Urtext Edition
String set: Solo-2-2-1-2 Bassi
String set: Solo-2-2-1-2 Bassi
- Cello, 2 Violins, Viola and Continuo
- Set of Parts (Urtext)
- Edition Walhall
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The concerto by the Roman composer, who was presumably a pupil of Corelli's, is a great enrichment to the repertoire and was hitherto mistakenly catalogued as a violin concerto.
The concerto by the Roman composer, who was presumably a pupil of Corelli's, is a great enrichment to the repertoire and was hitherto mistakenly catalogued as a violin concerto.
- Descant Recorder, 2 Violins and Continuo
- Piano Reduction (Urtext)
- Edition Walhall
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- Cello, 2 Violins, Viola and Continuo
- Score (Urtext)
- Edition Walhall
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Immerse yourself in the melodious world of Italian bel canto: With the Fantaisie for Harp based on themes from Rossini's celebrated "Soirées Musicales" Op. 75, experience brilliant harp repertoire bri...
Immerse yourself in the melodious world of Italian bel canto: With the Fantaisie for Harp based on themes from Rossini's celebrated "Soirées Musicales" Op. 75, experience brilliant harp repertoire bri...
- Harp
- Sheet Music (Urtext)
- UT Orpheus Edizioni
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Expand your musical horizons and sharpen your intuition on the instrument: With "Dechiffrage" for harp, renowned publisher UT Orpheus Edizioni presents an indispensable edition for harpists of all lev...
Expand your musical horizons and sharpen your intuition on the instrument: With "Dechiffrage" for harp, renowned publisher UT Orpheus Edizioni presents an indispensable edition for harpists of all lev...
- Harp
- Sheet Music (Urtext)
- UT Orpheus Edizioni
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- Harp
- Sheet Music (Urtext)
- UT Orpheus Edizioni
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ships within 1-2 weeks
In February 1886, Camille Saint-Saëns was supposed to urgently complete his “Organ Symphony”, but instead he worked on a composition that he had been dwelling on for a long time. This was “The Carniva...
In February 1886, Camille Saint-Saëns was supposed to urgently complete his “Organ Symphony”, but instead he worked on a composition that he had been dwelling on for a long time. This was “The Carniva...
- Chamber Orchestra
- Harmony Parts (Urtext)
- Bärenreiter Verlag
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Urtext der Hallischen Händel-Ausgabe. Orgel Solo, Kammerorchester - Partitur; Urtextausgabe; Gesamtausgabe
Urtext der Hallischen Händel-Ausgabe. Orgel Solo, Kammerorchester - Partitur; Urtextausgabe; Gesamtausgabe
- Organ and Chamber Orchestra
- Score (Urtext)
- Bärenreiter Verlag
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Urtext der Neuen Mozart Ausgabe. Kammerorchester - Partitur; Urtextausgabe; Gesamtausgabe
Urtext der Neuen Mozart Ausgabe. Kammerorchester - Partitur; Urtextausgabe; Gesamtausgabe
- Chamber Orchestra
- Score (Urtext)
- Bärenreiter Verlag
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Urtext der Neuen Mozart-Ausgabe. Kammerorchester - Partitur; Urtextausgabe; Gesamtausgabe
Urtext der Neuen Mozart-Ausgabe. Kammerorchester - Partitur; Urtextausgabe; Gesamtausgabe
- Chamber Orchestra
- Score (Urtext)
- Bärenreiter Verlag
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This urtext edition of George Frideric Handel's most famous work, was edited by Arnold Schering and Kurt Soldan. Instrumentation included in the set: 0.2.0.1: 0.2.0.0: Timp: Hpchd.Org: Str (4-4-3-3-3)...
This urtext edition of George Frideric Handel's most famous work, was edited by Arnold Schering and Kurt Soldan. Instrumentation included in the set: 0.2.0.1: 0.2.0.0: Timp: Hpchd.Org: Str (4-4-3-3-3)...
- Soloists, Choir and Chamber Orchestra
- Score (Urtext)
- Kurt Soldan
- Edwin F. Kalmus
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This Henle Urtext edition in unrivalled in layout and precision. The professional journal 'Rohrblatt' wrote shortly after its publication (in 2004): 'An editorial stroke of genius … Every oboist who a...
This Henle Urtext edition in unrivalled in layout and precision. The professional journal 'Rohrblatt' wrote shortly after its publication (in 2004): 'An editorial stroke of genius … Every oboist who a...
- Oboe and Piano
- Piano Reduction (Urtext)
- G. Henle Verlag
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Kantate zum 2. Pfingsttag. Urtetxt der Neuen Bach-Ausgabe. Sopran solo, Bass solo, Gemischter Chor-SATB, Oboe (2), Horn, Trompete/ Zink, Posaune (3), Streicher, Basso continuo - Partitur
Kantate zum 2. Pfingsttag. Urtetxt der Neuen Bach-Ausgabe. Sopran solo, Bass solo, Gemischter Chor-SATB, Oboe (2), Horn, Trompete/ Zink, Posaune (3), Streicher, Basso continuo - Partitur
- 2 Soloists, Mixed Choir (SATB), Orchestra and Continuo
- Score (Urtext)
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Kantate zum 4. Adventssonntag. Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe, Fagott, Streicher, Basso continuo
Kantate zum 4. Adventssonntag. Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe, Fagott, Streicher, Basso continuo
- 4 Soloists, Mixed Choir (SATB), Orchestra and Continuo
- Score (Urtext)
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With his four works 'Le Rouet d'Omphale', 'Phaéton', 'Danse macabre' and 'La Jeunesse d'Hercule', composed between 1872 and 1877, Camille Saint-Saëns decidedly put himself in the tradition of Hector B...
With his four works 'Le Rouet d'Omphale', 'Phaéton', 'Danse macabre' and 'La Jeunesse d'Hercule', composed between 1872 and 1877, Camille Saint-Saëns decidedly put himself in the tradition of Hector B...
- Orchestra
- Score (Urtext)
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Fünf echte Klavierkonzerte gibt es von Camille Saint-Saëns, gemeinhin sind vor allem das Zweite und das Fünfte heute im Konzertleben präsent. Die Kritische Neuausgabe der Camille Saint-Saens - Oeuvres...
Fünf echte Klavierkonzerte gibt es von Camille Saint-Saëns, gemeinhin sind vor allem das Zweite und das Fünfte heute im Konzertleben präsent. Die Kritische Neuausgabe der Camille Saint-Saens - Oeuvres...
- Piano and Orchestra
- Score (Urtext)
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> A work marking the beginning of Dvorák's so-called Slavonic period > Urtext edition incorporating every known source > Foreword (Eng/Cz/Ger) and Critical Commentary (Eng) by the editor Dvorák's 'Sla...
> A work marking the beginning of Dvorák's so-called Slavonic period > Urtext edition incorporating every known source > Foreword (Eng/Cz/Ger) and Critical Commentary (Eng) by the editor Dvorák's 'Sla...
- Orchestra
- Score (Urtext)
- Bärenreiter Verlag
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Dvorák composed his 'Slavonic Rhapsodies' op. 45 in 1878, initiating his so-called 'Slavonic period'. They were issued by the publisher Simrock the following year as three independent orchestral piece...
Dvorák composed his 'Slavonic Rhapsodies' op. 45 in 1878, initiating his so-called 'Slavonic period'. They were issued by the publisher Simrock the following year as three independent orchestral piece...
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- Score (Urtext)
- Bärenreiter Verlag
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Dvorák composed his 'Slavonic Rhapsodies' op. 45 in 1878, initiating his so-called 'Slavonic period'. They were issued by the publisher Simrock the following year as three independent orchestral piece...
Dvorák composed his 'Slavonic Rhapsodies' op. 45 in 1878, initiating his so-called 'Slavonic period'. They were issued by the publisher Simrock the following year as three independent orchestral piece...
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- Score (Urtext)
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Dvoráks 7. Symphonie wurde im August 1883 von der 'Royal Philharmonic Society' in Auftrag gegeben und am 22. April 1885 in London unter der Leitung des Komponisten uraufgeführt. Im folgenden Juni kürz...
Dvoráks 7. Symphonie wurde im August 1883 von der 'Royal Philharmonic Society' in Auftrag gegeben und am 22. April 1885 in London unter der Leitung des Komponisten uraufgeführt. Im folgenden Juni kürz...
- Orchestra
- Score (Urtext)
- Bärenreiter Verlag
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- Also available for download!
The 'New World' Symphony, a jewel of the symphonic repertoire, is finally available in a dependable scholarly-critical edition. Yet again Jonathan Del Mar has managed to untangle a complex network of...
The 'New World' Symphony, a jewel of the symphonic repertoire, is finally available in a dependable scholarly-critical edition. Yet again Jonathan Del Mar has managed to untangle a complex network of...
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- Score (Urtext)
- Bärenreiter Verlag
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Composed in 1876, Dvorák's only piano concerto has been overshadowed by his other two concertos, for violin and violoncello, respectively. Performers and editors have often attempted to upgrade this p...
Composed in 1876, Dvorák's only piano concerto has been overshadowed by his other two concertos, for violin and violoncello, respectively. Performers and editors have often attempted to upgrade this p...
- Piano and Orchestra
- Score (Urtext)
- Bärenreiter Verlag
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'To tell the truth, I'm a concerto grosso type,' Martinu wrote in 1945. Unsurprisingly, the concerto grosso is also the formal basis of both concertante compositions for four solo instruments and orch...
'To tell the truth, I'm a concerto grosso type,' Martinu wrote in 1945. Unsurprisingly, the concerto grosso is also the formal basis of both concertante compositions for four solo instruments and orch...
- 2 Violins, Viola, Cello and Orchestra
- Score (Urtext)
- Bärenreiter Verlag
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'Incarnation' (1956), Bohuslav Martinu's fourth piano concerto, follows an atypical two-movement structure. It was composed for Martinu's friend Rudolf Firkušný, who played from a copy of the autograp...
'Incarnation' (1956), Bohuslav Martinu's fourth piano concerto, follows an atypical two-movement structure. It was composed for Martinu's friend Rudolf Firkušný, who played from a copy of the autograp...
- Piano and Orchestra
- Score (Urtext)
- Bärenreiter Verlag
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“The Frescoes of Piero della Francesca” and “The Parables” represent the culmination of the late Neo-Impressionist orchestral output of Bohuslav Martinu, marked by a fantastic, kaleidoscopic style. Ma...
“The Frescoes of Piero della Francesca” and “The Parables” represent the culmination of the late Neo-Impressionist orchestral output of Bohuslav Martinu, marked by a fantastic, kaleidoscopic style. Ma...
- Orchestra
- Score (Urtext)
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