Symphony Orchestra with Instrumental Solo

Urtext der Neuen Mozart-Ausgabe. Gemischter Chor-SATB, Oboe (2), Trompete (4), Posaune (2), Pauke, Streicher, Orgel - Partitur; Urtextausgabe

The "Missa in C" K. 167 is the only mass by Mozart to bear a dedication in its title: "Missa in honorem SS:mae Trinitatis". The work is therefore linked to a specific occasion, which has not yet been...

Wolfgang Amadeus Mozart's radiant Mass in C major, K. 259, widely renowned as the "Organ Solo Mass", captivates audiences with its festive brilliance and the virtuosic organ solo in the Benedictus fro...

When Anton Theodor Count Colloredo-Mels and Wallsee was consecrated Archbishop of Olomouc in 1778, the Prince Archbishop left the choice of music to the Kapellmeister Leopold Mozart. The choice fell o...

Urtext der Neuen Mozart-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe (2), Trompete (2), Posaune (3), Pauke, Streicher, Orgel - Partitur; Urtextausgabe

Wolfgang Amadeus Mozart's "Missa in C" K. 257 has been given many nicknames throughout its history. Known as the "Great Credo Mass", Leopold Mozart referred to it as the "Missa longa" due to its lengt...

Wolfgang Amadeus Mozart’s Missa in C major, K. 337 – also known as the Missa solemnis – is the composer's final completed Salzburg mass and a true masterpiece of festive brilliance and profound sacred...

Mozart's "Missa in C" K. 337 is similar to the "Coronation Mass" K. 317 in its scoring, occasion and scope: around a year after the "Coronation Mass", in March 1780, the "Missa in C" was also intended...

Urtext der Neuen Mozart-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe (2), Horn (2), Trompete (2), Pauke, Streicher, Orgel - Partitur; Urtextausgabe

Mozart's Veni Sancte Spiritus KV 47 was composed in Vienna in 1768. The two-part setting of the Pentecost sequence (Come, Holy Spirit) follows the text of the antiphon Ad invocandum Spiritum Sanctum a...

According to recent research, the offertory "Benedictus sit Deus" K. 117 (66a) is identical to the offertory K. 47b, which was believed to be lost. It was intended for the dedication of the orphanage...

Wolfgang Amadeus Mozart’s youthful masterpiece "Te Deum laudamus" K. 141 (66b) captivates with its vibrant energy, festive brilliance, and Baroque-inspired polyphony. Scored for four-part mixed choir...

Urtext der Neuen Mozart-Ausgabe. Sopran solo, Gemischter Chor-SATB, Flöte (2), Oboe (2), Horn (2), Trompete (2), Pauke, Streicher, Orgel - Partitur; Urtextausgabe

The four-movement "Regina coeli" K. 108 (74d), composed in Salzburg in May 1771, is clearly modeled on Neapolitan church music in terms of expression and texture. The mostly homophonic chorus of the t...

With the radiant "Regina coeli" K. 127, the young Wolfgang Amadeus Mozart created a sacred masterpiece of unparalleled festivity and emotional depth. This magnificent work captivates with virtuosic co...

The "Regina coeli" K. 127, composed in Salzburg in May 1772, largely corresponds in expression and formal structure to the first work of the same name, K. 108 (74d), on the same Marian antiphon. In co...

Urtext der Neuen Mozart-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe (2), Trompete (2), Pauke, Streicher, Orgel - Partitur

The "Regina coeli" KV 276 (321b ) was composed in Salzburg after the composer's return from Paris. The occasion, date and autograph are unknown. However, its relationship to the first movement of Vesp...

Urtext der Neuen Mozart-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Flöte (2), Oboe (2), Fagott (2), Horn (2), Posaune (3), Streicher, Orgel - Partitur; Urtextausgabe

In addition to masses, requiems and vespers, Mozart's larger works of church music include the four litanies, all of which were composed in Salzburg. After returning from his first trip to Italy (Dece...

Urtext der Neuen Mozart-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Trompete (2), Posaune (3), Pauke, Streicher, Orgel - Partitur; Urtextausgabe

The importance Mozart attached to his vespers can be seen from the fact that in a letter dated March 12, 1783 he asked his father to send the two works to him in Vienna in order to make them known to...

The "Missa in C" KV 220 with the popular nickname "Spatzenmesse" has become a firm fixture in the repertoire of many choirs to this day. As one of the most important works of church music from Mozart'...

Urtext der Neuen Schubert-Ausgabe Aufführungsmaterial = BA5632. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Flöte, Oboe (2), Klarinette in b (2), Fagott (2), Horn (2), Trompete...

Urtext der Neuen Schubert-Ausgabe. Gemischter Chor, Orchester, Orgel - Partitur; Urtextausgabe; Gesamtausgabe