Sheet Music for Voices: Soprano & Tenor
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The 9 Lieder op. 15, of the composer Johanna Senfter from Oppenheim, were probably composed around 1913, as this is also when the Passacaglia for two pianos op. 14 was written. The vocal miniatures ma...
The 9 Lieder op. 15, of the composer Johanna Senfter from Oppenheim, were probably composed around 1913, as this is also when the Passacaglia for two pianos op. 14 was written. The vocal miniatures ma...
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The 9 Lieder op. 15, of the composer Johanna Senfter from Oppenheim, were probably composed around 1913, as this is also when the Passacaglia for two pianos op. 14 was written. The vocal miniatures ma...
The 9 Lieder op. 15, of the composer Johanna Senfter from Oppenheim, were probably composed around 1913, as this is also when the Passacaglia for two pianos op. 14 was written. The vocal miniatures ma...
- High Voice and Piano
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- Schott Musik
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A number of sketches for this work were made in Greece in the summer of 1958. When the work was finished, I dedicated it to Benjamin Britten. In 1963, on the occasion of the 60th birthday of my old fr...
A number of sketches for this work were made in Greece in the summer of 1958. When the work was finished, I dedicated it to Benjamin Britten. In 1963, on the occasion of the 60th birthday of my old fr...
- High Voice and Piano
- Piano Reduction
- Schott Musik
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- High Voice and Piano
- Piano Reduction
- Schott Musik
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- High Voice and Piano
- Piano Reduction
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- High Voice and Piano
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- Schott Musik
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- High Voice and Piano
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- High Voice and Piano
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- High Voice and Piano
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Wagner's Wesendonck Lieder consist of a five songs for female voice and piano. The songs are settings of five of Mathilde Wesendock's poems.
Wagner's Wesendonck Lieder consist of a five songs for female voice and piano. The songs are settings of five of Mathilde Wesendock's poems.
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- Mathilde Wesendonk
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Wagner's Wesendonck Lieder consist of a five songs for female voice and piano. The songs are settings of five of Mathilde Wesendock's poems.
Wagner's Wesendonck Lieder consist of a five songs for female voice and piano. The songs are settings of five of Mathilde Wesendock's poems.
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- Mathilde Wesendonk
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Commenting on this cycle of 35 songs, the composer writes: "The contradictions in human nature delighted him; he loved the unevenness of life and all its manifestations. While nineteenth Century music...
Commenting on this cycle of 35 songs, the composer writes: "The contradictions in human nature delighted him; he loved the unevenness of life and all its manifestations. While nineteenth Century music...
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- Anton J. Benjamin
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