Symphony Orchestra with Instrumental Solo

CHANT DU MÉNESTREL (SONG OF THE MINSTREL) is a short piece for solo cello and orchestra by Alexander Glazunov (1865-1936). Composed in 1901, it is dedicated to the solo cellist to the Tsar Alexander W...

ALLEGRO APPASSIONATO IN C-SHARP MINOR, Op. 70 is a work for piano and orchestra by Camille Saint-Saëns (1835-1921). It is the second composition by the composer to be named as such, composed over ten...

ALLEGRO APPASSIONATO IN C-SHARP MINOR, Op. 70 is a work for piano and orchestra by Camille Saint-Saëns (1835-1921). It is the second composition by the composer to be named as such, composed over ten...

The ROMANCE in F minor, Op. 11 (B. 39) was composed by Antonín Dvorák (1841-1904) in 1877, reworked from the Andantino movement of his 1873 STRING QUARTET NO. 5 in F minor, a work written before he wa...

Cellist and composer David Popper published the CELLO CONCERTO No. 5 in C major, Hob. VIIb:5, in 1899 as a completion of stetches supposedly made by Franz Joseph Haydn (1732-1809). Due to more recent...

Cellist and composer David Popper published the CELLO CONCERTO No. 5 in C major, Hob. VIIb:5, in 1899 as a completion of stetches supposedly made by Franz Joseph Haydn (1732-1809). Due to more recent...

Johann Nepomuk Hummel (1778-1837) wrote his CONCERTO FOR PIANO No. 3 in B minor, OP. 89 in 1819. Similar to his second piano concerto, it is composed in a proto-Romantic style that anticipated later c...

Johann Nepomuk Hummel (1778-1837) wrote his CONCERTO FOR PIANO No. 3 in B minor, OP. 89 in 1819. Similar to his second piano concerto, it is composed in a proto-Romantic style that anticipated later c...

Johann Nepomuk Hummel (1778-1837) wrote his CONCERTO FOR PIANO No. 3 in B minor, OP. 89 in 1819. Similar to his second piano concerto, it is composed in a proto-Romantic style that anticipated later c...

One of his longer works and the last to see immediate popularity, Edward Elgar's (1857-1934) Violin Concerto in B minor, Op. 61 has always found its way on concert programs, even when Elgar's works fe...

First published and recorded in 1954 (only included at the time on the album "A Leroy Anderson 'Pops' Concert"), this lovely piano instrumental was released as a UK single in 1957 and hit the charts i...

Gabriel Fauré, then director of the Conservatoire de Paris, named Claude Debussy (1862-1918) to the Conservatoire's board of directors in 1909, and promptly commissioned two works from Debussy for the...

Gabriel Fauré, then director of the Conservatoire de Paris, named Claude Debussy (1862-1918) to the Conservatoire's board of directors in 1909, and promptly commissioned two works from Debussy for the...

Emmanuel Chabrier (1841-1894), the French lawyer-turned-self-taught-composer wrote his LARGHETTO for Horn in 1875. Resembling an opera aria for French Horn, the work is very lyrical and achingly expre...

Emmanuel Chabrier (1841-1894), the French lawyer-turned-self-taught-composer wrote his LARGHETTO for Horn in 1875. Resembling an opera aria for French Horn, the work is very lyrical and achingly expre...

The piano trio version of La muse et le poète, Op. 132 was written by Camille Saint-Saëns (1835-1921) in 1910 during a vacation to North Africa, and that version premiered at Queen's Hall on June 7, 1...

The piano trio version of La muse et le poète, Op. 132 was written by Camille Saint-Saëns (1835-1921) in 1910 during a vacation to North Africa, and that version premiered at Queen's Hall on June 7, 1...

Written by Sergei Rachmaninoff (1873-1943) in 1934, this set of variations for piano solo and orchestra on Niccolò Paganini’s Caprice No. 24 for solo violin is much like a concerto, though it consists...

The Chandos Anthems, HWV 246-256, are a collection of eleven anthems composed by George Frideric Handel (1685-1759) when he was composer in residence at Cannons, the court of James Brydges, newly the...

The Chandos Anthems, HWV 246-256, are a collection of eleven anthems composed by George Frideric Handel (1685-1759) when he was composer in residence at Cannons, the court of James Brydges, newly the...

Antonín Dvorák (1841-1904) composed his Concerto for Cello in B minor, Op. 104/B. 191 in 1894. It was the last solo concerto that the composer wrote, and it was the final work that he wrote during his...

Antonín Dvorák (1841-1904) composed his Concerto for Cello in B minor, Op. 104/B. 191 in 1894. It was the last solo concerto that the composer wrote, and it was the final work that he wrote during his...

Percy Grainger (1882-1961) wrote the suite IN A NUTSHELL in 1916, originally scored for large orchestra, although both a solo piano and a 2-piano version followed that same year. The work consists of...

Percy Grainger (1882-1961) wrote the suite IN A NUTSHELL in 1916, originally scored for large orchestra, although both a solo piano and a 2-piano version followed that same year. The work consists of...

At the precocious age of fourteen, Felix Mendelssohn (1809-1847) scribbled out his Concerto for Two Pianos and Orchestra in E major. He wrote a second, this time longer, double piano concerto the foll...