Urtext Edition
- Piano, 2 Violins and Cello
- Instrumental Part: Cello (Urtext)
- G. Henle Verlag
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Bach’s harpsichord concerti, extremely popular among pianists, are presumably reworkings of pieces originally written for the violin. Bach, however, succeeded in transferring the diverse idiosyncrasie...
Bach’s harpsichord concerti, extremely popular among pianists, are presumably reworkings of pieces originally written for the violin. Bach, however, succeeded in transferring the diverse idiosyncrasie...
- Harpsichord, 2 Violins, Viola and Continuo
- Instrumental Part: Viola (Urtext)
- G. Henle Verlag
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The cantata O heilige Zeit [O Holy Time] of the former St. Thomas cantor Johann Kuhnau is the ideal baroque festive music for small scorings. Even though this is the larger of two cantatas with this t...
The cantata O heilige Zeit [O Holy Time] of the former St. Thomas cantor Johann Kuhnau is the ideal baroque festive music for small scorings. Even though this is the larger of two cantatas with this t...
- Soloists (SATB), 2 Violins, 2 Violas and Continuo
- Instrumental Part: Organ (Urtext)
- Breitkopf & Härtel KG
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Ein sensationeller Fund beim Revidieren: BWV 1067 in der a-moll-Urfassung für Violine
Ein sensationeller Fund beim Revidieren: BWV 1067 in der a-moll-Urfassung für Violine
- String Instrument and Continuo
- Instrumental Part: Double Bass (Urtext)
- Breitkopf & Härtel KG
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Die Konzerte a-moll, B-dur und A-dur entstanden zwischen 1750 und 1753 zunächst als Violoncellokonzerte. Sie zählen damit zu den ältesten Konzerten für solistisches Violoncello in Deutschland überhaup...
Die Konzerte a-moll, B-dur und A-dur entstanden zwischen 1750 und 1753 zunächst als Violoncellokonzerte. Sie zählen damit zu den ältesten Konzerten für solistisches Violoncello in Deutschland überhaup...
- Cello, Strings and Continuo
- Instrumental Part: Harpsichord (Urtext)
- Breitkopf & Härtel KG
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ships within 2-5 working days
Die Konzerte a-moll, B-dur und A-dur entstanden zwischen 1750 und 1753 zunächst als Violoncellokonzerte. Sie zählen damit zu den ältesten Konzerten für solistisches Violoncello in Deutschland überhaup...
Die Konzerte a-moll, B-dur und A-dur entstanden zwischen 1750 und 1753 zunächst als Violoncellokonzerte. Sie zählen damit zu den ältesten Konzerten für solistisches Violoncello in Deutschland überhaup...
- Cello, Strings and Continuo
- Instrumental Part: Double Bass (Urtext)
- Breitkopf & Härtel KG
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ships within 2-5 working days
Die Konzerte a-moll, B-dur und A-dur entstanden zwischen 1750 und 1753 zunächst als Violoncellokonzerte. Sie zählen damit zu den ältesten Konzerten für solistisches Violoncello in Deutschland überhaup...
Die Konzerte a-moll, B-dur und A-dur entstanden zwischen 1750 und 1753 zunächst als Violoncellokonzerte. Sie zählen damit zu den ältesten Konzerten für solistisches Violoncello in Deutschland überhaup...
- Cello, Strings and Continuo
- Instrumental Part: Viola (Urtext)
- Breitkopf & Härtel KG
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ships within 2-5 working days
Die Konzerte a-moll, B-dur und A-dur entstanden zwischen 1750 und 1753 zunächst als Violoncellokonzerte. Sie zählen damit zu den ältesten Konzerten für solistisches Violoncello in Deutschland überhaup...
Die Konzerte a-moll, B-dur und A-dur entstanden zwischen 1750 und 1753 zunächst als Violoncellokonzerte. Sie zählen damit zu den ältesten Konzerten für solistisches Violoncello in Deutschland überhaup...
- Cello, Strings and Continuo
- Instrumental Part: Cello (Urtext)
- Breitkopf & Härtel KG
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ships within 2-5 working days
1936 erhielt Béla Bartók von seinem Schweizer Mäzen Paul Sacher den Kompositionsauftrag zur "Musik für Saiteninstrumente, Schlagzeug und Celesta". Bartók gelang dabei eines der großen Meisterwerke des...
1936 erhielt Béla Bartók von seinem Schweizer Mäzen Paul Sacher den Kompositionsauftrag zur "Musik für Saiteninstrumente, Schlagzeug und Celesta". Bartók gelang dabei eines der großen Meisterwerke des...
- String Instrument, Drums, Timpani, Harp, Celesta and Piano
- Instrumental Part: Piano (Urtext)
- Breitkopf & Härtel KG
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Urtext of the New Schubert Edition Clarinet in bb, Bassoon, Horn, Violin (2), Viola, Violoncello, Double bass - Study score; Urtext edition
Urtext of the New Schubert Edition Clarinet in bb, Bassoon, Horn, Violin (2), Viola, Violoncello, Double bass - Study score; Urtext edition
- Clarinet, Bassoon, Horn, 2 Violins, Viola, Cello and Double Bass
- Study Score Download (Urtext)
- Bärenreiter Verlag
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immediately available
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Serenade for 13 Instruments. Urtext of the New Mozart Edition - Serenade for 13 Instruments. Oboe (2), Clarinet in b flat (2), Basset horn (2)/ Clarinet, Horn (4), Bassoon (2), Double bass - Study sco...
Serenade for 13 Instruments. Urtext of the New Mozart Edition - Serenade for 13 Instruments. Oboe (2), Clarinet in b flat (2), Basset horn (2)/ Clarinet, Horn (4), Bassoon (2), Double bass - Study sco...
- 2 Basset Horns, 2 Clarinets, 2 Oboes, 4 Horns, 2 Bassoons and Double Bass
- Study Score Download (Urtext)
- Bärenreiter Verlag
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With his Septet for clarinet, bassoon, horn, violin, viola, cello and double bass, Beethoven created a key work of chamber music for larger ensembles. He composed the six-movement septet at the same t...
With his Septet for clarinet, bassoon, horn, violin, viola, cello and double bass, Beethoven created a key work of chamber music for larger ensembles. He composed the six-movement septet at the same t...
- Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass
- Study Score Download (Urtext)
- Bärenreiter Verlag
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immediately available
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In February 1886, Camille Saint-Saëns was supposed to urgently complete his “Organ Symphony”, but instead he worked on a composition that he had been dwelling on for a long time. This was “The Carniva...
In February 1886, Camille Saint-Saëns was supposed to urgently complete his “Organ Symphony”, but instead he worked on a composition that he had been dwelling on for a long time. This was “The Carniva...
- Chamber Orchestra
- Instrumental Part: Viola (Urtext)
- Bärenreiter Verlag
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ships within 2-4 working days
In February 1886, Camille Saint-Saëns was supposed to urgently complete his “Organ Symphony”, but instead he worked on a composition that he had been dwelling on for a long time. This was “The Carniva...
In February 1886, Camille Saint-Saëns was supposed to urgently complete his “Organ Symphony”, but instead he worked on a composition that he had been dwelling on for a long time. This was “The Carniva...
- Chamber Orchestra
- Instrumental Part: Cello (Urtext)
- Bärenreiter Verlag
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ships within 2-4 working days
In February 1886, Camille Saint-Saëns was supposed to urgently complete his “Organ Symphony”, but instead he worked on a composition that he had been dwelling on for a long time. This was “The Carniva...
In February 1886, Camille Saint-Saëns was supposed to urgently complete his “Organ Symphony”, but instead he worked on a composition that he had been dwelling on for a long time. This was “The Carniva...
- Chamber Orchestra
- Instrumental Part: Double Bass (Urtext)
- Bärenreiter Verlag
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ships within 2-4 working days
- Chamber Orchestra
- Harmony parts download (Urtext)
- Bärenreiter Verlag
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- Chamber Orchestra
- Instrumental Part: Viola (Urtext)
- Bärenreiter Verlag
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ships within 2-4 working days
- Also available for download!
- Chamber Orchestra
- Instrumental Part: Cello (Urtext)
- Bärenreiter Verlag
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ships within 2-4 working days
- Also available for download!
- Chamber Orchestra
- Instrumental Part: Double Bass (Urtext)
- Bärenreiter Verlag
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ships within 2-4 working days
- Also available for download!
Seinen Einakter "Der Schauspieldirektor" schrieb Mozart im Frühjahr 1786 im Auftrag von Kaiser Joseph II. anlässlich eines Besuchs des Generalgouverneurs der Niederlande in Wien. Bei einem kurzfristig...
Seinen Einakter "Der Schauspieldirektor" schrieb Mozart im Frühjahr 1786 im Auftrag von Kaiser Joseph II. anlässlich eines Besuchs des Generalgouverneurs der Niederlande in Wien. Bei einem kurzfristig...
- Soloists (SSTB), 6 Speakers and Chamber Orchestra
- Score Download (Urtext)
- Urs Stäuble
- Carus-Verlag
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immediately available
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This is the second of six Masses composed by Franz Schubert (1797-1828), also referred to frequently as the "Mass in G," and it remains the best known of the three shorter settings titled "Mass." Comp...
This is the second of six Masses composed by Franz Schubert (1797-1828), also referred to frequently as the "Mass in G," and it remains the best known of the three shorter settings titled "Mass." Comp...
- Soloists, Choir and Chamber Orchestra
- Instrumental Part: Organ (Urtext)
- Edwin F. Kalmus
-
ships within 2-4 weeks
- Clarinet
- Instrumental Part: Clarinet (Urtext)
- G. Henle Verlag
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in stock
ships within 1-2 working days
- 4 Soloists, Mixed Choir (SATB) and Orchestra
- Instrumental Part: Organ (Urtext)
- Bärenreiter Verlag
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Kantate zum Michaelisfest (deutsch/englisch), nach dem Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Flöte, Oboe (3), Trompete (3), Streicher, Bass...
Kantate zum Michaelisfest (deutsch/englisch), nach dem Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Flöte, Oboe (3), Trompete (3), Streicher, Bass...
- 4 Soloists, Mixed Choir (SATB), Orchestra and Continuo
- Instrumental Part: Viola (Urtext)
- Bärenreiter Verlag
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ships within 2-4 working days
Kantate zum 4. Adventssonntag. Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe, Fagott, Streicher, Basso continuo
Kantate zum 4. Adventssonntag. Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe, Fagott, Streicher, Basso continuo
- 4 Soloists, Mixed Choir (SATB), Orchestra and Continuo
- Instrumental Part: Oboe (Urtext)
- Bärenreiter Verlag
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ships within 2-4 working days
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