Symphony Orchestra with Instrumental Solo

Score. The title of the work relates to its form, which consists of two structurally independent strands. Sections within each strand begin and end at different times. Chain 2 is in 4 movements: Ad L...

First performed on 14th September 1997, at the Sibelius Academy Helsinki by John Storgårds, violin, the Avanti! Chamber Orchestra and Hannu Lintu, conductor.

This work was commissioned by the Los Angeles Philharmonic Association, Esa-Pekka Salonen, Music Director, Chicago Symphony Orchestra, Riccardo Muti, Music Director Designate, and New York City Ballet...

This work was commissioned by the Gewandhaus zu Leipzig. First performance on 22nd August 2009, at the Leipzig Gewandhaus, given by Daniel Hope (violin) and the Gewandhausorchester Leipzig, conducted...

'Nobody knows the music of the whole world better than Monsieur Saint-Saëns', Claude Debussy praised his fellow composer, and there are only few who left such a comprehensive oeuvre covering all genre...

The complete Op. 8 Concerti. Original new Dover edition.

The Concerto is dedicated to Dennis Russell Davies and Paul Zukofzky, who present the first performance. The orchestral accompaniment consists of two flutes (one doubling as piccolo), two oboes, E-fla...

This is the Full Score of Philip Glass's wonderful Violin Concerto No. 2 'American Four Seasons', arranged for Violin and Orchestra. The piece was commissioned by Toronto Symphony Orchestra and London...

Vl,Orch 27'

Felix Mendelssohn Bartholdy's Violin Concerto in E minor, op. 64, has - like many of his other works - a lengthy genesis: the promise to write a large solo concerto in addition to a sonata for the Lei...

Felix Mendelssohn Bartholdy lived in the heyday of male singing. The composer had come into contact with the genre early on through his teacher Carl Friedrich Zelter and the Berlin Liedertafel, which...

Be/dazzled, concertino for Electric Violin and Chamber Orchestra, draws its inspiration from the first line of a text that is a paraphrase of the second Logion (sayings attributed to Christ) from the...

The three movements reflect classical romantic concertos in not only their structure but also their character. The relations between soloist and orchestra echo the dramatic composition of traditional...