String Orchestra with Instrumental Solo

Eine doppelchörige Vertonung eines anonymen mittelalterlichen Textes über die heilige Cäcilia, Patronin der Kirchenmusik und Schutzheilige der Sänger und Musiker.

Now available for strings, Alberto Ginastera's well-known finale to his Estancia ballet is steeped in South American folk style. The familiar cross rhythms give this malambo an infectious feel - a cla...

Taken from his own concert suite (dedicated to Leonard Bernstein) of his film score, Copland's own words best describe the musical approach to 'Grover's Corners'. He explained, 'For the film version,...

Mentored by the likes of William Grant Still, Paul Hindemith, and Howard Hanson, Kay was an impressive composer by any metric, winning a Fulbright Scholarship, the prestigious Rome Prize, a Guggenheim...

Fresh, flowing, and beautiful best describe this new composition from Yukiko Nishimura. She sets out to express the feeling of joy at the coming of spring. The piece is lush, then light, introspective...

Pietro Nardini was the most important pupil of Tartini regarding both violin playing and composition. Like his teacher, he attached special significance to the beauty of sound and the -suitability for...

Streicher-Ergänzungssatz

Stimmensatz - 5 Violinen I, 5 Violinen II, 5 Violoncelli/Kontrabässe

The three-movement concerto is a welcome and rewarding example of a double concerto for two flutes (see Fesch). The equally important parts of both flutes present a charming interplay of tonal beauty.

A concerto of classical elegance, cantability and virtuosity. The allegro in sonata form and the serenade-like andante are followed by the brilliant rondo reminding of Mozart, with a charming minuet a...

It is elegance and brilliance that characterise this work by the violin master whose French form type takes up the essential music tendencies of that time coming from Mannheim, Paris and Italy.

It is elegance and brilliance that characterise this work by the violin master whose French form type takes up the essential music tendencies of that time coming from Mannheim, Paris and Italy.

Ein dreisätziges Werk von einfachem Satzbau und klarer musikalischer Gestik. Als Anfangskonzert für das Studium der Sololiteratur geeignet, außerdem ein ansprechendes Repertoirewerk für Kammerorcheste...

Eine überraschende Entdeckung für die Cello-Konzertliteratur stellt das vorliegende Werk dar, das in der 2. Hälfte des 18. Jahrhunderts entstanden ist und Einflüsse der Mannheimer Schule zeigt, sowie...

Stimmensatz - 5 Violinen I, 5 Violinen II, 4 Violen, 3 Violoncelli, 2 Kontrabässe