Sheet Music for Voices: Soprano & Tenor

Zwei Braune Augen (Two Brown Eyes) Op.5 No. 1, written by Edvard Grieg and arranged by Heidi Pegler for high voice and piano accompaniment in digital sheet music format.

Après un rêve Op.7, No.1, composed by Gabriel Fauré with traditional Tuscan words. Taken from the Gabriel Fauré Centenary Songbook arranged and edited by Roy Howat and Emily Kilpatrick for high voice...

Arpège Op.76, No.2, composed by Gabriel Fauré with words by Albert Samain. Taken from the Gabriel Fauré Centenary Songbook arranged and edited by Roy Howat and Emily Kilpatrick for high voice with pia...

Clair de lune (Op.46 No.2), composed by Gabriel Fauré with words by Paul Verlaine. Taken from the Gabriel Fauré Centenary Songbook arranged and edited by Roy Howat and Emily Kilpatrick for high voice...

Danseuse Op.113, No.4, composed by Gabriel Fauré with words by Renée de Brimont. Taken from the Gabriel Fauré Centenary Songbook arranged and edited by Roy Howat and Emily Kilpatrick for high voice wi...

Diane, Séléné Op.118, No.3, composed by Gabriel Fauré with words by Jean de La Ville de Mirmont. Taken from the Gabriel Fauré Centenary Songbook arranged and edited by Roy Howat and Emily Kilpatrick f...

Exaucement Op.106, No.1, composed by Gabriel Fauré with words by Charles Van Lerberghe. Taken from the Gabriel Fauré Centenary Songbook arranged and edited by Roy Howat and Emily Kilpatrick for high v...

La Lune Blanche Op.61, No.3, composed by Gabriel Fauré with words by Paul Verlaine. Taken from the Gabriel Fauré Centenary Songbook arranged and edited by Roy Howat and Emily Kilpatrick for high voice...

Le Secret Op.23, No.3, composed by Gabriel Fauré wkith words by Armand Silvestre. Taken from the Gabriel Fauré Centenary Songbook arranged and edited by Roy Howat and Emily Kilpatrick for high voice w...

Les Berceaux Op.23, No.1, composed by Gabriel Fauré with words by Sully Prodhomme. Taken from the Gabriel Fauré Centenary Songbook arranged and edited by Roy Howat and Emily Kilpatrick for high voice...

Les Roses d’Ispahan Op.39, No.4, composed by Gabriel Fauré with words by Leconte De Lisle. Taken from the Gabriel Fauré Centenary Songbook arranged and edited by Roy Howat and Emily Kilpatrick for hig...

Lydia Op.4, No.2, composed by Gabriel Fauré with words by Leconte De Lisle. Taken from the Gabriel Fauré Centenary Songbook arranged and edited by Roy Howat and Emily Kilpatrick for high voice with pi...

Mai Op.1, No.2, composed by Gabriel Fauré with words by Victor Hugo. Taken from the Gabriel Fauré Centenary Songbook arranged and edited by Roy Howat and Emily Kilpatrick for high voice with piano acc...

Mandoline Op. 58, No. 1, composed by Gabriel Fauré with words by Paul Verlaine. Taken from the Gabriel Fauré Centenary Songbook arranged and edited by Roy Howat and Emily Kilpatrick for high voice wit...

Nell Op.18, No.1, composed by Gabriel Fauré with words by Leconte De Lisle. Taken from the Gabriel Fauré Centenary Songbook arranged and edited by Roy Howat and Emily Kilpatrick for high voice with pi...

Prison Op. 68, No. 1, composed by Gabriel Fauré with words by Paul Verlaine. Taken from the Gabriel Fauré Centenary Songbook arranged and edited by Roy Howat and Emily Kilpatrick for high voice with p...

For High Voice and Piano - An extremely expressive and beautiful piece, Ave Maria has been a standard at weddings for generations. This timeless masterpiece by Schubert is presented in high voice; lyr...

New edition of four songs by Russian composer Alexander Borodin. The songs were first published by Rob. Forberg. Includes original Russian text, French singing text from the period, and translations t...

Auf einen Zyklus von Jörg Hilbert für Sopran und Klavier mit Violine ad lib. 2007 hatte die Komponistin das Glück, den bekannten Kinderbuchautor und -illustrator Jörg Hilbert (Ritter Rost) kennen zu l...

Ein neuer Sammelband mit bislang unveröffentlichten Liedern von Fanny Hensel.

Die hier vorliegende Klavierfassung von Fanny Hensels dramatischer Szene Hero und Leander ist kein Klavierauszug der Orchesterfassung: Sie wurde innerhalb von drei Tagen vom 21. bis 23. Dezember 1831...

Als Komponistin mehrerer Opern und sinfonischer Dich­tungen schildert Augusta Holmès in diesem Lied eine dramatische Szene 'lento misterioso'.

Sacem Preis für Komposition. Gestaltbildend ist der Gegensatz zwischen einer expressiven melodischen Führung und ausschlie-lich rhythmischen Elementen.

Sehr lyrischer und ansprechender Liederzyklus mit spanischem Duft. Text: Spanisch.