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I have never had much to do with the accordion in my career up until now, although this instrument is at home in many different forms across the world. It is a great phenomenon how air can be turned i...

Written at the request of the Lawson Trio, this gracefully structured work contrasts atmospheric lyrical writing with bursts of turbulent fast music, including a rather rough and wild scherzo. The thr...

The piece is a fairly athletic work in three movements. The first and third are very rhythmic, fast, and hauntingly jazz-like in a Miles Davis kind of way. The second movement is quite placid, free fl...

Setting a newly written text by Charles Bennett, Five days that changed the world takes singers on a journey through five historical events: the invention of printing, the abolition of slavery, the fi...

This anthem sets the Oculi omnium gradual to still, reflective music. Including sections of plainchant alongside richer textures and close harmonics, it is a beautiful piece that will appeal to a rang...

World premiere on January 28, 1995 in Zellertal-Niefernheim: Soloists of the Villa Musica Mainz

Spielpartitur; Stimmensatz

Grundlage des 2004 für das australische Macquarie-Klaviertrio entstandenen Werks ist ein russisches Märchen: Eine junge Frau entdeckt beim Wasserholen im Brunnen einen verzauberten Mann. Die Musik sch...

Mit Eliza Aria schuf Elena Kats-Chernin einen Welterfolg. Komponiert für das 2003 von Maryl Tankard choreografierte Märchenballett Wild Swans, wurde es ab 2007 als musikalisches Kennzeichen der TV- un...

Russian Rag ist eines von Elena Kats-Chernins bekanntesten Stücken, wurde von ihr für verschiedene Besetzungen arrangiert und fand unter anderem als Filmmusik in dem Knet-Animationsfilm Mary & Max Ver...

Elena Kats-Chernin composed this piece in its original form for solo piano in 1996 when staying on a scholarship at the former home of the Australian composer Peggy Glanville-Hicks (1912 - 1990), as a...

Grechaninov (1864-1956), mostly known for his piano pieces, songs and operas for children, had his first successes within the circle of the St. Petersburg publisher and patron M. P. Belaieff who award...

Mansurian studied Beethoven's 6 Bagatelles Op. 126 and coupled them with thoughts by Proust and T. S. Eliot: The smallest things in life, the little, seemingly useless facts of everyday life are given...

This composition is both a milestone and an interface in Silvestrov's work: it is the end of his 'avant-garde period' and the beginning of what he later calls 'metamusic'. The structure of the work is...