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The "Character Pieces" op. 7 and the "Children's Pieces" op. 72 are Mendelssohn's most highly regarded piano albums alongside his Songs without Words and the "Variations sérieuses" op. 54. Robert Schu...
The "Character Pieces" op. 7 and the "Children's Pieces" op. 72 are Mendelssohn's most highly regarded piano albums alongside his Songs without Words and the "Variations sérieuses" op. 54. Robert Schu...
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- Holger M. Stüwe
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Eine kleine Nachtmusik, Mozart's most popular instrumental work, was written at a particularly happy time. On August 10, 1787, he entered this serenade in his personal catalog of works: At the time, M...
Eine kleine Nachtmusik, Mozart's most popular instrumental work, was written at a particularly happy time. On August 10, 1787, he entered this serenade in his personal catalog of works: At the time, M...
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- Michael Töpel
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Mozart's works for piano four hands are among the most important contributions to this repertoire. In the present critical-practical Urtext edition based on the "New Mozart Edition", Wolfgang Rehm now...
Mozart's works for piano four hands are among the most important contributions to this repertoire. In the present critical-practical Urtext edition based on the "New Mozart Edition", Wolfgang Rehm now...
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The court organist Antonio de Cabezón, who was appointed to Queen Isabella's court chapel in Toledo at the age of 16, is rightly regarded by his contemporaries as the most important Spanish organist a...
The court organist Antonio de Cabezón, who was appointed to Queen Isabella's court chapel in Toledo at the age of 16, is rightly regarded by his contemporaries as the most important Spanish organist a...
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Johann Jacob Froberger (1616-1667) was of outstanding importance in his time, as his compositional style created a synthesis of Italian, French and English influences. His music continued to be publis...
Johann Jacob Froberger (1616-1667) was of outstanding importance in his time, as his compositional style created a synthesis of Italian, French and English influences. His music continued to be publis...
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With his "Humoresques" for piano, Antonin Dvorak wanted to build on the earlier "Scottish Dances" op. 41 (B 74) from 1877 in order to create a series of "New Scottish Dances" (the original title of th...
With his "Humoresques" for piano, Antonin Dvorak wanted to build on the earlier "Scottish Dances" op. 41 (B 74) from 1877 in order to create a series of "New Scottish Dances" (the original title of th...
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The "Czech Dances" are the last cycle and at the same time the climax of Bedrich Smetana's piano works. Smetana was probably inspired to compose this work by the first series of "Slavonic Dances" by A...
The "Czech Dances" are the last cycle and at the same time the climax of Bedrich Smetana's piano works. Smetana was probably inspired to compose this work by the first series of "Slavonic Dances" by A...
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The four "Ballades" for piano op. 10 are Brahms' contribution to the instrumental ballad form popular in the mid-19th century. Brahms used the more intimate vocal form as a model for the works compose...
The four "Ballades" for piano op. 10 are Brahms' contribution to the instrumental ballad form popular in the mid-19th century. Brahms used the more intimate vocal form as a model for the works compose...
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Brahms arranged the popular 16 "Waltzes" op. 39, composed in 1866 for piano four hands, for two hands just one year later and produced an easier version at the publisher's request. Brahms himself desc...
Brahms arranged the popular 16 "Waltzes" op. 39, composed in 1866 for piano four hands, for two hands just one year later and produced an easier version at the publisher's request. Brahms himself desc...
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Brahms arranged the popular 16 "Waltzes" op. 39, composed in 1866 for piano four hands, for two hands just one year later and produced an easier version at the publisher's request. Brahms himself desc...
Brahms arranged the popular 16 "Waltzes" op. 39, composed in 1866 for piano four hands, for two hands just one year later and produced an easier version at the publisher's request. Brahms himself desc...
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- Johannes Brahms
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In his research, Christopher Hogwood drew on a source that George Bozarth drew attention to in spring 2011 and which had remained unpublished until then. During a concert tour that the young Brahms un...
In his research, Christopher Hogwood drew on a source that George Bozarth drew attention to in spring 2011 and which had remained unpublished until then. During a concert tour that the young Brahms un...
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The pianist Christian Köhn, who is very familiar with Brahms' piano works, has now published a new edition of these variations on the eight-bar theme from Handel's Suite No. 1 ("Suite de pièces de Cla...
The pianist Christian Köhn, who is very familiar with Brahms' piano works, has now published a new edition of these variations on the eight-bar theme from Handel's Suite No. 1 ("Suite de pièces de Cla...
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Hardly any piano cycle exerts such a magical attraction as Chopin's 24 "Préludes" published in 1839. Schumann described them as "sketches, the beginnings of etudes, [...] ruins, individual eagle's fea...
Hardly any piano cycle exerts such a magical attraction as Chopin's 24 "Préludes" published in 1839. Schumann described them as "sketches, the beginnings of etudes, [...] ruins, individual eagle's fea...
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Brahms' spirited Rhapsodies op. 79 from 1879 are among the composer's most frequently performed works. For a long time, he could not quite decide on a suitable title and wavered between Piano Piece, C...
Brahms' spirited Rhapsodies op. 79 from 1879 are among the composer's most frequently performed works. For a long time, he could not quite decide on a suitable title and wavered between Piano Piece, C...
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Schubert’s tuneful and buoyant Sonata in G major was published in April 1827 as a 'Fantasy or Sonata”, to quote the heading of its first movement. His first reviewer noted that 'the beloved and talent...
Schubert’s tuneful and buoyant Sonata in G major was published in April 1827 as a 'Fantasy or Sonata”, to quote the heading of its first movement. His first reviewer noted that 'the beloved and talent...
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The piano sonatas are considered the true core of Aleksandr Scriabin's oeuvre. No other composer after Beethoven has reshaped this genre so profoundly and thus revitalized its tradition. The desire no...
The piano sonatas are considered the true core of Aleksandr Scriabin's oeuvre. No other composer after Beethoven has reshaped this genre so profoundly and thus revitalized its tradition. The desire no...
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Urtext edition based on the latest source researchWith facsimiles which also give information about the rediscovered sourcesDetailed foreword (Ger/Eng) and critical commentary (Eng)Piano works were at...
Urtext edition based on the latest source researchWith facsimiles which also give information about the rediscovered sourcesDetailed foreword (Ger/Eng) and critical commentary (Eng)Piano works were at...
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Scriabin's artistic development is reflected in the piano sonatas more than in almost any other genre. The Sonatas Nos. 6, 7 and 8 collected in this edition were composed by Scriabin between 1911 and...
Scriabin's artistic development is reflected in the piano sonatas more than in almost any other genre. The Sonatas Nos. 6, 7 and 8 collected in this edition were composed by Scriabin between 1911 and...
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The piano pieces op. 116 to 119 were composed in 1892/93 and are the last collections that Brahms dedicated to the instrument. In terms of composition, the turn to the small form is particularly remar...
The piano pieces op. 116 to 119 were composed in 1892/93 and are the last collections that Brahms dedicated to the instrument. In terms of composition, the turn to the small form is particularly remar...
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The piano pieces op. 116 to 119 were composed in 1892/93 and are the last collections that Brahms dedicated to the instrument. Compositionally, the turn to the "small form" is particularly noteworthy...
The piano pieces op. 116 to 119 were composed in 1892/93 and are the last collections that Brahms dedicated to the instrument. Compositionally, the turn to the "small form" is particularly noteworthy...
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- Gerhard Wind
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With fingerings.
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The piano pieces op. 116 to 119 were composed in 1892/93 and are the last collections that Brahms dedicated to the instrument. In terms of composition, the turn to the "small form" is particularly rem...
The piano pieces op. 116 to 119 were composed in 1892/93 and are the last collections that Brahms dedicated to the instrument. In terms of composition, the turn to the "small form" is particularly rem...
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This work, which Ravel originally composed for piano solo in 1899 and which was published by Demets, quickly achieved great success and has since been considered one of the most popular works in the c...
This work, which Ravel originally composed for piano solo in 1899 and which was published by Demets, quickly achieved great success and has since been considered one of the most popular works in the c...
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Nach Schuberts bereits im großzügigen Neustich vorliegenden 'Moments Musicaux' (BA9647) und 'Impromptus' (BA9648) erscheinen nun auch seine späten Klavierstücke in einer modernen Ansprüchen genügenden...
Nach Schuberts bereits im großzügigen Neustich vorliegenden 'Moments Musicaux' (BA9647) und 'Impromptus' (BA9648) erscheinen nun auch seine späten Klavierstücke in einer modernen Ansprüchen genügenden...
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The Requiem stands out from the abundance of Mozart fragments, but there are also fragments in many other genres in Mozart's music which are at least sufficiently developed to serve as a basis for a s...
The Requiem stands out from the abundance of Mozart fragments, but there are also fragments in many other genres in Mozart's music which are at least sufficiently developed to serve as a basis for a s...
- 2 Pianos 4 Hands
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- Michael Töpel
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