Urtext Edition

With marked and unmarked string part. Fingering Piano: Rolf Koenen Fingering Violoncello: Claus Kanngiesser Edward Elgar's Salut d'amour is one of those pieces by the British composer that has a parti...

At the beginning of the 1870s, Saint-Saëns displayed a particular partiality for the violoncello. He composed his first cello sonata in December 1872, immediately after having completed the first cell...

The two Sonatas op. 5 were written in 1796 expressly for the young Beethoven's performance with the cello virtuoso Jean Louis Duport at the Berlin court. That he wasn't eclipsed by the latter was ensu...

Prokofiev’s late Cello Sonata is inextricably linked with the name Mstislav Rostropovich. The then twenty-year-old cellist delighted the composer to such an extent during a performance in Moscow in 19...

Besides two genuine cello 'hits' from the pen of Felix Mendelssohn Bartholdy -- the 'Variations op. 17' and the 'Song without Words op. 109' -- this urtext edition contains a little sensation: the pre...

The a-minor Concerto is a true gem in the repertoire of great cello music. David Geringas provided the fingerings for this Urtext edition for which editor Peter Jost supplied a detailed preface. Johan...

Robert Schumann wrote his Fantasy pieces op. 73 originally for clarinet and piano. The first edition of Schumann's Fantasy Pieces op. 73 published in July 1849 contained not only a clarinet part but a...

Flute Concerto. Piano Reduction based on the Urtext of the New Mozart Edition - Flute Concerto. Piano Reduction based on the Urtext of the New Mozart Edition. Flute Solo, Oboe (2), Horn (2), Strings -...

Immerse yourself in the magnificent musical world of Johann Sebastian Bach: This first-class Bärenreiter Urtext edition brings together four of the composer's most important works for transverse flute...

From among Reinecke's abundant oeuvre, a very few works have from the beginning maintained their position in the concert repertoire. First and foremost among these is the Flute Sonata op. 167 with the...

Concertante Symphony. Klavierauszug nach dem Urtext der Neuen Mozart-Ausgabe - Piano Reduction based on the Urtext of the New Mozart Edition. Violin Solo, Viola Solo, Oboe (2), Horn (2), Strings - Pia...

In two private performances for Prince Lobkowitz in the spring of 1804, two new works by Beethoven were played for the first time: his Third Symphony op. 55 and the Triple Concerto op. 56 for piano, v...

No serious musician and no serious orchestra can ignore this new Urtext edition of a major work of concerto literature, since the music text frequently diverges from that of previous editions. All the...

As if looking back on his youth toward the end of his life, Richard Strauss wrote a second concerto for horn and orchestra, again in Eb major, around sixty years after his first concerto for horn. Thi...

Similar to Schumann's 'Concert Piece for Four Horns' op. 86 (HN 1138), Saint-Saëns' 'Morceau de Concert' was also written with the idea of exhausting the technical possibilities of a new valve horn co...

Mozart's 'daily bread' for horn players in a particularly delightful Urtext edition. The fragmentary Rondo is not only offered in the well-known Süßmayr version, but also in a very stylistically confi...

The composer and violin virtuoso Johann Stamitz not only established the world-famous Mannheim school in the 18th century but is known among clarinettists above all for presumably being the first to p...

Now the Concertino and the First Clarinet Concerto are about to be followed by Weber's Second Concerto in E-flat major, edited by Norbert Gertsch. Once again, the piano reduction contrasts the origina...

In 1894 Johannes Brahms asked the clarinettist Richard Mühlfeld to visit him during his beloved summer sojourn in Ischl, adding "It would be really wonderful if you brought your B flat clarinet with y...

Louis Spohr's concertos have long been a standard feature in the clarinet repertoire, but up to now they have suffered due to a lack of reliable editions. In order to fill this gap, G. Henle Publisher...

Robert Schumann wrote his Fantasy Pieces for clarinet and piano in the course of two days in February 1849. Only a few days later they were premiered by Clara Schumann and the Dresden clarinetist Joha...

In 1849, Schumann gifted chamber music works to three wind instruments: the clarinet with the 'Drei Fantasiestücke' op. 73, the horn with the Adagio and Allegro op. 70, and the oboe with these 'Drei R...

As concertmaster of the Leipzig Gewandhaus Orchestra for many decades, violin virtuoso Ferdinand David was a close friend of Felix Mendelssohn, who wrote his famous Violin Concerto for him. David was...

At the end of the 18th century, the Viennese court trumpeter Anton Weidinger (1767-1852) invented the 'Klappentrompete' keyed trumpet, which allowed the trumpet to play the octave in chromatic (half-s...

One of the best-loved trumpet concertos today is actually a horn concerto: Neruda composed it in about 1750 at the Dresden Court, where he met the greatest horn virtuosos of the day. As a result, the...