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Psalm 147 "Lauda Jerusalem" has an important place in the church year, among other things in vespers on Marian feasts. Antonio Vivaldi's only setting of this Vespers Psalm has some peculiarities: the...
Psalm 147 "Lauda Jerusalem" has an important place in the church year, among other things in vespers on Marian feasts. Antonio Vivaldi's only setting of this Vespers Psalm has some peculiarities: the...
- Soloists (SS), 2 Mixed Choirs (SATB), 4 Violins, 2 Violas and 2 Basso continuo
- Instrumental Parts: Organ 1 & Organ 2 Download (Urtext)
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The psalm setting "Credidi, propter quod locutus sum" RV 605 is a curiosity among Antonio Vivaldi’s sacred vocal works, as it is an arrangement of an arrangement. The basis for this contrafactum was t...
The psalm setting "Credidi, propter quod locutus sum" RV 605 is a curiosity among Antonio Vivaldi’s sacred vocal works, as it is an arrangement of an arrangement. The basis for this contrafactum was t...
- Mixed Choir (SATTB), 2 Violins, 2 Violas and Continuo
- Instrumental Part: Violin 1 (Urtext) Download
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The psalm setting "Credidi, propter quod locutus sum" RV 605 is a curiosity among Antonio Vivaldi's sacred vocal works, as it is an arrangement of an arrangement. The basis for this contrafactum was t...
The psalm setting "Credidi, propter quod locutus sum" RV 605 is a curiosity among Antonio Vivaldi's sacred vocal works, as it is an arrangement of an arrangement. The basis for this contrafactum was t...
- Mixed Choir (SATTB), 2 Violins, 2 Violas and Continuo
- Instrumental Part: Violin 2 (Urtext) Download
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The psalm setting "Credidi, propter quod locutus sum" RV 605 is a curiosity among Antonio Vivaldi’s sacred vocal works, as it is an arrangement of an arrangement. The basis for this contrafactum was t...
The psalm setting "Credidi, propter quod locutus sum" RV 605 is a curiosity among Antonio Vivaldi’s sacred vocal works, as it is an arrangement of an arrangement. The basis for this contrafactum was t...
- Mixed Choir (SATTB), 2 Violins, 2 Violas and Continuo
- Instrumental Part: Viola 1 Download (Urtext)
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The psalm setting "Credidi, propter quod locutus sum" RV 605 is a curiosity among Antonio Vivaldi’s sacred vocal works, as it is an arrangement of an arrangement. The basis for this contrafactum was t...
The psalm setting "Credidi, propter quod locutus sum" RV 605 is a curiosity among Antonio Vivaldi’s sacred vocal works, as it is an arrangement of an arrangement. The basis for this contrafactum was t...
- Mixed Choir (SATTB), 2 Violins, 2 Violas and Continuo
- Instrumental Part: Viola 2 Download (Urtext)
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The psalm setting "Credidi, propter quod locutus sum" RV 605 is a curiosity among Antonio Vivaldi’s sacred vocal works, as it is an arrangement of an arrangement. The basis for this contrafactum was t...
The psalm setting "Credidi, propter quod locutus sum" RV 605 is a curiosity among Antonio Vivaldi’s sacred vocal works, as it is an arrangement of an arrangement. The basis for this contrafactum was t...
- Mixed Choir (SATTB), 2 Violins, 2 Violas and Continuo
- Single part basso continuo Download (Urtext)
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The psalm setting "Credidi, propter quod locutus sum" RV 605 is a curiosity among Antonio Vivaldi’s sacred vocal works, as it is an arrangement of an arrangement. The basis for this contrafactum was t...
The psalm setting "Credidi, propter quod locutus sum" RV 605 is a curiosity among Antonio Vivaldi’s sacred vocal works, as it is an arrangement of an arrangement. The basis for this contrafactum was t...
- Mixed Choir (SATTB), 2 Violins, 2 Violas and Continuo
- Instrumental Part: Organ (Urtext) Download
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Pfingstsequenz - In diesem Werk findet man die Salzburger Vorbilder Mozarts im Hinblick auf die Kirchenmusik. Der Kontrast zwischen Solo und Tutti und die kurzen imitatorischen Abschnitte verweisen au...
Pfingstsequenz - In diesem Werk findet man die Salzburger Vorbilder Mozarts im Hinblick auf die Kirchenmusik. Der Kontrast zwischen Solo und Tutti und die kurzen imitatorischen Abschnitte verweisen au...
- Soloists, Mixed Choir (SATB), 2 Oboes, 2 Horns, 2 Trumpets, Timpani, 2 Violins, Viola and Continuo
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Wolfgang Amadeus Mozarts Offertorium 'Benedictus sit Deus' entstand wahrscheinlich während eines längeren Aufenthalts in Wien zur Einweihung der dortigen Waisenhauskirche am Rennweg, die am 7. Dezembe...
Wolfgang Amadeus Mozarts Offertorium 'Benedictus sit Deus' entstand wahrscheinlich während eines längeren Aufenthalts in Wien zur Einweihung der dortigen Waisenhauskirche am Rennweg, die am 7. Dezembe...
- High Voice, Mixed Choir (SATB), 2 Flutes, 2 Horns, 2 Trumpets, Timpani, Strings and Organ
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Coro SATB, 2 Ctr, 2 Tr, Timp, 2 Vl, Bc, [3 Trb]
- Mixed Choir (SATB), 4 Trumpets, Timpani, 2 Violins and Continuo
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Marienantiphon - Im Gegensatz zu den beiden 'Regina coeli'-Vertonungen KV 74 und 127, die mit Solosopran und Chor besetzt sind, verwendet Mozart in KV 276 das Solistenquartett, das ähnlich wie in den...
Marienantiphon - Im Gegensatz zu den beiden 'Regina coeli'-Vertonungen KV 74 und 127, die mit Solosopran und Chor besetzt sind, verwendet Mozart in KV 276 das Solistenquartett, das ähnlich wie in den...
- Soloists, Mixed Choir (SATB), 2 Oboes, 2 Trumpets, Timpani, Strings and Organ
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In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
- Soloists, Mixed Choir (SATB), 2 Oboes, 2 Trumpets, Timpani, Strings and Organ
- Instrumental Part: Violin 1 (Download)
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In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
- Soloists, Mixed Choir (SATB), 2 Oboes, 2 Trumpets, Timpani, Strings and Organ
- Instrumental Part: Violin 2 (Download)
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In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
- Soloists, Mixed Choir (SATB), 2 Oboes, 2 Trumpets, Timpani, Strings and Organ
- Instrumental Parts: Cello and Double Bass (Download)
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In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
- Soloists, Mixed Choir (SATB), 2 Oboes, 2 Trumpets, Timpani, Strings and Organ
- Instrumental Part: Oboe 1 (Download)
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In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
- Soloists, Mixed Choir (SATB), 2 Oboes, 2 Trumpets, Timpani, Strings and Organ
- Instrumental Part: Oboe 2 (Download)
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In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
- Soloists, Mixed Choir (SATB), 2 Oboes, 2 Trumpets, Timpani, Strings and Organ
- Instrumental Part: Trumpet 1 (Download)
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In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
- Soloists, Mixed Choir (SATB), 2 Oboes, 2 Trumpets, Timpani, Strings and Organ
- Instrumental Part: Trumpet 2 (Download)
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In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
- Soloists, Mixed Choir (SATB), 2 Oboes, 2 Trumpets, Timpani, Strings and Organ
- Instrumental Part: Timpani (Download)
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In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
- Soloists, Mixed Choir (SATB), 2 Oboes, 2 Trumpets, Timpani, Strings and Organ
- Instrumental Part: Organ (Download)
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Soli SAT, Coro SATB, 2 Vl, Bc, [3 Trb]
Soli SAT, Coro SATB, 2 Vl, Bc, [3 Trb]
- Soloists, Mixed Choir (SATB), 2 Violins and Continuo
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Wolfgang Amadeus Mozart's deeply moving motet 'Ave verum corpus' KV 618 is universally celebrated as one of the most poignant masterpieces in sacred choral music. Characterized by serene simplicity, p...
Wolfgang Amadeus Mozart's deeply moving motet 'Ave verum corpus' KV 618 is universally celebrated as one of the most poignant masterpieces in sacred choral music. Characterized by serene simplicity, p...
- Mixed Choir (SATB), 2 Violins, Viola and Continuo
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Diese Marienlitanei ist die erste und schlichteste vons insgesamt vier Litaneien, die Mozart 1771-76 in Salzburg komponiert hat. Aufgrund der einfachen Besetzung - der zum Kirchentrio hinzutretende Po...
Diese Marienlitanei ist die erste und schlichteste vons insgesamt vier Litaneien, die Mozart 1771-76 in Salzburg komponiert hat. Aufgrund der einfachen Besetzung - der zum Kirchentrio hinzutretende Po...
- Soloists, Mixed Choir (SATB), 2 Violins and Continuo
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Durch ihre große Besetzug, ihre beachtliche Ausdehnung und ihre virtuose Solopartien gehört diese Litanei zu den 'Litaniae solemnes', die im Salzburger Dom zur Aufführung kamen. Soli SATB, Coro SATB,...
Durch ihre große Besetzug, ihre beachtliche Ausdehnung und ihre virtuose Solopartien gehört diese Litanei zu den 'Litaniae solemnes', die im Salzburger Dom zur Aufführung kamen. Soli SATB, Coro SATB,...
- Soloists, Mixed Choir (SATB), 2 Oboes, 2 Horns, 2 Violins, Viola and Continuo
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Soli SATB, Coro SATB, 2 Ctr, Timp, 3 Trb, 2 Vl, Bc
Soli SATB, Coro SATB, 2 Ctr, Timp, 3 Trb, 2 Vl, Bc
- Soloists, Mixed Choir (SATB), 2 Trumpets, Timpani, 3 Trombones, 2 Violins and Continuo
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Sheet music download on all-sheetmusic.com
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Sheet Music Download at all-sheetmusic.com: The Most Important Info at a Glance
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