Sheet Music for Viola Solo

Written in 1981 for the painter and musician Rivka Golani, the work was premiered in 1981 as part of Musique Vivante, Paris, by Rivka Golani, viola. A harmony progressing at a very slow tempo is cover...

> A pioneering Urtext edition > With an unmarked Urtext part > With a second part including fingering and bowing based on the practices of contemporaries of Brahms > With an extensive Performance Prac...

Ergänzend zur neuen Urtext-Ausgabe der Violinsonate erscheint eine kritisch-praktische Ausgabe des Werks in der Fassung für Violoncello und Klavier, die aus der Feder des mit Franck befreundeten Celli...

The intimate atmosphere of the first of the 'Trois Poèmes' op. 66 is evoked here in a purely instrumental form - technically easily accessible, with an expressive melodic and corresponding harmonic tr...

> Popular repertoire piece from the Viennese classical period > Idiomatic piano reduction > Solo part revised by Jan Plichta > New trilingual Foreword by Phillip Schmidt (Ger/Cz/Eng) The Bohemian comp...

Sonate für Viola solo

Composed in 1952, the "Rhapsody-Concerto for Viola and Orchestra" stands as one of the most expressive and beloved 20th-century masterpieces for the viola. With its consummate blend of lyrical warmth,...

Immerse yourself in the timeless mastery of Johann Sebastian Bach's "3 Sonatas and 3 Partitas BWV 1001–1006". This peerless monument of music history, originally composed for solo violin, shines in a...

Arrangement from 1802. For performances with orchestra, the score and parts of the original version BA4773 should be used. Viola solo, flute (2), bassoon (2), horn (2), strings - piano reduction; sing...

Symphonie in vier Sätzen mit Viola solo. Klavierauszug nach dem Urtext der New Berlioz Edition. Viola Solo, Orchester - Klavierauszug

Viola, Orgel - Spielpartitur; Einzelstimme

> New recital pieces for the proven viola tutor > Well-known traditionals > Every piece in first position > Second viola part for duo performance > Piano accompaniment This first volume of the 'Viola...

> New recital pieces for the proven viola tutor > Well-known traditionals > Every piece in first position > Second viola part for duo performance > Piano accompaniment The nine pieces in this second v...

Let your viola sing! The "Viola Recital Album 2", published by the renowned Bärenreiter Verlag, presents an inspiring collection of nine charming recital pieces arranged entirely in first position. Pe...

> New recital pieces for the proven viola tutor > Well-known traditionals > Every piece in first position > Second viola part for duo performance > Piano accompaniment The seven recital pieces in volu...

> New recital pieces for the proven viola tutor > Well-known traditionals > Every piece in first position > Second viola part for duo performance > Piano accompaniment The pieces in volume 4 of the 'V...

Wolkenfelder' for viola and harp was first performed at the New York Carnegie Recital Hall in 1965. Since then, this very dense work with its four strongly contrasting movements has lost nothing of it...

In zwei Sätzen voller Bewegung und Intimität - andante con moto und presto - lotet der Komponist und Schönbergs Meisterschüler Norbert von Hannenheim den Klangraum des Duos Viola und Klavier aus. Durc...

Die Idee den Quintenzirkel zu überbrücken und aus der Verbindung der voneinander weit entfernten Tonarten C-Dur und Fis-Dur eine neue musikalische Klanglichkeit zu formen, zieht sich mannigfaltig durc...

Die Suite des Komponisten Norbert von Hannenheim ist geprägt durch tänzerischen Gestus aller vier Sätze. Sie fokussiert die aufrichtige Kraft der Viola in ihrer tiefsten Lage, um in prägnanter Knapphe...

Das Stück ist ein Teil des Balletts Wild Swans, das Meryl Tankard 2002 im Opernhaus Sydney auf Grundlage des Märchens Die wilden Schwäne von Hans Christian Andersen choreographiert hat. Ursprünglich m...

This small suite of three solo pieces was written for violist Deborah Lander, a member of the Sydney Alpha Ensemble, which recorded Kats-Chernin's first portrait CD Clocks for ABC Classics in 1997. Th...

After moving to Munich in 1947, Hans Winterberg made contact with German musical life, primarily with the help of former friends from his student days in Prague, such as Fritz Rieger, the chief conduc...