School of Music,...
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Adventures in Brass is a series of 6 six brass solos written by Anthony Plog and commissioned by M. Dee Stewart, Director of CAP ventures (College Auditions Preparation) at the Jacobs School of Music,...
Adventures in Brass is a series of 6 six brass solos written by Anthony Plog and commissioned by M. Dee Stewart, Director of CAP ventures (College Auditions Preparation) at the Jacobs School of Music,...
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Why not? is an invitation to abandon cultural conformity and pursue less conventional techniques, sounds and expressive resources within a wide dynamic range specifically related to the rich sound pot...
Why not? is an invitation to abandon cultural conformity and pursue less conventional techniques, sounds and expressive resources within a wide dynamic range specifically related to the rich sound pot...
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Why not? is an invitation to abandon cultural conformity and pursue less conventional techniques, sounds and expressive resources within a wide dynamic range specifically related to the rich sound pot...
Why not? is an invitation to abandon cultural conformity and pursue less conventional techniques, sounds and expressive resources within a wide dynamic range specifically related to the rich sound pot...
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Jean-François Michel has developed his own and original style of musical writing within a large range of lyrical, cadencial or dancing sequences in which beams a strong artistic synergy of instrumenta...
Jean-François Michel has developed his own and original style of musical writing within a large range of lyrical, cadencial or dancing sequences in which beams a strong artistic synergy of instrumenta...
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Jean-François Michel has developed his own and original style of musical writing within a large range of lyrical, cadencial or dancing sequences in which beams a strong artistic synergy of instrumenta...
Jean-François Michel has developed his own and original style of musical writing within a large range of lyrical, cadencial or dancing sequences in which beams a strong artistic synergy of instrumenta...
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Jewish ritual music, originally ceremonial and religious, became secularized and popularized with the klezmer (yiddish) music used for askhenaze community feasts in central and eastern Europe before e...
Jewish ritual music, originally ceremonial and religious, became secularized and popularized with the klezmer (yiddish) music used for askhenaze community feasts in central and eastern Europe before e...
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With Canto y Danza [song and dance] the composer is requesting the specific Bb-trumpet sound (but the Canto part could very well be played on flugelhorn). The piece starts with a sober song developpin...
With Canto y Danza [song and dance] the composer is requesting the specific Bb-trumpet sound (but the Canto part could very well be played on flugelhorn). The piece starts with a sober song developpin...
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With Canto y Danza [song and dance] the composer is requesting the specific Bb-trumpet sound (but the Canto part could very well be played on flugelhorn). The piece starts with a sober song developpin...
With Canto y Danza [song and dance] the composer is requesting the specific Bb-trumpet sound (but the Canto part could very well be played on flugelhorn). The piece starts with a sober song developpin...
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In May, 2011, I was asked by the Italian trumpet soloist Ivano Ascari, to write a piece for him. Based on my piano piece '5+5' (1981) I wrote the piece so that it can be played with the same three fin...
In May, 2011, I was asked by the Italian trumpet soloist Ivano Ascari, to write a piece for him. Based on my piano piece '5+5' (1981) I wrote the piece so that it can be played with the same three fin...
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In May, 2011, I was asked by the Italian trumpet soloist Ivano Ascari, to write a piece for him. Based on my piano piece '5+5' (1981) I wrote the piece so that it can be played with the same three fin...
In May, 2011, I was asked by the Italian trumpet soloist Ivano Ascari, to write a piece for him. Based on my piano piece '5+5' (1981) I wrote the piece so that it can be played with the same three fin...
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This collection of original compositions was specially conceived for beginners of the first three study years. The rhythms are very simple, the range deliberately reduced, the musical styles however g...
This collection of original compositions was specially conceived for beginners of the first three study years. The rhythms are very simple, the range deliberately reduced, the musical styles however g...
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Evocations for trumpet and organ The calm musical interrogative calls of the Introduction serve as invitations to peaceful and spiritual listening. Evocation I is inspired by the Gregorian Chants as i...
Evocations for trumpet and organ The calm musical interrogative calls of the Introduction serve as invitations to peaceful and spiritual listening. Evocation I is inspired by the Gregorian Chants as i...
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Evocations for trumpet and organ The calm musical interrogative calls of the Introduction serve as invitations to peaceful and spiritual listening. Evocation I is inspired by the Gregorian Chants as i...
Evocations for trumpet and organ The calm musical interrogative calls of the Introduction serve as invitations to peaceful and spiritual listening. Evocation I is inspired by the Gregorian Chants as i...
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On American Ground are a set of four works for trumpet in C or flugelhorn and piano that explore and, in the case of the first three works, re-imagine unique, iconic American folk songs and hymns.
On American Ground are a set of four works for trumpet in C or flugelhorn and piano that explore and, in the case of the first three works, re-imagine unique, iconic American folk songs and hymns.
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On American Ground are a set of four works for trumpet in C or flugelhorn and piano that explore and, in the case of the first three works, re-imagine unique, iconic American folk songs and hymns.
On American Ground are a set of four works for trumpet in C or flugelhorn and piano that explore and, in the case of the first three works, re-imagine unique, iconic American folk songs and hymns.
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The Trumpet Concerto No. 3 for trumpet and brass band uses five paintings of the painter Wassily Kandinsky (1866-1944) as inspirations for the various movements. Although Kandinsky was an abstract art...
The Trumpet Concerto No. 3 for trumpet and brass band uses five paintings of the painter Wassily Kandinsky (1866-1944) as inspirations for the various movements. Although Kandinsky was an abstract art...
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The Trumpet Concerto No. 3 for trumpet and brass band uses five paintings of the painter Wassily Kandinsky (1866-1944) as inspirations for the various movements. Although Kandinsky was an abstract art...
The Trumpet Concerto No. 3 for trumpet and brass band uses five paintings of the painter Wassily Kandinsky (1866-1944) as inspirations for the various movements. Although Kandinsky was an abstract art...
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The first movement is called Fantasy, for no particular reason, other than gratitude for being alive! In the second movement, Meditation/Elegy, the slow, 'dirge' theme reflects not only the somber asp...
The first movement is called Fantasy, for no particular reason, other than gratitude for being alive! In the second movement, Meditation/Elegy, the slow, 'dirge' theme reflects not only the somber asp...
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The first movement is called Fantasy, for no particular reason, other than gratitude for being alive! In the second movement, Meditation/Elegy, the slow, 'dirge' theme reflects not only the somber asp...
The first movement is called Fantasy, for no particular reason, other than gratitude for being alive! In the second movement, Meditation/Elegy, the slow, 'dirge' theme reflects not only the somber asp...
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Divided into two parts (2+2 attacca movements) the Sonatina is a study in contrasts. The opening calm and peaceful theme is quite suddenly interrupted by an aggressive and brutal sounding allegro, and...
Divided into two parts (2+2 attacca movements) the Sonatina is a study in contrasts. The opening calm and peaceful theme is quite suddenly interrupted by an aggressive and brutal sounding allegro, and...
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Divided into two parts (2+2 attacca movements) the Sonatina is a study in contrasts. The opening calm and peaceful theme is quite suddenly interrupted by an aggressive and brutal sounding allegro, and...
Divided into two parts (2+2 attacca movements) the Sonatina is a study in contrasts. The opening calm and peaceful theme is quite suddenly interrupted by an aggressive and brutal sounding allegro, and...
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3 Studies for solo trumpet is a short work that highlights both the technical and also the expressive, thoughtful sides of the instrument. Written in the typical three movement form of fast, slow, fas...
3 Studies for solo trumpet is a short work that highlights both the technical and also the expressive, thoughtful sides of the instrument. Written in the typical three movement form of fast, slow, fas...
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