Swinging Christmas Songs for Big Band

Here is a hot chart by Eric Richards. A swing-funk groove on a great bebop jazz tune loaded with energy. Features: the lead is played by alto, tenor and trumpet with some tricky lines, lead trumpet ra...

Here is a hot chart by Eric Richards. A swing-funk groove on a great bebop jazz tune loaded with energy. Features: the lead is played by alto, tenor and trumpet with some tricky lines, lead trumpet ra...

Here is a hot chart by Eric Richards. A swing-funk groove on a great bebop jazz tune loaded with energy. Features: the lead is played by alto, tenor and trumpet with some tricky lines, lead trumpet ra...

Think of Take the 'A' Train with a contemporary flair and you have the idea behind this inventive chart by Alan Baylock. Opening up in a swing groove, then alternating with a funk feel, bari sax, bass...

Think of Take the 'A' Train with a contemporary flair and you have the idea behind this inventive chart by Alan Baylock. Opening up in a swing groove, then alternating with a funk feel, bari sax, bass...

Think of Take the 'A' Train with a contemporary flair and you have the idea behind this inventive chart by Alan Baylock. Opening up in a swing groove, then alternating with a funk feel, bari sax, bass...

A funky groove alternating with a swing feel at around 170 BPM. This is a clever and effective treatment of this familiar melody, with solos written for trombone 2 and tenor, and drums fills with band...

A funky groove alternating with a swing feel at around 170 BPM. This is a clever and effective treatment of this familiar melody, with solos written for trombone 2 and tenor, and drums fills with band...

Played around 160 BPM, this jazz standard was originally recorded by Miles Davis. This superb chart is a funky-swing version to provide a contemporary flavor. Solos are provided for tenor and trumpet...

Played around 160 BPM, this jazz standard was originally recorded by Miles Davis. This superb chart is a funky-swing version to provide a contemporary flavor. Solos are provided for tenor and trumpet...

Played around 160 BPM, this jazz standard was originally recorded by Miles Davis. This superb chart is a funky-swing version to provide a contemporary flavor. Solos are provided for tenor and trumpet...

Played around 160 BPM, this jazz standard was originally recorded by Miles Davis. This superb chart is a funky-swing version to provide a contemporary flavor. Solos are provided for tenor and trumpet...

A very exciting chart, alternating between a very funky boogaloo and swing. The tempo is around 144 BPM and the lead trumpet range is to written A above the staff (optional high D). Solos with suggest...

A very exciting chart, alternating between a very funky boogaloo and swing. The tempo is around 144 BPM and the lead trumpet range is to written A above the staff (optional high D). Solos with suggest...

A very exciting chart, alternating between a very funky boogaloo and swing. The tempo is around 144 BPM and the lead trumpet range is to written A above the staff (optional high D). Solos with suggest...

Using a combination of hip-hop and uptempo swing, here's a marvelous take on Bud Powell's bebop classic. A front line of alto, tenor and trumpet are featured off the top followed by an extended soli f...

This funky arrangement was written by Mary Lou Williams in 1968 for her performance with the Danish National Radio Jazz Band featuring Ben Webster. The tune was originally written and recorded in 1959...

Jazz Big Band Arrangement. Full Score, 2 Alto Saxophones, 2 Tenor Saxophones, Baritone Saxophone, 4 Trumpets, 4 Trombones, Guitar, Piano, Bass, Drums This Bobby Watson tune was arranged by Arthur Whit...

Sierra Music is pleased to present yet another wonderful, contemporary composition by Patty Darling. She has provided us with many publications ranging from our 'Easy-to-Play' series to the 'Radiohead...

Perfect for a contrasting selection for concert or festival use, Steve Shanley’s arrangement of "Swing Low, Sweet Chariot" is written in the slow swing style of the Count Basie Orchestra. The subdued...

A very clever treatment of this well-known traditional spiritual, the opening statement is a slow chorale moving into an easy shuffle played around 138 BPM. The melody bounces between sections then in...

A very clever treatment of this well-known traditional spiritual, the opening statement is a slow chorale moving into an easy shuffle played around 138 BPM. The melody bounces between sections then in...

A very clever treatment of this well-known traditional spiritual, the opening statement is a slow chorale moving into an easy shuffle played around 138 BPM. The melody bounces between sections then in...

A very clever treatment of this well-known traditional spiritual, the opening statement is a slow chorale moving into an easy shuffle played around 138 BPM. The melody bounces between sections then in...

This is a jewel at this level! A Gospel-tinged groove with straightforward harmony will make this chart a breeze to rehearse and perform. The rhythm section parts are well-written and very playable.