String Orchestra with Instrumental Solo

This valuable though seldom played early work from his Salzburg period contains the entire youthful charme of Mozart. It can be played without wind instruments whose parts are in-cluded in the strings...

This valuable though seldom played early work from his Salzburg period contains the entire youthful charme of Mozart. It can be played without wind instruments whose parts are in-cluded in the strings...

This valuable though seldom played early work from his Salzburg period contains the entire youthful charme of Mozart. It can be played without wind instruments whose parts are in-cluded in the strings...

This valuable though seldom played early work from his Salzburg period contains the entire youthful charme of Mozart. It can be played without wind instruments whose parts are in-cluded in the strings...

Stimmensatz - 5 Violinen I, 5 Violinen II, 3 Violen, 5 Violoncelli/Kontrabässe

The three-movement concerto is a welcome and rewarding example of a double concerto for two flutes (see Fesch). The equally important parts of both flutes present a charming interplay of tonal beauty.

The three-movement concerto is a welcome and rewarding example of a double concerto for two flutes (see Fesch). The equally important parts of both flutes present a charming interplay of tonal beauty.

The three-movement concerto is a welcome and rewarding example of a double concerto for two flutes (see Fesch). The equally important parts of both flutes present a charming interplay of tonal beauty.

The three-movement concerto is a welcome and rewarding example of a double concerto for two flutes (see Fesch). The equally important parts of both flutes present a charming interplay of tonal beauty.

The three-movement concerto is a welcome and rewarding example of a double concerto for two flutes (see Fesch). The equally important parts of both flutes present a charming interplay of tonal beauty.

The three-movement concerto is a welcome and rewarding example of a double concerto for two flutes (see Fesch). The equally important parts of both flutes present a charming interplay of tonal beauty.

The three-movement concerto is a welcome and rewarding example of a double concerto for two flutes (see Fesch). The equally important parts of both flutes present a charming interplay of tonal beauty.

The three-movement concerto is a welcome and rewarding example of a double concerto for two flutes (see Fesch). The equally important parts of both flutes present a charming interplay of tonal beauty.