Symphony Orchestra with Choir

Ein Requiem für Jan Hus für Solo, Favoritchor, großen Chor und Orchester (Flöte, Oboe, 2 Klarinetten, Fagott, Sopran-Saxophon, Vibraphon, 2 Trompeten, 2 Posaunen, Tuba, Pauken, Schlagwerk, Klavier und...

Die "Luthermesse" geht vom lateinischen Messetext aus und lässt ihn mit den musikalischen Möglichkeiten im Jahre 2016 lebendig werden. Die von Luther in die Liturgie eingeführte stärkere "Beteiligung...

Franz Gleissner (1761-1818) hat seine Missa solemnis in C im Stil der Wiener Klassik komponiert, mit süddeutschen Anklängen, durchaus vergleichbar mit den Messen von Joseph Haydn und Mozart. Eine Rari...

Reprinted from authoritative sources, this collection features a selection of Brahms' choral works with orchestral accompaniment. Selections include 'Rhapsody, Op. 53,' 'Song of Destiny, Op. 54,' 'Nan...

A dramatic work of considerable substance, from which individual movements may be performed separately as anthems or concert works. The work sets a variety of texts from authors as varied as John Rusk...

Britten's setting of Edith Sitwell's poem 'Praise We Great Men', was left unfinished at his death. It was being written for Mstislav Rostrpovich to include in his first season with the National Sympho...

Purcell composed six of his finest odes to honour the birthdays of Queen Mary in successive years from 1689. Come, ye sons of art (1694) followed recent stage successes and contains some of the compos...

Winds, percussion, keyboard and strings (6-6-3-3-3). Includes full score.

for SATB and orchestra. Setting a well-loved medieval text, this effective piece paints the story of Jesus through lyrical melodies and beautiful harmonic surprises. The vocal lines offer both powerfu...

for SATB and orchestra. Setting a well-loved medieval text, this effective piece paints the story of Jesus through lyrical melodies and beautiful harmonic surprises. The vocal lines offer both powerfu...

This score in two parts - Prologue and Epilogue -, with a specific libretto and requiring a staging, was commissioned by the Mozarteum University in Salzburg to provide a framework for the production...

I wrote this melody for choir and piano in 2006 on the poem by Charles Baudelaire. It is somewhat of an exception, as all my other vocal works are based on sacred texts. It was premiered by the choir...

I wrote this melody for choir and piano in 2006 on the poem by Charles Baudelaire. It is somewhat of an exception, as all my other vocal works are based on sacred texts. It was premiered by the choir...

The present Laudate Dominum RV 614 is written for solo soprano and alto, mixed chorus, 2 violins, 2 horns and organ continuo though Vivaldi usually writes his music for four string parts (2 violins, v...

The present Laudate Dominum RV 614 is written for solo soprano and alto, mixed chorus, 2 violins, 2 horns and organ continuo though Vivaldi usually writes his music for four string parts (2 violins, v...

The present Laudate Dominum RV 614 is written for solo soprano and alto, mixed chorus, 2 violins, 2 horns and organ continuo though Vivaldi usually writes his music for four string parts (2 violins, v...

Missa Deo gratias - for children choir, mixed choir, two organs, two trumpets, two trombones and percussions - was premiered on Sunday, June 25, 2000, at the Notre-Dame de Paris cathedral, in the pres...

The performance of the Coronation Mass and the Requiem for the inauguration of the Mozart monument in Salzburg in September 1842, was conducted by Sigismund Neukomm (Salzburg, 1778-Paris, 1858), a tod...

The performance of the Coronation Mass and the Requiem for the inauguration of the Mozart monument in Salzburg in September 1842, was conducted by Sigismund Neukomm (Salzburg, 1778-Paris, 1858), a tod...

Far from being an isolated work in Camille Saint-Saens' production, the Chœur de sylphes (Chorus of sylphs) belongs to a small set written at the beginning of his career in the particular context of t...

Far from being an isolated work in Camille Saint-Saens' production, the Chœur de sylphes (Chorus of sylphs) belongs to a small set written at the beginning of his career in the particular context of t...

Far from being an isolated work in Camille Saint-Saens' production, Ode belongs to a small set written at the beginning of his career in the particular context of the competition for the Prix de Rome....

Confronting the night is probably the first time a child feels destabilised. The familiar outlines of the bedroom fade away into the darkness, the comforting face of the mother disappears behind the d...

Far from being an isolated work in Max d'Ollone's production, Sous-Bois (Underwood) belongs with L'Été, Hymne and Dans la tempête to a set of four chorus written in the particular context of the compe...