Sheet Music for Voices: Alto & Bass
- Low Voice and Piano
- Sheet Music
- Fürstner Musikverlag
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- Low Voice and Piano
- Piano Reduction
- Fürstner Musikverlag
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- Low Voice and Piano
- Piano Reduction
- Fürstner Musikverlag
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Noten für Bariton oder Bass und Klavier.
Noten für Bariton oder Bass und Klavier.
- Medium Voice and Piano
- Sheet Music
- Fürstner Musikverlag
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Noten für Bariton oder Bass und Klavier.
Noten für Bariton oder Bass und Klavier.
- Medium Voice and Piano
- Sheet Music
- Fürstner Musikverlag
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- Medium Voice and Piano
- Sheet Music
- Fürstner Musikverlag
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Noten für Bariton oder Bass und Klavier.
Noten für Bariton oder Bass und Klavier.
- Medium Voice and Piano
- Sheet Music
- Fürstner Musikverlag
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- Low Voice and Piano
- Sheet Music
- International Music Company (IMC)
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ARIAS from OPERAS
- Low Voice and Piano
- Sheet Music
- International Music Company (IMC)
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ARIAS from OPERAS
- Low Voice and Piano
- Sheet Music
- International Music Company (IMC)
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- Low Voice and Piano
- Sheet Music
- International Music Company (IMC)
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The edition is part of the ABRSM syllabus (grade 8)
The edition is part of the ABRSM syllabus (grade 8)
- Low Voice and Piano
- Sheet Music
- International Music Company (IMC)
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English version by PROCTER-GREGG
English version by PROCTER-GREGG
- Low Voice and Piano
- Sheet Music
- International Music Company (IMC)
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- Low Voice and Piano
- Sheet Music
- Fritz Etzensberger
- Edition Kunzelmann
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Since it does not appear in Ottoboni's Trattenimenti poetici and fails to exhibit one of his most consistent stylistic ‘trademarks' - the use of end-rhyme throughout the recitative stanzas (i.e....
Since it does not appear in Ottoboni's Trattenimenti poetici and fails to exhibit one of his most consistent stylistic ‘trademarks' - the use of end-rhyme throughout the recitative stanzas (i.e....
- Low Voice and Continuo
- Sheet Music
- Michael Talbot
- Edition HH Limited
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Both cantatas are typical specimens of Albinoni's style. The little flourishes of conjunct demisemiquavers seen in bar 13 of the opening aria of Vorrei che lo sapessi and bar 14 of that of Senza il co...
Both cantatas are typical specimens of Albinoni's style. The little flourishes of conjunct demisemiquavers seen in bar 13 of the opening aria of Vorrei che lo sapessi and bar 14 of that of Senza il co...
- Low Voice and Continuo
- Sheet Music
- Michael Talbot
- Edition HH Limited
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Towards the end of his life the composer, diplomat and bishop Agostino Steffani (1654-1728) was invited to send some examples of his work to the recently established Academy of Vocal (later 'Ancient')...
Towards the end of his life the composer, diplomat and bishop Agostino Steffani (1654-1728) was invited to send some examples of his work to the recently established Academy of Vocal (later 'Ancient')...
- High Voice, Low Voice and Continuo
- Score and Parts
- Schott Musik
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- Low Voice and Guitar
- Score and Parts
- Antonio Grande
- UT Orpheus Edizioni
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- Low Voice and Continuo
- Score and Parts
- UT Orpheus Edizioni
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Egad! Somehow, the Et Exspecto solo from P.D.Q. Bach's suspect opera Hansel and Gretel and Ted and Alice - thankfully restricted to supervised rental status - has leaked out to the public sphere! The...
Egad! Somehow, the Et Exspecto solo from P.D.Q. Bach's suspect opera Hansel and Gretel and Ted and Alice - thankfully restricted to supervised rental status - has leaked out to the public sphere! The...
- Low Voice and Piano
- Sheet Music
- Peter Schickele
- Theodore Presser Company
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'Songs of Love and Loss was originally written for bass voice and piano; and premiered by Bryan Matthews at Juilliard in 1984. Subsequently in 2004; I arranged the work for Bass Trombone and Piano for...
'Songs of Love and Loss was originally written for bass voice and piano; and premiered by Bryan Matthews at Juilliard in 1984. Subsequently in 2004; I arranged the work for Bass Trombone and Piano for...
- Low Voice and Piano
- Piano Reduction
- Theodore Presser Company
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An enticing rarity in the vocal literature, 1861 is a 5-minute work for unaccompanied voice - a miniature monodrama, sung a cappella. Okoye's music and dramatic pacing are in tune with Whitman's words...
An enticing rarity in the vocal literature, 1861 is a 5-minute work for unaccompanied voice - a miniature monodrama, sung a cappella. Okoye's music and dramatic pacing are in tune with Whitman's words...
- Low Voice
- Sheet Music
- Theodore Presser Company
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For Low Voice, Piano. Classical. Piano/Vocal Score. Opus 83. 7 pages.
- Low Voice and Piano
- Piano Reduction
- Theodore Presser Company
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A Prayer by St. Francis of Assisi
- Low Voice and Piano
- Sheet Music
- Theodore Presser Company
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Arranged by Fred Bock. For Low Voice, Organ. Piano/Vocal Score. 4 pages.
Arranged by Fred Bock. For Low Voice, Organ. Piano/Vocal Score. 4 pages.
- Low Voice and Organ
- Piano Reduction
- Theodore Presser Company
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