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Brahms wrote 21 Hungarian Dances for piano four-hands. Each one is highly individualistic and features slow and fast sections -- in this arrangement, D major is used in the slow opening and closing se...

Audiences will be transported back to ancient Egypt in this haunting work inspired by Shu, the god of wind. By using authentic Egyptian motifs, it will capture the imaginations of players and audience...

This Vivaldi piece from the Four Seasons is presented here in a grade 3+ arrangement which provides optional opportunities for small ensembles and solos within the orchestra. The Four Seasons was writ...

This Ludwig van Beethoven classic is well suited for grade 3+ string orchestras. Set in the original key of Bb major, this arrangement retains the two dominant themes and the traditional use of grace...

A staple of orchestral literature since its first performance in 1831, this arrangement presents four themes of the original and contains lots of drama and even more excitement.

This grade 4 arrangement contains selected themes from the 1st Movement of Symphony No. 41, K. 551. This was Wolfgang Amadeus Mozart's last symphony composed before his death, and clearly shows his br...

The music of Mendelssohn is delightful to hear, but often challenging to perform. This selection, however, is accessible for developing string orchestras. The cellos and basses will find it particular...

This lively gem from Johann Sebastian Bach's Orchestral Suite No. 2 serves as a great introduction to the immortal master's music since the counterpoint is not too complex and the style is thoroughly...

This arrangement of the second movement of the Concerto in D (43:D7) for Trumpet, Two Oboes and Continuo is arranged here for grade 3 groups. This exciting and cheerful Baroque gem keeps all the secti...

Three standout movements are included in this arrangement of Camille Saint-Saëns' famous work. Royal March Of The Lion, The Elephant (features cello and bass), and Fossils are in very playable keys an...

This pair of selections from Carmen will delight audiences of all shapes and sizes! The Chanson du Toreador (Toreador Song) from Act II includes the lesser-known but exciting introduction before the m...

High energy and strong rhythms in three time signatures (4/4, 5/4 and 3/4) describe the ever-forward momentum of this creative original. The modal opening and closing sections are separated by a lyric...

We welcome Joshua Reznicow to the Kendor family of writers with this festive original that sounds more difficult to play than it is. Written in G major and its relevant minor key, it gives directors a...

Inspired by the beautiful landscapes the composer has seen on long road trips across the U.S., this powerful original features the pandiatonic harmonies and open-sounding intervals (fourths and fifths...

Salieri originally composed this charming "Fugue in G Major" for string quartet. Composer Steven Rosenhaus has expanded the instrumentation to string orchestra in a style consistent with Salieri's own...

This arrangement of Georg Friedrich Händel's Amen Chorus is skillfully arranged for string orchestra. The fugue-like nature of the piece is the perfect setting for a chamber ensemble or orchestra. Eac...

Bach never sounded more cool or hip than he does in Jazz Sebastian Bach by Caryn Wiegand Neidhold! The Rondeau from Orchestra Suite No. 2 is transformed into a swinging chart with a walking bass line,...

Ever popular, now viola, cello, and bass students can join the violins performing this time-honored piece by Corelli, La Folia arranged by Caryn Wiegand Neidhold. Each variation may be performed by a...

As is known from Purcell's catalog of works, he wrote incidental music for a number of contemporary dramas. Some of these are vocal scenes, but most are sequences of short instrumental pieces: Overtur...

Wie aus dem Werkverzeichnis Purcells bekannt ist, hat er zu einer Reihe zeitgenössischer Dramen Bühnenmusiken geschrieben. Zum Teil handelt es sich um Gesangsszenen, hauptsächlich aber um Folgen kurze...

Die Werke entstanden vermutlich in den ersten Monaten des Jahres 1772. Sie trugen zunächst die KV-Nummern 125 a-c und wurden als Divertimenti geführt. Es handelt sich jedoch um Orchesterquartette oder...