Urtext Edition
Aside from the Piano Quartet op. 13 and the Violin Sonata op. 18, the Cello Sonata op. 6 numbers among the most mature works of chamber music from Strauss' early œuvre. The influences of Mendelssohn,...
Aside from the Piano Quartet op. 13 and the Violin Sonata op. 18, the Cello Sonata op. 6 numbers among the most mature works of chamber music from Strauss' early œuvre. The influences of Mendelssohn,...
- Cello and Piano
- Piano Score and Part(s) (Urtext)
- G. Henle Verlag
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Of Beethoven's five cello sonatas, the Grande Sonate op. 69, published in 1809, is not only the centrepiece, but also musically the most significant. The artful coupling of the two instruments is on d...
Of Beethoven's five cello sonatas, the Grande Sonate op. 69, published in 1809, is not only the centrepiece, but also musically the most significant. The artful coupling of the two instruments is on d...
- Cello and Piano
- Piano Score and Part(s) (Urtext)
- Ian Fountain David Geringas
- G. Henle Verlag
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Written in 1815, the two Sonatas op. 102 mark the transition to the often austere sonorities of Beethoven's late style. One reviewer of the original edition noted in 1818 that they 'doubtless number a...
Written in 1815, the two Sonatas op. 102 mark the transition to the often austere sonorities of Beethoven's late style. One reviewer of the original edition noted in 1818 that they 'doubtless number a...
- Cello and Piano
- Piano Score and Part(s) (Urtext)
- Ian Fountain David Geringas
- G. Henle Verlag
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Like Elgar's Salut d'amour, the two 'chansons' are amongst his most popular melodies. The dreamy Chanson de nuit and its cheerful counterpart Chanson de matin are often performed together. Composer an...
Like Elgar's Salut d'amour, the two 'chansons' are amongst his most popular melodies. The dreamy Chanson de nuit and its cheerful counterpart Chanson de matin are often performed together. Composer an...
- Cello and Piano
- Piano Score and Part(s) (Urtext)
- G. Henle Verlag
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The sonatas published in 1732 in Amsterdam, London and Paris under Benedetto Marcello's name are to the present day firmly established in the cello repertoire. Although Marcello's authorship is not un...
The sonatas published in 1732 in Amsterdam, London and Paris under Benedetto Marcello's name are to the present day firmly established in the cello repertoire. Although Marcello's authorship is not un...
- Cello and Continuo
- Piano Score and Part(s) (Urtext)
- Thomas Klein Wolfgang Kostujak
- G. Henle Verlag
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Curtain up for Henriëtte Bosmans! The Sonata for cello and piano written in 1919 by the Dutch composer and pianist is a real discovery: exuberant and singing music in a late Romantic style. Both instr...
Curtain up for Henriëtte Bosmans! The Sonata for cello and piano written in 1919 by the Dutch composer and pianist is a real discovery: exuberant and singing music in a late Romantic style. Both instr...
- Cello and Piano
- Piano Score and Part(s) (Urtext)
- Raphaela Gromes Julian Riem
- G. Henle Verlag
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The composer Emilie Mayer succeeded in doing what only a few female musicians of the 19th century were able to do: turn their skills into a profession and find recognition in the process. She dedicate...
The composer Emilie Mayer succeeded in doing what only a few female musicians of the 19th century were able to do: turn their skills into a profession and find recognition in the process. She dedicate...
- Cello and Piano
- Piano Score and Part(s) (Urtext)
- Nicholas Rimmer
- G. Henle Verlag
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With his sonatas for violoncello and piano, Beethoven laid the foundations for a totally new chamber music genre which inspired subsequent composers such as Johannes Brahms and Richard Strauss among o...
With his sonatas for violoncello and piano, Beethoven laid the foundations for a totally new chamber music genre which inspired subsequent composers such as Johannes Brahms and Richard Strauss among o...
- Cello and Piano
- Piano Score and Part(s) (Urtext)
- Heinrich Schiff
- Wiener Urtext Edition
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The sonatas for flute and basso continuo by George Frideric Handel have been firm favourites among flautists for 270 years. The edition published by Bärenreiter in 1955 could essentially only rely on...
The sonatas for flute and basso continuo by George Frideric Handel have been firm favourites among flautists for 270 years. The edition published by Bärenreiter in 1955 could essentially only rely on...
- Flute and Continuo
- Piano Score and Part(s) (Urtext)
- Max Schneider
- Bärenreiter Verlag
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César Franck's Sonata for Piano and Violin is one of the most highly esteemed works in the violin literature, a masterpiece of cyclical form - with its grace and expressiveness it is virtually paradig...
César Franck's Sonata for Piano and Violin is one of the most highly esteemed works in the violin literature, a masterpiece of cyclical form - with its grace and expressiveness it is virtually paradig...
- Flute and Piano
- Piano Score and Part(s) (Urtext)
- Franz Linden
- Bärenreiter Verlag
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Not only a son of Bach Ever since the festivities for his 3rd centenary, it is manifest that Carl Philipp Emanuel Bach is not only a great name but also a great composer. Over the last decades, schola...
Not only a son of Bach Ever since the festivities for his 3rd centenary, it is manifest that Carl Philipp Emanuel Bach is not only a great name but also a great composer. Over the last decades, schola...
- Flute and Harpsichord
- Piano Score and Part(s) (Urtext)
- Breitkopf & Härtel
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Not only a son of Bach Ever since the festivities for his 3rd centenary, it is manifest that Carl Philipp Emanuel Bach is not only a great name but also a great composer. Over the last decades, schola...
Not only a son of Bach Ever since the festivities for his 3rd centenary, it is manifest that Carl Philipp Emanuel Bach is not only a great name but also a great composer. Over the last decades, schola...
- Flute and Harpsichord
- Piano Score and Part(s) (Urtext)
- Breitkopf & Härtel
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Indispensable repertoire work; first critical version; two versions of the ballad included in score and piano reduction Carl Reinecke was interested in exploring music and not just "snacking" on it. I...
Indispensable repertoire work; first critical version; two versions of the ballad included in score and piano reduction Carl Reinecke was interested in exploring music and not just "snacking" on it. I...
- Flute and Orchestra
- Piano reduction with part(s) (Urtext)
- Breitkopf & Härtel
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Cooperation with Universal Edition, Vienna. The little march composed in 1924 forms the nucleus of the suite for wind instruments Mládí (HN1093/7093), in which the jaunty flute theme weaves through th...
Cooperation with Universal Edition, Vienna. The little march composed in 1924 forms the nucleus of the suite for wind instruments Mládí (HN1093/7093), in which the jaunty flute theme weaves through th...
- Piccolo and Piano
- Piano Score and Part(s) (Urtext)
- G. Henle Verlag
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Telemann's sonatas, published in 1728, are 'methodical' according to the meaning of the word in his own day, since in addition to the plain melody line given to the soloist in the first movements they...
Telemann's sonatas, published in 1728, are 'methodical' according to the meaning of the word in his own day, since in addition to the plain melody line given to the soloist in the first movements they...
- Flute and Continuo
- Piano Score and Part(s) (Urtext)
- G. Henle Verlag
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The Romance for a melodic instrument and piano was a very popular genre in French salon music of the nineteenth century. Saint-Saëns also wrote several such pieces for violin, cello, and horn. His onl...
The Romance for a melodic instrument and piano was a very popular genre in French salon music of the nineteenth century. Saint-Saëns also wrote several such pieces for violin, cello, and horn. His onl...
- Flute and Piano
- Piano Score and Part(s) (Urtext)
- G. Henle Verlag
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'Methodical' was how Telemann's six sonatas were described when they were published in 1732, because they included a second, ornamented version of the simple melody line of the solo instrument for the...
'Methodical' was how Telemann's six sonatas were described when they were published in 1732, because they included a second, ornamented version of the simple melody line of the solo instrument for the...
- Flute and Continuo
- Piano Score and Part(s) (Urtext)
- G. Henle Verlag
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Even if many violinists consider Prokofiev’s opus 94 as “their” violin sonata: this enchanting work was written for flute! Prokofiev composed it in 1942–43, only subsequently did he make a version for...
Even if many violinists consider Prokofiev’s opus 94 as “their” violin sonata: this enchanting work was written for flute! Prokofiev composed it in 1942–43, only subsequently did he make a version for...
- Flute and Piano
- Piano Score and Part(s) (Urtext)
- Charles Owen
- G. Henle Verlag
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When it comes to flute music of the Baroque era, the works of Bach and Handel are unsurpassed in musical stature as well as in recognition and popularity, and thus it is easy to overlook the fact that...
When it comes to flute music of the Baroque era, the works of Bach and Handel are unsurpassed in musical stature as well as in recognition and popularity, and thus it is easy to overlook the fact that...
- Flute and Piano
- Piano Score and Part(s) (Urtext)
- G. Henle Verlag
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The second volume of our collection describes the road from the Baroque to Classicism. Along with sonatas with independent piano parts, composers continued to cultivate the sonata with thoroughbass ac...
The second volume of our collection describes the road from the Baroque to Classicism. Along with sonatas with independent piano parts, composers continued to cultivate the sonata with thoroughbass ac...
- Flute and Piano
- Piano Score and Part(s) (Urtext)
- G. Henle Verlag
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Fauré's exquisite 'Fantaisie' is one of the jewels in chamber music for which we are indebted to his time at the Paris Conservatoire. The flute professor there, Paul Taffanel, had asked his colleague...
Fauré's exquisite 'Fantaisie' is one of the jewels in chamber music for which we are indebted to his time at the Paris Conservatoire. The flute professor there, Paul Taffanel, had asked his colleague...
- Flute and Piano
- Piano Score and Part(s) (Urtext)
- Klaus Schilde
- G. Henle Verlag
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Telemann's sonata (solo) for transverse flute and basso continuo comes from the 'Tafelmusik' published in 1733, one of the most important instrumental cycles of the late Baroque period. The sonata's s...
Telemann's sonata (solo) for transverse flute and basso continuo comes from the 'Tafelmusik' published in 1733, one of the most important instrumental cycles of the late Baroque period. The sonata's s...
- Flute and Continuo
- Piano Score and Part(s) (Urtext)
- Wiener Urtext Edition
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Kammermusik-Ausgabe (Klavierquintett) nach dem Urtext der Neuen Mozart-Ausgabe. Klavier, Violine (2), Viola, Violoncello - Spielpartitur; Stimmensatz
Kammermusik-Ausgabe (Klavierquintett) nach dem Urtext der Neuen Mozart-Ausgabe. Klavier, Violine (2), Viola, Violoncello - Spielpartitur; Stimmensatz
- 2 Violins, Viola, Cello and Piano
- Piano reduction with part(s) (Urtext)
- Bärenreiter Verlag
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Experience Wolfgang Amadeus Mozart's masterful Piano Concerto No. 12 in A major, K. 414 in a wonderfully intimate and sonorous chamber music setting. This first-class edition for piano quintet (piano,...
Experience Wolfgang Amadeus Mozart's masterful Piano Concerto No. 12 in A major, K. 414 in a wonderfully intimate and sonorous chamber music setting. This first-class edition for piano quintet (piano,...
- 2 Violins, Viola, Cello and Piano
- Piano reduction with part(s) (Urtext)
- Ernst R. Barthel
- Bärenreiter Verlag
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Kammermusik-Ausgabe (Klavierquintett) nach dem Urtext der Neuen Mozart-Ausgabe. Klavier, Violine (2), Viola, Violoncello - Spielpartitur; Stimmensatz
Kammermusik-Ausgabe (Klavierquintett) nach dem Urtext der Neuen Mozart-Ausgabe. Klavier, Violine (2), Viola, Violoncello - Spielpartitur; Stimmensatz
- 2 Violins, Viola, Cello and Piano
- Piano reduction with part(s) (Urtext)
- Bärenreiter Verlag
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