Urtext Edition
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In the period around 1700, numerous settings of the Magnificat were performed in the main Leipzig churches. Works by composers such as J. Kuhnau and G. P. Telemann survive; however, the best-known exa...
In the period around 1700, numerous settings of the Magnificat were performed in the main Leipzig churches. Works by composers such as J. Kuhnau and G. P. Telemann survive; however, the best-known exa...
- Soloists (SATB), Mixed Choir (SATB), 2 Baroque Trumpets, Timpani, 2 Violins, Viola and Continuo
- Set of Parts (Urtext)
- Carus-Verlag
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In his roles as Music Director at the Cathedral of Notre Dame in Paris and in the Royal Choir [chapel] of Louis XV, André Campra (1660-1744) composed numerous motets which frequently displayed the inf...
In his roles as Music Director at the Cathedral of Notre Dame in Paris and in the Royal Choir [chapel] of Louis XV, André Campra (1660-1744) composed numerous motets which frequently displayed the inf...
- Soloists, Mixed Choir (SATBarB), 2 Flutes, 2 Oboes, 2 Violins, 2 Violas, Double Bass and Continuo
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In his roles as Music Director at the Cathedral of Notre Dame in Paris and in the Royal Choir [chapel] of Louis XV, André Campra (1660-1744) composed numerous motets which frequently displayed the inf...
In his roles as Music Director at the Cathedral of Notre Dame in Paris and in the Royal Choir [chapel] of Louis XV, André Campra (1660-1744) composed numerous motets which frequently displayed the inf...
- Soloists, Mixed Choir (SATBarB), 2 Flutes, 2 Oboes, 2 Violins, 2 Violas, Double Bass and Continuo
- Piano Reduction (Urtext)
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- 2 Mixed Choirs (SATB) and Percussion
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Ultimately, he is a pupil for whom I need not feel embarrassed,' wrote J. S. Bach, summarizing the qualities of his son-in-law to be, J. C. Altnickol. Altnickol's two settings of the Sanctus, based on...
Ultimately, he is a pupil for whom I need not feel embarrassed,' wrote J. S. Bach, summarizing the qualities of his son-in-law to be, J. C. Altnickol. Altnickol's two settings of the Sanctus, based on...
- Choir (Unison), 2 Violins, Viola and Continuo
- Piano Reduction (Urtext)
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Gounods Messe à la mémoire de Jeanne dArc was composed in 1887 for a festive mass in Reims to commemorate the arrival of the national heroine in the city on the occasion of the coronation of Charles V...
Gounods Messe à la mémoire de Jeanne dArc was composed in 1887 for a festive mass in Reims to commemorate the arrival of the national heroine in the city on the occasion of the coronation of Charles V...
- Soloists (SATB), Mixed Choir (SATB), 4 Trumpets, 3 Trombones, Violin Solo, Harp and Organ
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Gounods Messe à la mémoire de Jeanne dArc was composed in 1887 for a festive mass in Reims to commemorate the arrival of the national heroine in the city on the occasion of the coronation of Charles V...
Gounods Messe à la mémoire de Jeanne dArc was composed in 1887 for a festive mass in Reims to commemorate the arrival of the national heroine in the city on the occasion of the coronation of Charles V...
- Soloists (SATB), Mixed Choir (SATB), 4 Trumpets, 3 Trombones, Violin Solo, Harp and Organ
- Piano Reduction (Urtext)
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- Soloists (SSTTB), 2 Violins and Continuo
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- Soloists (SSTTB), 2 Violins and Continuo
- Set of Parts (Urtext)
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- Score (Urtext)
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- Soloists (SSAATTBB), Mixed Choir (SSAATTBB), 2 Violins and Continuo
- Piano Reduction (Urtext)
- Angelika Tasler
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- Soloists (SSAATTBB), Mixed Choir (SSAATTBB), 2 Violins and Continuo
- Set of Parts (Urtext)
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- Soloists (STB), Mixed Choir (STB), 2 Violins and Continuo
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- Soloists (STB), Mixed Choir (STB), 2 Violins and Continuo
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- Angelika Tasler
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- Soloists (STB), Mixed Choir (STB), 2 Violins and Continuo
- Set of Parts (Urtext)
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- 2 Mixed Choirs (SATB), 2 Violins and Continuo
- Score (Urtext)
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- 2 Mixed Choirs (SATB), 2 Violins and Continuo
- Piano Reduction (Urtext)
- Angelika Tasler
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- 2 Mixed Choirs (SATB), 2 Violins and Continuo
- Set of Parts (Urtext)
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In many performances of Monteverdi's magnificent Vespers of the Blessed Virgin the 'Lauda Jerusalem' and the Magnificat movements, which lie in a high tessitura, are transposed downwards. So that thes...
In many performances of Monteverdi's magnificent Vespers of the Blessed Virgin the 'Lauda Jerusalem' and the Magnificat movements, which lie in a high tessitura, are transposed downwards. So that thes...
- High Voice, 2 Mixed Choirs (SAB), 7 Instruments and Continuo
- Score (Urtext)
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In many performances of Monteverdi's magnificent Vespers of the Blessed Virgin the 'Lauda Jerusalem' and the Magnificat movements, which lie in a high tessitura, are transposed downwards. So that thes...
In many performances of Monteverdi's magnificent Vespers of the Blessed Virgin the 'Lauda Jerusalem' and the Magnificat movements, which lie in a high tessitura, are transposed downwards. So that thes...
- Soloists, Mixed Choir, 2 Cornets, 3 Trombones, 2 Violins, 3 Violas, Cello, Violone and Continuo
- Score (Urtext)
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In many performances of Monteverdi's magnificent Vespers of the Blessed Virgin the 'Lauda Jerusalem' and the Magnificat movements, which lie in a high tessitura, are transposed downwards. So that thes...
In many performances of Monteverdi's magnificent Vespers of the Blessed Virgin the 'Lauda Jerusalem' and the Magnificat movements, which lie in a high tessitura, are transposed downwards. So that thes...
- High Voice, 2 Mixed Choirs (SAB), 7 Instruments and Continuo
- Piano Reduction (Urtext)
- Paul Horn
- Carus-Verlag
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