Trumpet and Piano
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In this Concerto, Zdenek Lukas places deft mastery of orchestration at the service of a vivacious creative impulse. Double woodwinds plus piccolo (3-2-2-2), judiciously reduced brasses (4-0-0-0), and...
In this Concerto, Zdenek Lukas places deft mastery of orchestration at the service of a vivacious creative impulse. Double woodwinds plus piccolo (3-2-2-2), judiciously reduced brasses (4-0-0-0), and...
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In this Concerto, Zdenek Lukas places deft mastery of orchestration at the service of a vivacious creative impulse. Double woodwinds plus piccolo (3-2-2-2), judiciously reduced brasses (4-0-0-0), and...
In this Concerto, Zdenek Lukas places deft mastery of orchestration at the service of a vivacious creative impulse. Double woodwinds plus piccolo (3-2-2-2), judiciously reduced brasses (4-0-0-0), and...
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Armenian rhythmic and folk music influences are clearly in evidence, but there are no actual folk songs in it. Musicologists have asserted that Armenian influences represent the underlying musical ess...
Armenian rhythmic and folk music influences are clearly in evidence, but there are no actual folk songs in it. Musicologists have asserted that Armenian influences represent the underlying musical ess...
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Shinichi Takata's Sonatine in F major is the earliest piece of original trumpet music ever written by a Japanese composer. The existence of this music has only recently been acknlowedged, and among th...
Shinichi Takata's Sonatine in F major is the earliest piece of original trumpet music ever written by a Japanese composer. The existence of this music has only recently been acknlowedged, and among th...
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Shinichi Takata's Sonatine in F major is the earliest piece of original trumpet music ever written by a Japanese composer. The existence of this music has only recently been acknlowedged, and among th...
Shinichi Takata's Sonatine in F major is the earliest piece of original trumpet music ever written by a Japanese composer. The existence of this music has only recently been acknlowedged, and among th...
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In Memoriam was composed in 2010 in memory of Gwen Smith, mother of Philip Smith (principal trumpet of the New York Philharmonic) and wife of Derek Smith. As an inspiration for this composition I was...
In Memoriam was composed in 2010 in memory of Gwen Smith, mother of Philip Smith (principal trumpet of the New York Philharmonic) and wife of Derek Smith. As an inspiration for this composition I was...
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In Memoriam was composed in 2010 in memory of Gwen Smith, mother of Philip Smith (principal trumpet of the New York Philharmonic) and wife of Derek Smith. As an inspiration for this composition I was...
In Memoriam was composed in 2010 in memory of Gwen Smith, mother of Philip Smith (principal trumpet of the New York Philharmonic) and wife of Derek Smith. As an inspiration for this composition I was...
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The title Silent Ocean suggests serenity of the ocean, images of a pale blue and orange color sky blending the sound of the trumpet. It consists of three pieces. The first piece weaves the texture of...
The title Silent Ocean suggests serenity of the ocean, images of a pale blue and orange color sky blending the sound of the trumpet. It consists of three pieces. The first piece weaves the texture of...
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Gottfried Herrmann was in aIl probability 20 when he wrote this work during his stay in Hannover (1827-1829). We have not been able to discover where or by whom the piece was commissioned, or for whom...
Gottfried Herrmann was in aIl probability 20 when he wrote this work during his stay in Hannover (1827-1829). We have not been able to discover where or by whom the piece was commissioned, or for whom...
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Gottfried Herrmann was in aIl probability 20 when he wrote this work during his stay in Hannover (1827-1829). We have not been able to discover where or by whom the piece was commissioned, or for whom...
Gottfried Herrmann was in aIl probability 20 when he wrote this work during his stay in Hannover (1827-1829). We have not been able to discover where or by whom the piece was commissioned, or for whom...
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The Sonatina No. 1 for Trumpet and Piano was composed by Richard Lane in 1961 and was first performed that same year by the 14-year old Gerard Schwarz (formerly co-principal trumpet with the New York...
The Sonatina No. 1 for Trumpet and Piano was composed by Richard Lane in 1961 and was first performed that same year by the 14-year old Gerard Schwarz (formerly co-principal trumpet with the New York...
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The Sonatina No. 1 for Trumpet and Piano was composed by Richard Lane in 1961 and was first performed that same year by the 14-year old Gerard Schwarz (formerly co-principal trumpet with the New York...
The Sonatina No. 1 for Trumpet and Piano was composed by Richard Lane in 1961 and was first performed that same year by the 14-year old Gerard Schwarz (formerly co-principal trumpet with the New York...
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Richard Lane dedicated with pleasure smaller works to friends or students. All have his caracteristic musical signature, a synthesis between charm and an exceptional sens for melodic and harmonic form...
Richard Lane dedicated with pleasure smaller works to friends or students. All have his caracteristic musical signature, a synthesis between charm and an exceptional sens for melodic and harmonic form...
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Richard Lane dedicated with pleasure smaller works to friends or students. All have his caracteristic musical signature, a synthesis between charm and an exceptional sens for melodic and harmonic form...
Richard Lane dedicated with pleasure smaller works to friends or students. All have his caracteristic musical signature, a synthesis between charm and an exceptional sens for melodic and harmonic form...
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I wrote 'Three Episodes' for a recording project with Phil Smith and I were doing for the International Trumpet Guild in 2001. Although I never gave the individual movements any titles - the first mov...
I wrote 'Three Episodes' for a recording project with Phil Smith and I were doing for the International Trumpet Guild in 2001. Although I never gave the individual movements any titles - the first mov...
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Loss' is about a person who suffers a devastating loss. The first movement opens with harsh, dissonant chords in the piano, which are quickly replaced by a haunting melodic statement in the right hand...
Loss' is about a person who suffers a devastating loss. The first movement opens with harsh, dissonant chords in the piano, which are quickly replaced by a haunting melodic statement in the right hand...
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Loss' is about a person who suffers a devastating loss. The first movement opens with harsh, dissonant chords in the piano, which are quickly replaced by a haunting melodic statement in the right hand...
Loss' is about a person who suffers a devastating loss. The first movement opens with harsh, dissonant chords in the piano, which are quickly replaced by a haunting melodic statement in the right hand...
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