Symphony Orchestra Solo Pieces for Piano
- Piano and Orchestra
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- Boosey & Hawkes
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- Schott Musik
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Stimmensatz - Flöte I/Oboe, Flöte II/Oboe, Horn I, Horn II, 4 Violinen I, 4 Violinen II, 2 Violinen III (Viola), 2 Violen, 4 Violoncelli/Kontrabässe
Stimmensatz - Flöte I/Oboe, Flöte II/Oboe, Horn I, Horn II, 4 Violinen I, 4 Violinen II, 2 Violinen III (Viola), 2 Violen, 4 Violoncelli/Kontrabässe
- Piano and Orchestra
- Set of Parts
- Schott Musik
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Streicher-Ergänzungssatz - 2 Violinen I, 2 Violinen II, Violine III (Viola), Viola, 2 Violoncelli/Kontrabässe
Streicher-Ergänzungssatz - 2 Violinen I, 2 Violinen II, Violine III (Viola), Viola, 2 Violoncelli/Kontrabässe
- Piano and Orchestra
- Additional Parts - Strings
- Schott Musik
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- Piano and Orchestra
- Piano Reduction
- Breitkopf & Härtel KG
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In the fall of 1833, Friedrich Wieck confidently announced his daughter’s new composition: "She is now writing a major concerto that is attracting the attention of connoisseurs." At this time, Clara S...
In the fall of 1833, Friedrich Wieck confidently announced his daughter’s new composition: "She is now writing a major concerto that is attracting the attention of connoisseurs." At this time, Clara S...
- Piano and Orchestra
- Piano Reduction (Urtext)
- Breitkopf & Härtel KG
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- Piano and Orchestra
- Score Download
- Schott Musik
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An ihrem 34. Geburtstag erhielt Clara Schumann von ihrem Mann nicht nur einen Flügel, sondern auch gleich das neueste Notenmaterial. Darunter fand sich unter anderem das einsätzige Concert-Allegro mit...
An ihrem 34. Geburtstag erhielt Clara Schumann von ihrem Mann nicht nur einen Flügel, sondern auch gleich das neueste Notenmaterial. Darunter fand sich unter anderem das einsätzige Concert-Allegro mit...
- Piano and Orchestra
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- Schott Musik
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Das Klavier ist auf das feinste mit dem Orchester verwebt. Man kann sich das Eine nicht denken, ohne das andere. [...] Der Pianist ist in diesem Klavierkonzert nicht nur Solist, sondern auch Orchester...
Das Klavier ist auf das feinste mit dem Orchester verwebt. Man kann sich das Eine nicht denken, ohne das andere. [...] Der Pianist ist in diesem Klavierkonzert nicht nur Solist, sondern auch Orchester...
- Piano and Orchestra
- Score
- Schott Musik
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- Piano and Orchestra
- Score (Facsimile)
- Schott Musik
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Sergej Bortkiewicz (1877 - 1952) schrieb seine Russische Rhapsodie op. 45 (1935) und das Klavierkonzert Nr. 2 in c-Moll op. 28 (1924) für den Pianisten Paul Wittgenstein. Dieser hatte im Ersten Weltkr...
Sergej Bortkiewicz (1877 - 1952) schrieb seine Russische Rhapsodie op. 45 (1935) und das Klavierkonzert Nr. 2 in c-Moll op. 28 (1924) für den Pianisten Paul Wittgenstein. Dieser hatte im Ersten Weltkr...
- Piano and Orchestra
- Piano Reduction
- Anton J. Benjamin
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- Piano and Orchestra
- Score and Parts
- Jan Valta
- Editions Marc Reift
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- Piano and Orchestra
- Score and Parts
- Jan Valta
- Editions Marc Reift
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- Piano and Orchestra
- Score and Parts
- Karel Chudy
- Editions Marc Reift
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- Piano and Orchestra
- Score and Parts
- Karel Chudy
- Editions Marc Reift
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- Piano and Orchestra
- Score
- Edition Peters
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- Piano and Orchestra
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- Edizioni Suvini Zerboni
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The names of George Gershwin (1898-1937) and Ira Gershwin (1896-1983) are synonymous across the globe with American musical creativity. The Gershwin family estates, their publishers, and the Universit...
The names of George Gershwin (1898-1937) and Ira Gershwin (1896-1983) are synonymous across the globe with American musical creativity. The Gershwin family estates, their publishers, and the Universit...
- Piano and Orchestra
- Score
- Ferde Grofé
- Schott Musik
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Johann Sebastian Bach’s harpsichord concertos, which are hugely popular today, once offered the composer a real field for experimentation. Bach often used pre-existing material. Thus, there is much to...
Johann Sebastian Bach’s harpsichord concertos, which are hugely popular today, once offered the composer a real field for experimentation. Bach often used pre-existing material. Thus, there is much to...
- Piano and Orchestra
- Score (Urtext)
- G. Henle Verlag
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Johann Sebastian Bach’s harpsichord concertos, which are hugely popular today, once offered the composer a real field for experimentation. Bach often used pre-existing material. Thus, there is much to...
Johann Sebastian Bach’s harpsichord concertos, which are hugely popular today, once offered the composer a real field for experimentation. Bach often used pre-existing material. Thus, there is much to...
- Piano and Orchestra
- Set of Parts - String Instruments (Urtext)
- G. Henle Verlag
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Since the 1830s, numerous composers have experimented with hybrid forms combining elements of the symphony, concerto and free fantasia. With his Second Piano Concerto, Liszt succeeded in finding an or...
Since the 1830s, numerous composers have experimented with hybrid forms combining elements of the symphony, concerto and free fantasia. With his Second Piano Concerto, Liszt succeeded in finding an or...
- Piano and Orchestra
- Piano Reduction (Urtext)
- Emanuel Ax Heiko Stralendorff
- G. Henle Verlag
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Johannes Brahms (1833-1897) composed his Piano Concerto No. 1 in 1858 and performed the work’s debut in Hanover, Germany, in 1859, to mixed reviews. The work initially began as a sonata for two pianos...
Johannes Brahms (1833-1897) composed his Piano Concerto No. 1 in 1858 and performed the work’s debut in Hanover, Germany, in 1859, to mixed reviews. The work initially began as a sonata for two pianos...
- Piano and Orchestra
- Score
- Clinton F. Nieweg Robert Sutherland
- Edwin F. Kalmus
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Written by Norwegian composer Edvard Grieg (1843-1907) in 1868, the Piano Concerto in A minor, Op. 16 is the only concerto completed by Grieg. It remains one of his most popular works and is among the...
Written by Norwegian composer Edvard Grieg (1843-1907) in 1868, the Piano Concerto in A minor, Op. 16 is the only concerto completed by Grieg. It remains one of his most popular works and is among the...
- Piano and Orchestra
- Score
- Edwin F. Kalmus
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Written by Camille Saint-Saëns (1835-1921) in 1869, the Piano Concerto No. 3 in E-flat Major, Op. 29 follows the standard concerto form while experimenting with harmony. Premiered on November 27th, 18...
Written by Camille Saint-Saëns (1835-1921) in 1869, the Piano Concerto No. 3 in E-flat Major, Op. 29 follows the standard concerto form while experimenting with harmony. Premiered on November 27th, 18...
- Piano and Orchestra
- Score and Parts
- Edwin F. Kalmus
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Camille Saint-Saëns (1835-1921) wrote his final piano concerto, Concerto No. 5, Op. 103, in 1896, which debuted that year with the composer himself performing the solo part. It derives its subtitle, "...
Camille Saint-Saëns (1835-1921) wrote his final piano concerto, Concerto No. 5, Op. 103, in 1896, which debuted that year with the composer himself performing the solo part. It derives its subtitle, "...
- Piano and Orchestra
- Score and Parts
- Edwin F. Kalmus
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ships within 2-4 weeks
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