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Jean-Baptiste Lully (1632 -1687) was an Italian-born French composer, guitarist, violinist, and dancer who is considered a master of the French Baroque music style. Best known for his operas, he spent...

Jean-Baptiste Lully (1632 -1687) was an Italian-born French composer, guitarist, violinist, and dancer who is considered a master of the French Baroque music style. Best known for his operas, he spent...

Marc-Antoine Charpentier (1643-1704) was a French Baroque composer during the reign of Louis XIV. Charpentier dominated the Baroque musical scene in seventeenth century France because of the quality o...

Marc-Antoine Charpentier (1643-1704) was a French Baroque composer during the reign of Louis XIV. Charpentier dominated the Baroque musical scene in seventeenth century France because of the quality o...

'Rinaldo' was the first opera Georg Friederich Händel produced for London and the first Italian opera composed specifically for the London stage. Even now it's still one of his most performed opera's....

'Rinaldo' was the first opera Georg Friederich Händel produced for London and the first Italian opera composed specifically for the London stage. Even now it's still one of his most performed opera's....

An 18 minute concert piece in four movements celebrating the full qualities and range of the horns and a useful addition to the repertoire for this genre of quartets.

A short, lively piece, ideally suited as either an opening item or as an encore in a horn concert recital, this piece eplores the versatility of the horn to its full extent. A very useful addition to...

Ten short contrapuntal pieces for three horns, all of which share a similar range of pitches throughout. Ideal for teaching as well as for general concert use. Playing time for each trio ca. 1 minute....

A nine-minute piece in three movemets, ideal as a concert piece, in neo-classical style.

A short, contemplative piece featuring the lyrical qualities of the horn. Ideal both for teaching and as a performance piece at (I)GCSE / AS Level. Duration ca. 2 minutes.

An atmospheric solo piece with a playing time of ca. 3-4 minutes, this is a useful addition to the solo horn repertoire in both a general concert setting and as a piece for inclusion in an audtition.

This 10-11 minute piece is in three movements, with the outer movements for hand horn in F; the central movement is for hand horn in E flat. A useful addition to the contemporary hand horn repertoire.

A short, contemplative piece for players at around UK Grade 7, influenced by the lyrical style of Poulenc, this piece would be a useful addition to the A Level / BTEC Level 3 recital repertoire as wel...

A set of twelve short duets aimed at players at UK Grade 2-3, exploring a range of just over an octave. Both parts share the melodies equally throughout, and there are no page turns within any piece....

A set of twelve short duets aimed at players at UK Grade 2-3, exploring a range of just over an octave. Both parts share the melodies equally throughout, and there are no page turns within any piece....

A set of twelve short trios aimed at players at UK Grade 3-4. Ideal for teaching as well as for general concerrt use.

Eight short pieces aimed at players at UK Grade 3-4 level, these are a very useful addition to the teaching repertoire and are ideal as solo performance items at (I)GCSE level. Can be performed as sta...

Eight short pieces aimed at players at UK Grade 3-4 level, these are a very useful addition to the teaching repertoire and are ideal as solo performance items at (I)GCSE level. Can be performed as sta...

Five short duets, aimed at players at UK Grades 5-6, ideal as part of a(n) (I)GCSE or AS level recital, as well as for general concert use and for teaching purposes. Can be Performed as a Suite or as...

A set of eight short pieces for two instruments and piano aimed at players at UK Grade 5-6 level and originally designed for performance as (I)GCSE / AS Level ensemble pieces, these are also a useful...

A set of sixteen short duets aimed at players at around UK Grade 2-3 with a range of one octave, ideal for teaching. Both parts share the melodies equally trhoughout each piece and each piece is prese...