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This setting is taken from Five Traditional Songs.

Experience Charles Villiers Stanford's 'Eternal Father', an exceptional masterpiece of the English choral tradition. As the second of Stanford's celebrated Three English Motets Op. 135, this extended...

Originally conceived as a funeral piece, this moving motet is full of elegant, unhurried lines, and pays final respect to the deceased. Originally published in AStanford Anthology.

A powerful commemoration motet for double choir with bold tonal and textural shifts, framed by outer sections in a deliberate archaic style. Originally published in AStanford Anthology.

A collection of three Latin motets: 'Justorum animae', 'Coelos ascendit hodie', and 'Beati quorum via'. Originally published in A Stanford Anthology.

A beautiful anthem that combines natural imagery with sensitive text-setting, creating a powerful sense of narrative. Originally published in AStanford Anthology.

Setting a hymn by E. H. Plumptre, this rousing anthem is rich in textural and harmonic contrasts and innovative chord sequences. Harris employs effective repetition of the focal word 'rejoice!', which...

Taken at a slow processional tempo this work has a predominantly canonic texture. The syncopated passages are at once sombre and sensual, and the balancing homphonic phrases achieve real power. A shor...

This is one of Clarke's many pieces on love, and one of the best. It combines the English modality of earlier times with foretastes of the adventurous chromaticism of her later work. It is a lovely pi...

This is a lilting take on the Elizabethan lute-song full of smooth Stanford-like nineteenth-century harmonies, exquisitely tempered with modal effects.

Immerse yourself in the devotional soundscape of traditional English Christmas music with 'There Is No Rose', published by Oxford University Press. This evocative arrangement breathes new life into th...

This is an appropriately aching setting of Sir Philip Sidney's poem of unending desire and longing. There are gorgeous chromatics and enharmonics and a masterful use of a triplet pattern which becomes...

Weep you no more, sad fountains is a modern take on the Elizabethan lute-song, integrating the characteristic alternations of minor and major, fondness for cross-relations, and vivid word-painting. Th...

Music, when soft voices die combines aspects of nineteenth-century English pastoral style with some of the tonal adventurousness of Vaughan Williams's Shakespeare settings. This is an exceptionally be...

Dona nobis pacem combines two lines about peace from the Ordinary of the Latin Mass. A slow tempo lends grace and poise to the gentle, sustained vocal lines, and the composer juxtaposes homophonic and...

A Birthday sets a poem of the same title by Christina Rossetti. Chydenius reflects the vivid imagery in the text of the verses through beautiful vocal lines with swirling countermelodies. The choruses...

McDowall brings to life a mystical, brooding nativity text by Nicholas Dakin with dramatic octatonic melodies and parallel movement in fourths and fifths. The propulsive 6/8 metre is decorated with du...

Becky McGlade has set this well-known Christmas hymn with textures both rich and restrained. The original English language hymn was based on a 19th-century English translation of Prudentius's 4th-cent...

Stuart Beatch's a boy & a boy sets a romantic and ultimately tragic text by poet Matthew Stepanic. Written as a response to Eric Whitacre's well-known work A Boy and a Girl, Beatch describes this piec...

Hazzard's enchanting Sanctus, setting text from the Latin Mass, captures the feeling of a rushing current throughout. Suitable for concert use, this piece features imaginative text-setting and driving...

Skempton's After Rain sets an evocative text by Edward Thomas with a contemplative choral part over a rich and slow-moving cello line. Skempton alternates between contrasting upper-voice duets and ful...

This setting of the traditional hymn to 'Mary, the star of the sea' contrasts two moods and styles: the flowing simplicity of the 'Ave maris stella' refrain and the slightly faster and more homophonic...

This motet is the fifth of a set of seven relating the life story of the Blessed Virgin Mary. Finnissy's aim was to hint at technical and expressive continuity with the music of the 11th and 12th cent...