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A pupil of Clara Schumann, Leonard Borwich (1868-1925) published this simple and effective transcription of 'Jesu, joy of man's desiring' from Cantata No. 147 in the year of his death. Offprinted from...

This transcription of the Sarabande from the Cello Suite BWV 1008 featuring haunting suspensions was made by Leonard Borwich (1868-1925), who was a pupil of Clara Schumann. Offprinted from OUP's colle...

Bach's tenor aria from Canata No. 4 ('Christ lag in Todes Banden') is reworked and arranged here for piano by Gerald M. Cooper (1892-1947), featuring creative engagement with the original texture. Off...

This mellifluous arrangement of the tenor aria from Cantata No. 85 ('Seht, was die Liebe tut') by Hubert Foss (1899-1953), the first music editor at the Oxford University Press, features a delicate am...

The Siciliano from Bach's Flute Sonata (BWV 1031) is beautifully transcribed here for piano by Edward Krish. Offprinted from OUP's collection Bach Transcriptions for Piano.

This arrangement of 'Sleepers, Wake' by celebrated pianist Myra Hess is a simple treatment of the three-part version from the Schübler publication of the late 1740s, which was Bach's own reworking of...

This is a beautiful arrangment for piano of Bach's Fugue in G minor (BWV 578), originally for organ, by Norah Drewett de Kresz (1882-1960). Offprinted from OUP's collection Bach Transcriptions for Pia...

Was Gott thut, das ist wohlgethan' is the finale to the first part of Cantata No. 75 and is transcribed here for piano by Herbert Murrill (1909-1952), who moved in the same musical circles as Britten...

Commonly known as the 'deathbed chorale', the last of Bach's Great Eighteen Chorale Preludes is carefully arranged for piano here by Dorothea Salmon and was first published in 1932. Originally from th...

This charming transcription of Bach's Pastorella VWV 590 for organ was made by the accomplished composer, conductor and publisher William Gillies Whittaker (1876-1944) in 1929. Offprinted from OUP's c...

From the collection The Oxford Book of Ceremonial Music for Organ, Book 2, this rousing piece is arranged by Robert Gower from Whitlock's orchestral Wesssex Suite, which evokes aspects of summer by th...

From the collection The Oxford Book of Ceremonial Music for Organ, Book 2, this arrangement of the overture to Handel's Saul is created by W. T. Best and Robert Gower. Suitable for players of intermed...

From the collection The Oxford Book of Ceremonial Music for Organ, Book 2, this joyful piece is evocative of a fanfare, and is suitable for players of intermediate to advanced ability.

From the collection The Oxford Book of Ceremonial Music for Organ, Book 2, this attractive chorale prelude is suitable for players of intermediate to advanced ability.

Originally written for solo piano, Amy Beach's folk-influenced piece is here arranged for organ by Robert Gower. Featuring a lilting melody and serene atmosphere, it is suitable for players of interme...

From the collection The Oxford Book of Ceremonial Music for Organ, Book 2, this theatrical piece was arranged for organ by the composer, from his orchestral score for the music-drama Gold. Suitable fo...

From the collection Epiphany to All Saints for Choirs, this pair of responses are adapted from works by Palestrina, by Francis Jackson and Philip Moore. Scored for SATB unaccompanied, with soprano sol...

The text of Omnes nu laet ons gode loven is from an old Flemish carol, and is a mixture of Old Flemish and Latin (presented here alongside an English text by Jeremy Jackman).

The melody and text of this traditional carol were first collected in 1968 by the composer Peteris Plakidis, in Katlakalns (a district of Riga). It is here arranged for unaccompanied SSA voices by Sel...

Acalentándo Jesús is a gentle lullaby for the newborn baby Jesus by Brazilian composer Ernani Aguiar. Here the original text by Gerson Galle is presented alongside English words by Jeremy Jackman.

Scored for unaccompanied SSAA voices, this vibrant setting of Isaiah 9: 6 draws on the rhythms and textures of modern Nigerian art music in a setting full of dynamic contrast. A version for SATB voice...

French's quasi-lullaby setting of Thomas Hardy's The Oxen opens by alternating between a tutti refrain and solo verses, with an atmospheric syllabic accompaniment, before building to a tutti final ver...

Orchestral material is available on hire

Perfect for celebrating Pentecost, this joyous anthem on the theme of the Holy Spirit centres around the Veni Creator Spiritus plainchant, fragments of which have been skilfully developed to create an...

From the collection The Oxford Book of Ceremonial Music for Organ, Book 2, this magnificent fugue is popularly credited to J. S. Bach, though some eighteenth-century sources ascribe it to his pupil Jo...