Urtext Edition
As an acclaimed opera composer, Georges Bizet admitted that he had no real sensibility for sacred music. His Te Deum is nonetheless a truly fascinating and highly expressive work. From the majestic "T...
As an acclaimed opera composer, Georges Bizet admitted that he had no real sensibility for sacred music. His Te Deum is nonetheless a truly fascinating and highly expressive work. From the majestic "T...
- Solists (ST), Mixed Choir (SATB) and Orchestra
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Dvorák's great "Requiem" was commissioned for the renowned music festival in Birmingham. Since its premiere there under the composer's direction in 1891, it has enjoyed great popularity. It is based o...
Dvorák's great "Requiem" was commissioned for the renowned music festival in Birmingham. Since its premiere there under the composer's direction in 1891, it has enjoyed great popularity. It is based o...
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As Kapellmeister at Dresden’s royal theater, Carl Maria von Weber’s primary task was to establish a German opera. However, it was also part of his duties to take care of church music every three weeks...
As Kapellmeister at Dresden’s royal theater, Carl Maria von Weber’s primary task was to establish a German opera. However, it was also part of his duties to take care of church music every three weeks...
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Bach's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly negl...
Bach's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly negl...
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Bach's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly negl...
Bach's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly negl...
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- Piano Reduction (Urtext)
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The cantata 'Ich liebe den Höchsten von ganzem Gemüte' (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, kn...
The cantata 'Ich liebe den Höchsten von ganzem Gemüte' (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, kn...
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The cantata 'Ich liebe den Höchsten von ganzem Gemüte' (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, kn...
The cantata 'Ich liebe den Höchsten von ganzem Gemüte' (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, kn...
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- Piano Reduction (Urtext)
- Angelika Tasler
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The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afiel...
The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afiel...
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The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afiel...
The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afiel...
- 4 Soloists (SATB), Mixed Choir (SATB), 2 Flutes, 2 Oboes, 2 Oboes d'Amore, 2 Violins, Viola and 2 Viole da Gamba
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Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Ho...
Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Ho...
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Mendelssohn describes to his friend Klingemann the 1840 work as "a ‘symphony for chorus and orchestra’… First three symphonic movements, to which 12 choral- and solo- movements are appendaged; the wor...
Mendelssohn describes to his friend Klingemann the 1840 work as "a ‘symphony for chorus and orchestra’… First three symphonic movements, to which 12 choral- and solo- movements are appendaged; the wor...
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The English conductor and composer Howard Arman has presented us with a completed version of Mozart’s Requiem. “Another one?” you might ask, since this publication is only the latest in a long line re...
The English conductor and composer Howard Arman has presented us with a completed version of Mozart’s Requiem. “Another one?” you might ask, since this publication is only the latest in a long line re...
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- Howard Arman
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2.2.2.2 - 2.2.3.0 - Pk, Orgel - Streicher - Soli: S, A, T, B - Chor: S, A, T, B - Partitur, Urtextausgabe
2.2.2.2 - 2.2.3.0 - Pk, Orgel - Streicher - Soli: S, A, T, B - Chor: S, A, T, B - Partitur, Urtextausgabe
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- Edition Peters
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No other work by Mozart is so enshrouded in myth as his final composition, the D-minor Requiem. Mozart died before its completion, and the missing sections had to be added by others. The many handwrit...
No other work by Mozart is so enshrouded in myth as his final composition, the D-minor Requiem. Mozart died before its completion, and the missing sections had to be added by others. The many handwrit...
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0.2.0.0. - 0.0.0.0. - Streicher. - Bc. Singstimme (4), Chor, Orchester - Partitur
0.2.0.0. - 0.0.0.0. - Streicher. - Bc. Singstimme (4), Chor, Orchester - Partitur
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- Edition Peters
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Für Soli (SATB), gem. Chor und Orchester, neue Ausgabe, Urtext (d. / e.)
Für Soli (SATB), gem. Chor und Orchester, neue Ausgabe, Urtext (d. / e.)
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- Edition Peters
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This edition of George Frideric Handel's (1685-1759) most famous work was edited by Ebenezer Prout, and includes additional accompaniments largely re-written by him. The preface provided by Prout offe...
This edition of George Frideric Handel's (1685-1759) most famous work was edited by Ebenezer Prout, and includes additional accompaniments largely re-written by him. The preface provided by Prout offe...
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- Ebenezer Prout
- Edwin F. Kalmus
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This urtext edition of George Frideric Handel's most famous work, was edited by Arnold Schering with continuo realization by Kurt Soldan. The chorus AND THE GLORY OF THE LORD is No. 4 from Part I of t...
This urtext edition of George Frideric Handel's most famous work, was edited by Arnold Schering with continuo realization by Kurt Soldan. The chorus AND THE GLORY OF THE LORD is No. 4 from Part I of t...
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- Edwin F. Kalmus
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Christian Gotthilf Tag was one of the most outstanding church musicians of his time in Germany. He composed an astonishing wealth of sacred choral works. He cultivated intensively the cantata form in...
Christian Gotthilf Tag was one of the most outstanding church musicians of his time in Germany. He composed an astonishing wealth of sacred choral works. He cultivated intensively the cantata form in...
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- Edition Merseburger
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Orchestral material according to the new Beethoven Complete Edition by G. Henle Verlag. All conducting scores and orchestral parts as well as the piano reductions and choral scores are available exclu...
Orchestral material according to the new Beethoven Complete Edition by G. Henle Verlag. All conducting scores and orchestral parts as well as the piano reductions and choral scores are available exclu...
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- Breitkopf & Härtel KG
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Kuhnau's Magnificat in C major is - apart from his Biblical Sonatas - considered to be his most ambitious and best known work. However, as recent research has revealed, there are indeed many other lar...
Kuhnau's Magnificat in C major is - apart from his Biblical Sonatas - considered to be his most ambitious and best known work. However, as recent research has revealed, there are indeed many other lar...
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Urtext of both versions The new edition of BWV 118 presents the work in the two different instrumental settings secured by the autograph scores: the earlier version with brass only and the later with...
Urtext of both versions The new edition of BWV 118 presents the work in the two different instrumental settings secured by the autograph scores: the earlier version with brass only and the later with...
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Soli,GCh,Orch 20'
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Diethard Hellmann based his careful reconstruction on stylistic comparisons with other Bach scores.
Diethard Hellmann based his careful reconstruction on stylistic comparisons with other Bach scores.
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I had just grown particularly fond of the piece, although it is hardly something for the so-called audience; but I loved it ... Mendelssohn wrote about his setting of the 114th Psalm.
I had just grown particularly fond of the piece, although it is hardly something for the so-called audience; but I loved it ... Mendelssohn wrote about his setting of the 114th Psalm.
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