Sheet Music for Voices: Alto & Bass

The traditional Irish work Let Him Go, Let Him Tarry, arranged by Heidi Pegler for low voice and piano accompaniment in digital sheet music format.

Camptown Races, written by Stephen Foster and arranged by Heidi Pegler for low voice and piano accompaniment in digital sheet music format.

The traditional work Cockles And Mussels, arranged by Pam Wedgwood for low voice and piano accompaniment in digital sheet music format.

The Irish traditional work I Know Where I'm Goin', arranged by Pam Wedgwood for low voice and piano accompaniment in digital sheet music format.

The traditional work Lavender's Blue, arranged by Heidi Pegler for low voice and piano accompaniment in digital sheet music format.

The traditional Italian work Ma Bella Bimba (How beautiful the ballerina), arranged by Heidi Pegler for low voice and piano accompaniment in digital sheet music format.

The traditional work My Grandfather's Clock, arranged by Heidi Pegler for low voice and piano accompaniment in digital sheet music format.

The traditional work Pretty Polly Oliver, arranged by Heidi Pegler for low voice and piano accompaniment in digital sheet music format.

The traditional work Sans Day Carol, arranged by Heidi Pegler for low voice and piano accompaniment in digital sheet music format.

The traditional work The Gower Wassail, arranged by Heidi Pegler for low voice and piano accompaniment in digital sheet music format.

This volume of best-loved folk songs for solo voice and piano contains fourteen memorable works arranged by three of Alfred's top writers: Jay Althouse, Mark Hayes and Ruth Elaine Schram. Includes 'Ca...

Comedy Tonight, written by Stephen Sondheim and arranged for piano and voice in digital sheet music format and taken from The Best Of Singing Grades 4-5 (Low Voice).

I Could Have Danced All Night, written by Frederick Loewe with words by Alan Jay Lerner and arranged for piano and voice in digital sheet music format and taken from The Best Of Singing Grades 4-5 (Lo...

The Deadwood Stage (from 'Calamity Jane'), written by Sammy Fain with words by Paul Webster and arranged for low voice and piano accompaniment in digital sheet music format.

Wouldn't It Be Loverly? (from 'My Fair Lady'), written by Frederick Loewe with words by Alan Jay Lerner and arranged for low voice and piano accompaniment in digital sheet music format.

Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind. Titles: Comed...

These anthologies contain ten Bernstein songs each and are available for four different registers. Each edition is characterized by its own selection of titles for each register. Among these titles ar...

A collection of songs from the musical stage, categorized by voice type. This selection for baritone/bass are presented in their authentic settings, excerpted from the original vocal scores.

Die Sammlung argentinischer Tangos für Gesang und Klavier bietet einen repräsentativen Quer­schnitt durch sämtliche Epochen des Tango, von den Anfängen und der Gardel-Ära über das Goldene Zeitalter un...

Thirty-six eight-measure vocalises for elementary vocal teaching, arranged for bass.

As a composer Salvatore Marchesi has published a number of settings of French, German and Italian songs, distiguished for graceful inspiration. But, he is still better known for his Twenty Elementary...

This is the first volume in a five-volume set of the complete songs and vocalises of Gabriel Fauré, the only complete critical edition. Based on the study of hundreds of manuscript and printed sources...

A collection of exercises for elementary vocal teaching arranged for Alto Voice, composed by Ferdinand Sieber.

Contents: Mozart: O Isis und Osiris (Die Zauberflöte) / In diesen heil'gen Hallen (Die Zauberflöte) - Rossini: La calunnia (Il Barbiere di Siviglia) / Miei rampolli femminini (La Cenerentola) - C. M....