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Giacomo Puccini’s operas are largely through-composed. Only occasionally does the master of verismo slacken the pace to indulge himself with an aria. The undeniable highlights of his operas, these ari...

Giacomo Puccini's operas are largely dramatically through-composed. Only in a few places does the master of verismo allow himself to linger longer in the form of an aria. These arias are highlights of...

Giacomo Puccini's operas are largely dramatically through-composed. Only in a few places does the master of verismo allow himself to linger longer in the form of an aria. These arias are highlights of...

Giacomo Puccini's operas are largely dramatically through-composed. Only in a few places does the master of verismo allow himself to linger longer in the form of an aria. These arias are highlights of...

Giacomo Puccini's operas are largely dramatically through-composed. Only in a few places does the master of verismo allow himself to linger longer in the form of an aria. These arias are highlights of...

Giacomo Puccini's operas are largely dramatically through-composed. Only in a few places does the master of verismo allow himself to linger longer in the form of an aria. These arias are highlights of...

Giacomo Puccini's operas are largely dramatically through-composed. Only in a few places does the master of verismo allow himself to linger longer in the form of an aria. These arias are highlights of...

Giacomo Puccini's operas are largely dramatically through-composed. Only in a few places does the master of verismo allow himself to linger longer in the form of an aria. These arias are highlights of...

Giacomo Puccini's operas are largely dramatically through-composed. Only in a few places does the master of verismo allow himself to linger longer in the form of an aria. These arias are highlights of...

Giacomo Puccini's operas are largely dramatically through-composed. Only in a few places does the master of verismo allow himself to linger longer in the form of an aria. These arias are highlights of...

In contrast to many composerswho only began to write symphonies in their maturity, Hans Werner Henze composed his First Symphony when he was 20. Henze himself later described this original version as...

An adaptation of the story The Bremen Town Musicians by the Brothers Grimm. This version can be used to introduce young listeners to the best-known musical instruments, or it can simply be performed a...

This is a dramatic cantata for solo voice, solo violin and orchestra. It was first performed in Edinburgh with my daughter Olivia as the vocal soloist. The vocal part was not designed for a fully trai...

This Nocturne can be performed by oboe, or B flat Clarinet or Violin, with either harp or piano. Three separate solo parts are included in the book. The Three Nocturnes by Bochsa are all dedicated "T...

The Wind Serenade Op.102, was Wilhelm Berger's last work, written 1910 shortly before he died following a long illness and an operation. It was first performed in Berlin after his death, and was very...

K.33 for 2 flutes (oboes/violins/recorders in C) and basso continuo. Started life as Nova Music: NM138, was reprinted as EMA126. This is a brand new edition and includes Piano/Basso Continuo score, pl...