Urtext Edition

It is hardly imaginable today, but the Viennese public of Mozart's time was unable to appreciate the beauties of Mozart's Piano Quartet K. 478. It was not accustomed to the dramatic g minor character...

Piano trios belong among the great genres of Classical chamber music, and Brahms , too, turned his attention to this genre early on. He wrote his opus 8 in fall and winter 1853/54, thus at the age of...

Piano trios belong among the great genres of Classical chamber music, and Brahms , too, turned his attention to this genre early on. He wrote his opus 8 in fall and winter 1853/54, thus at the age of...

The Shepherd on the Rock, composed in the final year of Schubert's life, was in a certain sense a commission. The opera singer Anna Milder-Hauptmann, the fi rst Leonore in Beethoven's Fidelio, had ask...

We not only owe three of Mozart's horn concertos to his friendship with Ignaz Leutgeb; the solo part of this unusual chamber music work was also written especially for him. Instead of having two violi...

Written in March 1886 as a humorous occasional work for the traditional carnival concert organized by his cellist friend Charles-Joseph Lebouc, the Carnival of the Animals was so successful that Saint...

It is hardly surprising that Beethoven did not write any more chamber music for winds after 1800. Following the change to middle-class musical culture, demand declined for buoyant serenades and divert...

One of the greatest masterworks of the 20th century! It has lost nothing of its fascination to this day. In 1936 Béla Bartók was commissioned by his Swiss patron Paul Sacher to write the 'Music for St...

Sopran solo, Tenor solo, Bass solo, Flöte, Streicher, Basso continuo - Studienpartitur; Urtextausgabe

Hornquintett. Urtext der Neuen Mozart-Ausgabe Horn, Violine, Viola (2), Violoncello - Studienpartitur; Urtextausgabe

Klarinetten-Quintett. Urtext der Neuen Mozart-Ausgabe - Clarinet Quintet Klarinette in b, Violine (2), Viola, Violoncello - Studienpartitur; Urtextausgabe

Quartette D-dur KV 285, G-dur KV 285a, C-dur KV 285b, A-dur KV 298. Urtext der Neuen Mozart-Ausgabe - Quartets in D major K. 285, in G major K. 285a, in C major K. 285b, in A major K. 298 Flöte, Violi...

Urtext der Neuen Mozart-Ausgabe Oboe, Violine, Viola, Violoncello - Studienpartitur; Urtextausgabe

Urtext of the New Schubert Edition Clarinet in bb, Bassoon, Horn, Violin (2), Viola, Violoncello, Double bass - Study score; Urtext edition

Serenade for 13 Instruments. Urtext of the New Mozart Edition - Serenade for 13 Instruments. Oboe (2), Clarinet in b flat (2), Basset horn (2)/ Clarinet, Horn (4), Bassoon (2), Double bass - Study sco...

> First Urtext edition based on The Bohuslav Martinu Complete Edition IV/4/1 (Chamber Music for 6-9 Instruments I) > Foreword by the editor (Cz/Eng/Ger) Martinu's Nonet No. 2 was composed in 1959, the...

Unusual instrumentations were by no means the exception in the chamber music works of Bohuslav Martinu, most notably the works he wrote in Paris in the 1920s and 1930s being characterised by his exper...

Unusual instrumentations were by no means the exception in the chamber music works of Bohuslav Martinu, most notably the works he wrote in Paris in the 1920s and 1930s being characterised by his exper...

Bohuslav Martinu's 'Field Mass' is one of his most significant vocal-instrumental works. It originated in 1939 in Paris in response to the outbreak of World War II and was intended for outdoor perform...

FlSolo, VSolo, CembSolo, Streicher, Basso continuo - Studienpartitur; Urtextausgabe

With his septet for clarinet, bassoon, horn, violin, viola, cello and double bass, Beethoven created a key chamber music work for larger ensembles. He composed the six-movement septet at the same time...

The concerto by the Roman composer, who was presumably a pupil of Corelli's, is a great enrichment to the repertoire and was hitherto mistakenly catalogued as a violin concerto.

The three Duos for Clarinet and Bassoon WoO 27 stylistically belong to Beethoven's earliest creative period. Due to their lively character, the skilful play with timbre, and the fact that they are not...

In 1849 Schumann turned to a new genre: works for piano and an accompanying instrument. The first work he composed were the Fantasy Pieces for Piano and Clarinet op. 73, immediately followed by the Ad...