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Ševcík's Opus 3, which concentrates mainly on violin playing with a bouncing bow, follows on from the systematic development of bow technique to which the composer had already devoted himself in his O...

Friedrich Dotzauer (1783–1860) learned several instruments in his childhood, but decided on the cello as his main instrument, since 'the violoncello alone let the unforgettable soulful alto voice of h...

This edition of David Popper’s cello studies is the first modern publication of these standard works. The Austrian born Popper composed these studies in the late 1890s during his tenure at the Royal C...

Twenty-four etudes for violoncello solo

On the heels of the successful Popper, Duport and Grützmacher etude publications Martin Rummel has focused his pedagogical skills on these classic studies for young cellists. Rummel has based his new...

The French cellist Felix Battanchon (1814-1893) was principal cellist in the orchestra of the Grand Opéra in Paris. Details of his life have not yet been researched, but it is known that he composed a...

Immediately after his successful publications of the cello etudes by Popper, Duport, Grützmacher and Lee, Martin Rummel turned his pedagogical attention to the important opus 11 by Josef Merk (1795-18...

In Adiantum Capillus-Veneris I öffnet Chaya Czernowin ein filigranes Klanglabyrinth aus der Spannung des Ein- und Ausatmens der Singstimme. Séverine Ballon versucht in ihrer Adaption, diesen Gestus un...

Louis R. Feuillard (1872-1941) has become known chiefly as the teacher of Paul Tortelier who called him a man with an extraordinary educational instinct. His 'Daily Exercises' take up the most importa...

Lee and Whitehouse's Scale and Arpeggio album acts as an exercise in both fluency and sight-reading.

Maurits Frank (1892-1959) from Rotterdam was one of the leading cellists in the early 20th century. He studied with Pablo Casals among others and was a partner of Paul Hindemith in the Rebner and Amar...

- Follows on from book 1- Uses bass, tenor and treble clefs- Uses all positions including the thumb position- Range extended to include high notes- A variety of styles and keys- Preparation for solo,...

Der russische Cellist Stutschewsky (1891-1982) entwickelt hier anhand von melodischen und harmonischen Modellen ein effektives Übeprogramm für die linke Hand.

The Russian cellist Stutschewsky (1891-1982) has developed an extremely effective exercising programme for the right hand based on melodic and harmonic patterns.