Symphony Orchestra with Instrumental Solo

A key work of the romantic concert literature Edition for violin and piano marked by Robert Schumann

A key work of the romantic concert literature Edition for violin and piano marked by Robert Schumann

A key work of the romantic concert literature Edition for violin and piano marked by Robert Schumann

A key work of the romantic concert literature Edition for violin and piano marked by Robert Schumann

The edition supervised by Thomas Fritzsch is based on the only authentic source, a copy from the late 19th century - its predecessors are still lost today.

The edition supervised by Thomas Fritzsch is based on the only authentic source, a copy from the late 19th century - its predecessors are still lost today.

The edition supervised by Thomas Fritzsch is based on the only authentic source, a copy from the late 19th century - its predecessors are still lost today.

The edition supervised by Thomas Fritzsch is based on the only authentic source, a copy from the late 19th century - its predecessors are still lost today.

The edition supervised by Thomas Fritzsch is based on the only authentic source, a copy from the late 19th century - its predecessors are still lost today.

The edition supervised by Thomas Fritzsch is based on the only authentic source, a copy from the late 19th century - its predecessors are still lost today.

Klaus Doege reevaluates the surviving sources. The result is an edition that precisely traces the many, often contradictory, readings between the autograph and the first printing in a text-critical ma...

Klaus Doege reevaluates the surviving sources. The result is an edition that precisely traces the many, often contradictory, readings between the autograph and the first printing in a text-critical ma...

Klaus Doege reevaluates the surviving sources. The result is an edition that precisely traces the many, often contradictory, readings between the autograph and the first printing in a text-critical ma...

Klaus Doege reevaluates the surviving sources. The result is an edition that precisely traces the many, often contradictory, readings between the autograph and the first printing in a text-critical ma...

Klaus Doege reevaluates the surviving sources. The result is an edition that precisely traces the many, often contradictory, readings between the autograph and the first printing in a text-critical ma...

Klaus Doege reevaluates the surviving sources. The result is an edition that precisely traces the many, often contradictory, readings between the autograph and the first printing in a text-critical ma...

When and where was Mozart's flute concerto written and for whom? 1777 or 1778, Salzburg or Mannheim? How much did Ferdinand Dejean actually pay, only 96 or the promised 200 florins?

When and where was Mozart's flute concerto written and for whom? 1777 or 1778, Salzburg or Mannheim? How much did Ferdinand Dejean actually pay, only 96 or the promised 200 florins?

When and where was Mozart's flute concerto written and for whom? 1777 or 1778, Salzburg or Mannheim? How much did Ferdinand Dejean actually pay, only 96 or the promised 200 florins?

When and where was Mozart's flute concerto written and for whom? 1777 or 1778, Salzburg or Mannheim? How much did Ferdinand Dejean actually pay, only 96 or the promised 200 florins?

Original cadenzas in EB 594036 Cadenzas to own piano concertos

Original cadenzas in EB 594036 Cadenzas to own piano concertos

Original cadenzas in EB 594036 Cadenzas to own piano concertos

Original cadenzas in EB 594036 Cadenzas to own piano concertos

Original cadenzas in EB 594036 Cadenzas to own piano concertos