Urtext Edition
They are very easy to perform and pleasing, as I think, Johannes Brahms wrote to Breitkopf & Härtel in August 1860 to make the work palatable to the publisher. He had already sent his Hamburg women's...
They are very easy to perform and pleasing, as I think, Johannes Brahms wrote to Breitkopf & Härtel in August 1860 to make the work palatable to the publisher. He had already sent his Hamburg women's...
- Women's Choir
- Choral Score (Urtext)
- Breitkopf & Härtel
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Schuberts Vertonung des 23. Psalms 'Gott ist mein Hirt' D 706 war ursprünglich für ein Quartett von Frauenstimmen vorgesehen, wurde jedoch schon im 19. Jahrhundert regelmäßig von Frauenchören aufgefüh...
Schuberts Vertonung des 23. Psalms 'Gott ist mein Hirt' D 706 war ursprünglich für ein Quartett von Frauenstimmen vorgesehen, wurde jedoch schon im 19. Jahrhundert regelmäßig von Frauenchören aufgefüh...
- Women's Choir (SSAA) and Piano
- Piano Score (Urtext)
- Breitkopf & Härtel
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Die Ausgabe Zur Opéra-comique "Carmen" entstanden insgesamt zehn Fassungen, von Georges Bizets erster Niederschrift 1874 bis zum Erstdruck der Partitur 1877. Im Zuge jahrelanger Grundlagenforschung er...
Die Ausgabe Zur Opéra-comique "Carmen" entstanden insgesamt zehn Fassungen, von Georges Bizets erster Niederschrift 1874 bis zum Erstdruck der Partitur 1877. Im Zuge jahrelanger Grundlagenforschung er...
- Soloists (STB), Women's Choir (S) and Orchestra
- Piano Reduction (Urtext)
- Strauss Edition Wien / Verlagsgruppe Hermann
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Urtext der Neuen Schein-Ausgabe. Gemischter Chor-SSATB, Basso continuo - Partitur Leinen; Sammelband; Gesamtausgabe
Urtext der Neuen Schein-Ausgabe. Gemischter Chor-SSATB, Basso continuo - Partitur Leinen; Sammelband; Gesamtausgabe
- Mixed Choir (SATB) and Continuo
- Choral Score (Urtext)
- Bärenreiter Verlag
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Mit den sechs- und siebenstimmigen Motetten liegt die revidierte Fassung der 'Geistlichen Chor-Music' nun komplett vor. Alle Stimmen der Motetten können, wie Schütz in seinem Vorwort zur Sammlung besc...
Mit den sechs- und siebenstimmigen Motetten liegt die revidierte Fassung der 'Geistlichen Chor-Music' nun komplett vor. Alle Stimmen der Motetten können, wie Schütz in seinem Vorwort zur Sammlung besc...
- Mixed Choir (6-7 Parts) and Continuo
- Choral Score (Urtext)
- Bärenreiter Verlag
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The Four Quartets op. 92 were composed in 1884 during Brahms’ summer’s stay in Mürzzuschlag (Styria). The opening piece, however, was a revision of an earlier vocal quartet composed in 1877. Brahms ha...
The Four Quartets op. 92 were composed in 1884 during Brahms’ summer’s stay in Mürzzuschlag (Styria). The opening piece, however, was a revision of an earlier vocal quartet composed in 1877. Brahms ha...
- Mixed Choir (SATB) and Piano
- Piano Score (Urtext)
- Breitkopf & Härtel
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The well-known Liebeslieder op. 52, originally for piano four hands and voices ad libitum, appear here for the first time as a modern Urtext edition in a hitherto little-known form for voices and pian...
The well-known Liebeslieder op. 52, originally for piano four hands and voices ad libitum, appear here for the first time as a modern Urtext edition in a hitherto little-known form for voices and pian...
- Mixed Choir (SATB) and Piano
- Piano Score (Urtext)
- Breitkopf & Härtel
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Johannes Brahms's 'Liebeslieder Op. 52' is among the most charming and enduringly popular masterpieces of the Romantic choral repertoire. Full of vibrancy, Viennese elegance, subtle wit, and passionat...
Johannes Brahms's 'Liebeslieder Op. 52' is among the most charming and enduringly popular masterpieces of the Romantic choral repertoire. Full of vibrancy, Viennese elegance, subtle wit, and passionat...
- Mixed Choir (SATB)
- Choral Score (Urtext)
- Breitkopf & Härtel
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Die Urtext-Ausgabe der 'Lobgesang'-Symphonie berücksichtigt erstmals Stimmenmaterial, das für die ersten Aufführungen in Leipzig erstellt wurde und zur Klärung etlicher unterschiedlicher Lesarten beit...
Die Urtext-Ausgabe der 'Lobgesang'-Symphonie berücksichtigt erstmals Stimmenmaterial, das für die ersten Aufführungen in Leipzig erstellt wurde und zur Klärung etlicher unterschiedlicher Lesarten beit...
- Soloists (SST), Mixed Choir (SATB) and Orchestra
- Choral Score (Urtext)
- Breitkopf & Härtel
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Die Sämtlichen Choralsätze sind als Urtext-Ausgabe aller vierstimmigen Choräle von Johann Sebastian Bach der neue Standard in der Edition dieser Werkgattung. Der Musikwissenschaftler Thomas Daniel, ei...
Die Sämtlichen Choralsätze sind als Urtext-Ausgabe aller vierstimmigen Choräle von Johann Sebastian Bach der neue Standard in der Edition dieser Werkgattung. Der Musikwissenschaftler Thomas Daniel, ei...
- Mixed Choir (SATB)
- Choral Score (Urtext)
- Breitkopf & Härtel
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In 1892 Dvorák received a prestigious commission from New York to write a festive cantata to commemorate the 400th anniversary of Christopher Columbuss discovery of America. In response he wrote an im...
In 1892 Dvorák received a prestigious commission from New York to write a festive cantata to commemorate the 400th anniversary of Christopher Columbuss discovery of America. In response he wrote an im...
- Soloists, Mixed Choir (SATB) and Orchestra
- Choral Score (Urtext)
- Carus-Verlag
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The ambitious late work of Georg Philipp Telemann, consciously dedicated to vocal composition, begins with the Donner-Ode (1756/1760). As a symbol thunder represents the forces of nature, here in clos...
The ambitious late work of Georg Philipp Telemann, consciously dedicated to vocal composition, begins with the Donner-Ode (1756/1760). As a symbol thunder represents the forces of nature, here in clos...
- Soloists (SATBB), Mixed Choir (SATB) and Orchestra
- Choral Score (Urtext)
- Carus-Verlag
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Georg Philipp Telemann has long been perceived as a composer of sacred music, and particularly of the German-language church cantata. However, in the course of his long life he also composed church wo...
Georg Philipp Telemann has long been perceived as a composer of sacred music, and particularly of the German-language church cantata. However, in the course of his long life he also composed church wo...
- Soloists (SATBB), Mixed Choir (SATB), 3 Baroque Trumpets, Timpani, 2 Violins, Viola and Continuo
- Choral Score (Urtext)
- Carus-Verlag
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Die "Drei Chöre" (The Three Choirs) op. 6 are hardly mentioned in the young Reger's correspondence. The only meaningful reference is Reger's announcement to his London publisher George Augener on Augu...
Die "Drei Chöre" (The Three Choirs) op. 6 are hardly mentioned in the young Reger's correspondence. The only meaningful reference is Reger's announcement to his London publisher George Augener on Augu...
- Mixed Choir (SATB) and Piano
- Piano Score (Urtext)
- Carus-Verlag
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Separate edition from Volume 11, "Lieder und Chorwerke" of the Max Reger Hybrid Edition of Works. Among other things, this volume from the Reger Hybrid Edition contains the piano reductions of Reger's...
Separate edition from Volume 11, "Lieder und Chorwerke" of the Max Reger Hybrid Edition of Works. Among other things, this volume from the Reger Hybrid Edition contains the piano reductions of Reger's...
- Mixed Choir (SSATB) and Piano
- Piano Score (Urtext)
- Carus-Verlag
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Separate edition from Volume 11, "Lieder und Chorwerke" of the Max Reger Hybrid Edition of Works. Among other things, this volume from the Reger Hybrid Edition contains the piano reductions of Reger's...
Separate edition from Volume 11, "Lieder und Chorwerke" of the Max Reger Hybrid Edition of Works. Among other things, this volume from the Reger Hybrid Edition contains the piano reductions of Reger's...
- Low Voice, Mixed Choir (SATB) and Piano
- Score (Urtext)
- Carus-Verlag
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Separate edition from Volume 11, "Lieder und Chorwerke" of the Max Reger Hybrid Edition of Works. Among other things, this volume from the Reger Hybrid Edition contains the piano reductions of Reger's...
Separate edition from Volume 11, "Lieder und Chorwerke" of the Max Reger Hybrid Edition of Works. Among other things, this volume from the Reger Hybrid Edition contains the piano reductions of Reger's...
- Medium Voice, Mixed Choir (SATB) and Piano
- Score (Urtext)
- Carus-Verlag
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Im Frühjahr 1816 vollendete der gerade neunzehnjährige Franz Schubert sein zweites 'Stabat Mater', inmitten einer Zeit höchster Produktivität. Im Gegensatz zur ersten, nur fünfminütigen Komposition au...
Im Frühjahr 1816 vollendete der gerade neunzehnjährige Franz Schubert sein zweites 'Stabat Mater', inmitten einer Zeit höchster Produktivität. Im Gegensatz zur ersten, nur fünfminütigen Komposition au...
- Soloists (STB), Mixed Choir (SATB) and Orchestra
- Choral Score (Urtext)
- Carus-Verlag
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A milestone in music history: the monumental finale of Ludwig van Beethoven's 9th Symphony featuring Schiller's world-famous "Ode to Joy". This high-quality Urtext vocal score from the renowned publis...
A milestone in music history: the monumental finale of Ludwig van Beethoven's 9th Symphony featuring Schiller's world-famous "Ode to Joy". This high-quality Urtext vocal score from the renowned publis...
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
- Piano Reduction (Urtext)
- Carl Reinecke
- Breitkopf & Härtel
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Immerse yourself in the pinnacle of German Romanticism with Carl Maria von Weber’s masterpiece "Der Freischütz", Op. 77. This world-renowned opera has captivated audiences for generations with its gri...
Immerse yourself in the pinnacle of German Romanticism with Carl Maria von Weber’s masterpiece "Der Freischütz", Op. 77. This world-renowned opera has captivated audiences for generations with its gri...
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
- Piano Reduction (Urtext)
- Edition Peters
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Immerse yourself in the sparkling champagne spirit of Viennese operetta with Johann Strauss's immortal masterpiece, "Die Fledermaus". This premium original edition from the renowned publisher Edition...
Immerse yourself in the sparkling champagne spirit of Viennese operetta with Johann Strauss's immortal masterpiece, "Die Fledermaus". This premium original edition from the renowned publisher Edition...
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
- Piano Reduction (Urtext)
- Edition Peters
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The cantata Welt adieu, ich bin dein müde is intended for the 24th Sunday after Trinitatis and thus already the end of the church year. Based on the scribes of the handwritten set of parts, the editor...
The cantata Welt adieu, ich bin dein müde is intended for the 24th Sunday after Trinitatis and thus already the end of the church year. Based on the scribes of the handwritten set of parts, the editor...
- Soloists, Mixed Choir and Orchestra
- Harmony Parts (Urtext)
- Breitkopf & Härtel
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Mozart wrote the five Divertimenti for Wind Sextet between the years 1775 and 1777 when he was living in Salzburg. The Italian title is reminiscent of simple 'light' music, but the pieces' melodic ing...
Mozart wrote the five Divertimenti for Wind Sextet between the years 1775 and 1777 when he was living in Salzburg. The Italian title is reminiscent of simple 'light' music, but the pieces' melodic ing...
- 2 Oboes, 2 Horns and 2 Bassoons
- Set of Parts (Urtext)
- G. Henle Verlag
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Leoš Janá?ek composed his Suite for wind instruments Mládí (in English youth) in 1924, so when he was over 70. Numerous sources still survive for this work, making it difficult to establish the defini...
Leoš Janá?ek composed his Suite for wind instruments Mládí (in English youth) in 1924, so when he was over 70. Numerous sources still survive for this work, making it difficult to establish the defini...
- Flute, Oboe, Clarinet, Horn, Bassoon and Bass Clarinet
- Study Score (Urtext)
- G. Henle Verlag
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Mozart wrote the five Divertimenti for Wind Sextet between the years 1775 and 1777 when he was living in Salzburg. The Italian title is reminiscent of simple 'light' music, but the pieces' melodic ing...
Mozart wrote the five Divertimenti for Wind Sextet between the years 1775 and 1777 when he was living in Salzburg. The Italian title is reminiscent of simple 'light' music, but the pieces' melodic ing...
- 2 Oboes, 2 Horns and 2 Bassoons
- Study Score (Urtext)
- G. Henle Verlag
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