Urtext Edition

His collection of 13 piano songs op. 34, Rachmaninov added a small final piece without any text three years later: Vocalise, which quickly became a worldwide success. Since its premiere in 1916, the m...

His collection of 13 piano songs op. 34, Rachmaninov added a small final piece without any text three years later: Vocalise, which quickly became a worldwide success. Since its premiere in 1916, the m...

His collection of 13 piano songs op. 34, Rachmaninov added a small final piece without any text three years later: Vocalise, which quickly became a worldwide success. Since its premiere in 1916, the m...

His collection of 13 piano songs op. 34, Rachmaninov added a small final piece without any text three years later: Vocalise, which quickly became a worldwide success. Since its premiere in 1916, the m...

Orchestral material according to the new Brahms Complete Edition by G. Henle Verlag. All conducting scores and orchestral parts are available exclusively through Breitkopf & Härtel. Urtext nach der ne...

2.2.2.Kfg. - 4.2.3.0. - Pk - Str (Pascall, Robert) Orchestral material based on the new Brahms Complete Edition published by G. Henle. All conducting scores and orchestral parts are available exclusiv...

Johannes Brahms' Concerto in A minor, Op. 102—the celebrated Double Concerto for violin, cello, and orchestra—is a masterpiece of dramatic depth, brilliant counterpoint, and an intimate dialogue betwe...

flute (2), oboe (2), clarinet (2), bassoon (2), horn (4), trumpet (2), timpani

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

The difficult balancing act between the requirements of practical usefulness and philological meticulousness has been accomplished at a level that sets the bar for comparable efforts frighteningly hig...

The edition supervised by Thomas Fritzsch is based on the only authentic source, a copy from the late 19th century - its predecessors are still lost today.

Kindred spirits Already as a law student, Schumann had occupied himself with Byron's 'Manfred' material, which fascinated him ever since. In the inner conflict of the romantic hero, Schumann possibly...

Urtext despite carelessly notated autograph Mozart's late Symphony in E-flat major was composed in 1788, presumably for academy concerts that did not materialize. The new edition is based on the only...

Jean-François Monnard's new Urtext edition is based for the first time on a scholarly comparison of sources. It is based on Ravel's first draft of the score and his final handwritten score.

[Vl,Orch] (Christian R. Riedel)

Immerse yourself in the intoxicating sonic whirlwind of Maurice Ravel's masterpiece "La Valse" (Poème Chorégraphique). With this benchmark Urtext edition from the prestigious Breitkopf & Härtel publis...

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

A repertoire work in the Urtext for practice edited by Christoph Hellmundt - Urtext according to the Leipzig Mendelssohn-Gesamtausgabe

Urtext-Neuland: Die Ouvertüre Leonore Nr. 3 To this day, the two central Fidelio overtures are performed from musical texts that date back to the inaccurate and erroneous first printings of the parts....

... without a warm feeling of love' 'Tchaikovsky urtext' is no longer a rarity in the Breitkopf orchestral catalog. Polina Vajdman edits an extremely popular repertoire work, which the composer himsel...

A 'firework' in Urtext After 'Boléro' and 'La Valse', a third, much-performed work by Ravel is included in the Breitkopf orchestral program - and this, of course, in a 'Breitkopf Urtext' edition, agai...

On their way to Salzburg, Constanze and Wolfgang Amadeus Mozart made a stopover in Linz in the fall of 1783. The stay was productive: the 13-voice, four-movement Linz Symphony was created. To compose...