Symphony Orchestra with Vocals
The critical edition of Edgar by Giacomo Puccini restores the opera in its complex transitional phase, taking as its point of reference the performances in Lucca in 1891—the composer’s final attempt t...
The critical edition of Edgar by Giacomo Puccini restores the opera in its complex transitional phase, taking as its point of reference the performances in Lucca in 1891—the composer’s final attempt t...
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Canti ed Estasi di Lea for soprano and orchestra (suite from the opera L’enigma di Lea) collects and symphonically elaborates some of the most characteristic expressive materials and environments of t...
Canti ed Estasi di Lea for soprano and orchestra (suite from the opera L’enigma di Lea) collects and symphonically elaborates some of the most characteristic expressive materials and environments of t...
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Hjem (2023) composed by Josefine Opsahl
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A Human to the best of my Ability (2023) (Ihminen parhaan kykynsä mukaan) composed by Joel Järventausta, Libretto by Tommi Kinnunen
A Human to the best of my Ability (2023) (Ihminen parhaan kykynsä mukaan) composed by Joel Järventausta, Libretto by Tommi Kinnunen
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Text drawn from Lewis Carroll's Alice's Adventures in Wonderland and Through the Looking Glass.
Text drawn from Lewis Carroll's Alice's Adventures in Wonderland and Through the Looking Glass.
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Maurice Ravel (1875-1937) wrote the first of his CINQ MÉLODIES POPULAIRES GRECQUES (Five Greek Folk Melodies) in 1904 at the urgent request of Pierre Aubry, who wished to illustrate a lecture he was g...
Maurice Ravel (1875-1937) wrote the first of his CINQ MÉLODIES POPULAIRES GRECQUES (Five Greek Folk Melodies) in 1904 at the urgent request of Pierre Aubry, who wished to illustrate a lecture he was g...
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La gloria de los santos is the only preserved oratorio by Pedro Rabassa, although we know that he composed several. It was premiered in the church of the Congregation of San Felipe Neri of Valencia in...
La gloria de los santos is the only preserved oratorio by Pedro Rabassa, although we know that he composed several. It was premiered in the church of the Congregation of San Felipe Neri of Valencia in...
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La soberbia abatida por la humildad de San Miguel is the only surviving oratorio by Francisco Hernández Illana (ca. 1700-1780). The piece was composed in 1727 and premiered in Astorga (Spain). In 1728...
La soberbia abatida por la humildad de San Miguel is the only surviving oratorio by Francisco Hernández Illana (ca. 1700-1780). The piece was composed in 1727 and premiered in Astorga (Spain). In 1728...
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This volume offers a collection of individual sacred and secular vocal pieces that have come down to us under the name of Christoph Willibald Gluck. The selection of the works is premised on the assum...
This volume offers a collection of individual sacred and secular vocal pieces that have come down to us under the name of Christoph Willibald Gluck. The selection of the works is premised on the assum...
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Johann Adolf Hasse, Kapellmeister at the Saxon-Polish court in Dresden, composed the Requiem in C major for the ceremonial exequies of the deceased Elector Friedrich August II in November 1763 in the...
Johann Adolf Hasse, Kapellmeister at the Saxon-Polish court in Dresden, composed the Requiem in C major for the ceremonial exequies of the deceased Elector Friedrich August II in November 1763 in the...
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In 1773, Wolfgang Amadeus Mozart (1756-1791) was in Milan during the production of his opera LUCIO SILLA. A castrato named Venanzio Rauzzini, who had played the part of the primo uomo Cecilio in LUCIO...
In 1773, Wolfgang Amadeus Mozart (1756-1791) was in Milan during the production of his opera LUCIO SILLA. A castrato named Venanzio Rauzzini, who had played the part of the primo uomo Cecilio in LUCIO...
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In 1773, Wolfgang Amadeus Mozart (1756-1791) was in Milan during the production of his opera LUCIO SILLA. A castrato named Venanzio Rauzzini, who had played the part of the primo uomo Cecilio in LUCIO...
In 1773, Wolfgang Amadeus Mozart (1756-1791) was in Milan during the production of his opera LUCIO SILLA. A castrato named Venanzio Rauzzini, who had played the part of the primo uomo Cecilio in LUCIO...
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Pour les funérailles d'un soldat (For the Funeral of a Soldier) was written by a then nineteen-year-old Lili Boulanger (1893-1918). Her first surviving choral work, it sets to music text from a sectio...
Pour les funérailles d'un soldat (For the Funeral of a Soldier) was written by a then nineteen-year-old Lili Boulanger (1893-1918). Her first surviving choral work, it sets to music text from a sectio...
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