Urtext Edition
Urtext nach der Leipziger Mendelssohn-Gesamtausgabe [Soli,GCh,Orch] 160' Soli: SSAATTBBB - Chor: SSAATTBB - 2.2.2.2. - 4.2.3.0.Oph - Pk - Org - Str If in the anniversary year 2009 Mendelssohn's 'Elija...
Urtext nach der Leipziger Mendelssohn-Gesamtausgabe [Soli,GCh,Orch] 160' Soli: SSAATTBBB - Chor: SSAATTBB - 2.2.2.2. - 4.2.3.0.Oph - Pk - Org - Str If in the anniversary year 2009 Mendelssohn's 'Elija...
- Soloists, Mixed Choir (SSAATTBB) and Orchestra
- Instrumental Part: Cello (Urtext)
- Breitkopf & Härtel
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150 years of edition history had to pass before the Mass in B minor finally appeared in a musical text that, as far as possible, really goes back to Johann Sebastian Bach's 'Fassung letzter Hand'.
150 years of edition history had to pass before the Mass in B minor finally appeared in a musical text that, as far as possible, really goes back to Johann Sebastian Bach's 'Fassung letzter Hand'.
- Soloist, Mixed Choir (SATB) and Orchestra
- Instrumental Part: Organ (Urtext)
- Breitkopf & Härtel
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150 years of edition history had to pass before the Mass in B minor finally appeared in a musical text that, as far as possible, really goes back to Johann Sebastian Bach's 'Fassung letzter Hand'.
150 years of edition history had to pass before the Mass in B minor finally appeared in a musical text that, as far as possible, really goes back to Johann Sebastian Bach's 'Fassung letzter Hand'.
- Soloist, Mixed Choir (SATB) and Orchestra
- Instrumental Part: Viola (Urtext)
- Breitkopf & Härtel
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Striving for the highest of art - with these words Franz Schubert had announced his Mass in A flat major in 1828. .
Striving for the highest of art - with these words Franz Schubert had announced his Mass in A flat major in 1828. .
- Mixed Choir (SATB) and Orchestra
- Instrumental Part: Double Bass (Urtext)
- Breitkopf & Härtel
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Striving for the highest of art - with these words Franz Schubert had announced his Mass in A flat major in 1828. .
Striving for the highest of art - with these words Franz Schubert had announced his Mass in A flat major in 1828. .
- Mixed Choir (SATB) and Orchestra
- Instrumental Part: Organ (Urtext)
- Breitkopf & Härtel
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Striving for the highest of art - with these words Franz Schubert had announced his Mass in A flat major in 1828. .
Striving for the highest of art - with these words Franz Schubert had announced his Mass in A flat major in 1828. .
- Mixed Choir (SATB) and Orchestra
- Instrumental Part: Viola (Urtext)
- Breitkopf & Härtel
-
ships within 2-5 working days
ships within 2-5 working days
Striving for the highest of art - with these words Franz Schubert had announced his Mass in A flat major in 1828. .
Striving for the highest of art - with these words Franz Schubert had announced his Mass in A flat major in 1828. .
- Mixed Choir (SATB) and Orchestra
- Instrumental Part: Cello (Urtext)
- Breitkopf & Härtel
-
ships within 2-5 working days
ships within 2-5 working days
- Soloists (SATB), Mixed Choir and Orchestra
- Instrumental Part: Double Bass (Urtext)
- Breitkopf & Härtel
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ships within 2-5 working days
- Soloists (SATB), Mixed Choir and Orchestra
- Instrumental Part: Organ (Urtext)
- Breitkopf & Härtel
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ships within 2-5 working days
- Soloists (SATB), Mixed Choir and Orchestra
- Instrumental Part: Viola (Urtext)
- Breitkopf & Härtel
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- Soloists (SATB), Mixed Choir and Orchestra
- Instrumental Part: Cello (Urtext)
- Breitkopf & Härtel
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The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues....
The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues....
- Soloists, Mixed Choir and Orchestra
- Instrumental Part: Double Bass (Urtext)
- Breitkopf & Härtel
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The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues....
The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues....
- Soloists, Mixed Choir and Orchestra
- Instrumental Part: Organ (Urtext)
- Breitkopf & Härtel
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The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues....
The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues....
- Soloists, Mixed Choir and Orchestra
- Instrumental Part: Theorbo (Urtext)
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The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues....
The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues....
- Soloists, Mixed Choir and Orchestra
- Instrumental Part: Viola (Urtext)
- Breitkopf & Härtel
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The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues....
The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues....
- Soloists, Mixed Choir and Orchestra
- Instrumental Part: Cello (Urtext)
- Breitkopf & Härtel
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Kantate zum Fest Mariae Verkündigung. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Horn (2), Oboe (2), Streicher, Orgel/ Basso continuo - Studienpartitur; Urtextausgabe
Kantate zum Fest Mariae Verkündigung. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Horn (2), Oboe (2), Streicher, Orgel/ Basso continuo - Studienpartitur; Urtextausgabe
- Mixed Choir (SATB) and Orchestra
- Study Score Download (Urtext)
- Bärenreiter Verlag
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immediately available
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Urtext der Neuen Bach-Ausgabe. Orgel - Spielpartitur; Urtextausgabe.
Urtext der Neuen Bach-Ausgabe. Orgel - Spielpartitur; Urtextausgabe.
- Organ
- Sheet Music (Urtext) Download
- Bärenreiter Verlag
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immediately available
Download immediately after ordering - Instant download
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Gesamtausgabe; Kritischer Bericht; Urtextausgabe I n s t r u m e n t a l m u s i k - Tasteninstrumente - Orgel
Gesamtausgabe; Kritischer Bericht; Urtextausgabe I n s t r u m e n t a l m u s i k - Tasteninstrumente - Orgel
- Organ
- Critical Comment (Urtext)
- Bärenreiter Verlag
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Kantate zum Sonntag Cantate, nach dem Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe, Streicher, Basso continuo
Kantate zum Sonntag Cantate, nach dem Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe, Streicher, Basso continuo
- 4 Soloists, Mixed Choir (SATB), Oboe, String Orchestra and Continuo
- Instrumental Part: Oboe (Urtext)
- Bärenreiter Verlag
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Kantate zum Sonntag Cantate, nach dem Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe, Streicher, Basso continuo
Kantate zum Sonntag Cantate, nach dem Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe, Streicher, Basso continuo
- 4 Soloists, Mixed Choir (SATB), Oboe, String Orchestra and Continuo
- Instrumental Part: Organ (Urtext)
- Bärenreiter Verlag
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Kantate zum Sonntag Cantate, nach dem Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe, Streicher, Basso continuo
Kantate zum Sonntag Cantate, nach dem Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe, Streicher, Basso continuo
- 4 Soloists, Mixed Choir (SATB), Oboe, String Orchestra and Continuo
- Instrumental Part: Viola (Urtext)
- Bärenreiter Verlag
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1. Notenbuch für Maria Anna (Nannerl) Mozart 1759 - 2. Londoner Skizzenbuch 1764 (Nr. 1-43), Anhang. Urtext der Neuen Mozart-Ausgabe
1. Notenbuch für Maria Anna (Nannerl) Mozart 1759 - 2. Londoner Skizzenbuch 1764 (Nr. 1-43), Anhang. Urtext der Neuen Mozart-Ausgabe
- Piano
- Critical Comment (Urtext)
- Bärenreiter Verlag
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Urtext der Neuen Bach-Ausgabe. Klavier/ Cembalo - Kritischer Bericht; Gesamtausgabe
Urtext der Neuen Bach-Ausgabe. Klavier/ Cembalo - Kritischer Bericht; Gesamtausgabe
- Piano
- Critical Comment (Urtext)
- Bärenreiter Verlag
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Urtext der Neuen Bach-Ausgabe. Klavier / Cembalo - Kontrabass; Gesamtausgabe
Urtext der Neuen Bach-Ausgabe. Klavier / Cembalo - Kontrabass; Gesamtausgabe
- Piano
- Critical Comment (Urtext)
- Bärenreiter Verlag
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