Urtext Edition
Kritischer Bericht; Gesamtausgabe
Kritischer Bericht; Gesamtausgabe
- Piano
- Critical Comment (Urtext)
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Immerse yourself in the fascinating world of masterpieces: The "Klassikalbum" from Musikverlag Gert Walter is the ideal sheet music edition for anyone learning and developing their piano playing. This...
Immerse yourself in the fascinating world of masterpieces: The "Klassikalbum" from Musikverlag Gert Walter is the ideal sheet music edition for anyone learning and developing their piano playing. This...
- Piano
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- Musikverlag Gert Walter
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Kammermusikwerke Band 4. Urtext der Neuen Bach-Ausgabe. Viola da gamba, Cembalo - Partitur; Urtextausgabe; Gesamtausgabe
Kammermusikwerke Band 4. Urtext der Neuen Bach-Ausgabe. Viola da gamba, Cembalo - Partitur; Urtextausgabe; Gesamtausgabe
- Viola da Gamba and Harpsichord
- Sheet Music (Urtext)
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- Cello Duet
- Sheet Music (Urtext)
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Urtext der Neuen Bach-Ausgabe. Flöte, Klavier/ Cembalo - Spielpartitur; Urtextausgabe; Gesamtausgabe
Urtext der Neuen Bach-Ausgabe. Flöte, Klavier/ Cembalo - Spielpartitur; Urtextausgabe; Gesamtausgabe
- Flute and Piano
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Werke für Flöte BWV 1013, 1030, 1032, 1034, 1035, 1039. Anhang Variante der Sonate BWV 1030, Cembalostimme Flöte, Klavier/ Cembalo - Kritischer Bericht; Gesamtausgabe
Werke für Flöte BWV 1013, 1030, 1032, 1034, 1035, 1039. Anhang Variante der Sonate BWV 1030, Cembalostimme Flöte, Klavier/ Cembalo - Kritischer Bericht; Gesamtausgabe
- Flute and Piano
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Ende September oder Anfang Oktober 1821 zogen sich Schubert und sein enger Freund Franz von Schober nach Niederösterreich auf das Land zurück, zunächst auf Schloss Ochsenburg (das dem Bischof von St....
Ende September oder Anfang Oktober 1821 zogen sich Schubert und sein enger Freund Franz von Schober nach Niederösterreich auf das Land zurück, zunächst auf Schloss Ochsenburg (das dem Bischof von St....
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
- Piano reduction Download (Urtext)
- Catherine McShane David McShane
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Am 20. Dezember 1823 erlebte Helmina von Chézys "großes romantisches Schauspiel" "Rosamunde" seine Uraufführung im Theater an der Wien. Diese Fassung des Dramas mit Geistererscheinungen, Schiffbruch,...
Am 20. Dezember 1823 erlebte Helmina von Chézys "großes romantisches Schauspiel" "Rosamunde" seine Uraufführung im Theater an der Wien. Diese Fassung des Dramas mit Geistererscheinungen, Schiffbruch,...
- Soloist, Narrator, Mixed Choir (SATB) and Orchestra
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- Hans Schellevis
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Mit den sechs- und siebenstimmigen Motetten liegt die revidierte Fassung der "Geistlichen Chor-Music" nun komplett vor. Alle Stimmen der Motetten können, wie Schütz in seinem Vorwort zur Sammlung besc...
Mit den sechs- und siebenstimmigen Motetten liegt die revidierte Fassung der "Geistlichen Chor-Music" nun komplett vor. Alle Stimmen der Motetten können, wie Schütz in seinem Vorwort zur Sammlung besc...
- Mixed Choir (6-7 Parts) and Continuo
- Choral Score (Urtext) Download
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Die "Drei Chöre" (The Three Choirs) op. 6 are hardly mentioned in the young Reger's correspondence. The only meaningful reference is Reger's announcement to his London publisher George Augener on Augu...
Die "Drei Chöre" (The Three Choirs) op. 6 are hardly mentioned in the young Reger's correspondence. The only meaningful reference is Reger's announcement to his London publisher George Augener on Augu...
- Mixed Choir (SATB) and Piano
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Separate edition from Volume 11, "Lieder und Chorwerke" of the Max Reger Hybrid Edition of Works. Among other things, this volume from the Reger Hybrid Edition contains the piano reductions of Reger's...
Separate edition from Volume 11, "Lieder und Chorwerke" of the Max Reger Hybrid Edition of Works. Among other things, this volume from the Reger Hybrid Edition contains the piano reductions of Reger's...
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Separate edition from Volume 11, "Lieder und Chorwerke" of the Max Reger Hybrid Edition of Works. Among other things, this volume from the Reger Hybrid Edition contains the piano reductions of Reger's...
Separate edition from Volume 11, "Lieder und Chorwerke" of the Max Reger Hybrid Edition of Works. Among other things, this volume from the Reger Hybrid Edition contains the piano reductions of Reger's...
- Low Voice, Mixed Choir (SATB) and Piano
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Separate edition from Volume 11, "Lieder und Chorwerke" of the Max Reger Hybrid Edition of Works. Among other things, this volume from the Reger Hybrid Edition contains the piano reductions of Reger's...
Separate edition from Volume 11, "Lieder und Chorwerke" of the Max Reger Hybrid Edition of Works. Among other things, this volume from the Reger Hybrid Edition contains the piano reductions of Reger's...
- Medium Voice, Mixed Choir (SATB) and Piano
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The cantata Welt adieu, ich bin dein müde is intended for the 24th Sunday after Trinitatis and thus already the end of the church year. Based on the scribes of the handwritten set of parts, the editor...
The cantata Welt adieu, ich bin dein müde is intended for the 24th Sunday after Trinitatis and thus already the end of the church year. Based on the scribes of the handwritten set of parts, the editor...
- Soloists, Mixed Choir and Orchestra
- Instrumental Part: Organ (Urtext)
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The cantata Welt adieu, ich bin dein müde is intended for the 24th Sunday after Trinitatis and thus already the end of the church year. Based on the scribes of the handwritten set of parts, the editor...
The cantata Welt adieu, ich bin dein müde is intended for the 24th Sunday after Trinitatis and thus already the end of the church year. Based on the scribes of the handwritten set of parts, the editor...
- Soloists, Mixed Choir and Orchestra
- Instrumental Part: Double Bass (Urtext)
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Urtext of the New Mozart Edition Oboe (2), Clarinet in bb (2), Horn (2), Bassoon (2) - Performance score
Urtext of the New Mozart Edition Oboe (2), Clarinet in bb (2), Horn (2), Bassoon (2) - Performance score
- 2 Oboes, 2 Clarinets, 2 Horns and 2 Bassoons
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Sextet version (1781) and Octet version (1782?) after the New Mozart Edition - Sextet Version (1781) and Octet Version (1782?). Clarinet in b flat (2), Horn (2), Bassoon (2); Oboe (2), Clarinet in b f...
Sextet version (1781) and Octet version (1782?) after the New Mozart Edition - Sextet Version (1781) and Octet Version (1782?). Clarinet in b flat (2), Horn (2), Bassoon (2); Oboe (2), Clarinet in b f...
- 2 Clarinets, 2 Horns, 2 Bassoons and 2 Oboes
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> First Urtext edition > Includes a Foreword (Eng/Ger) > Idiomatic, well-presented piano reduction The 'Dettinger Te Deum' was written to celebrate England's victory over the French at the Battle of D...
> First Urtext edition > Includes a Foreword (Eng/Ger) > Idiomatic, well-presented piano reduction The 'Dettinger Te Deum' was written to celebrate England's victory over the French at the Battle of D...
- Soloists (ATB), Mixed Choir (SSATB), 2 Oboes, Bassoon, 3 Trumpets, Timpani, 3 Violins, Viola and Continuo
- Instrumental Part: Viola (Urtext)
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Following upon 'Alexander's Feast' (1736), in 1739 Handel produced a second setting of the 'Ode to St Cecilia' ('Song for St Cecilia's Day'). At its première it was combined with 'Alexander's Feast'....
Following upon 'Alexander's Feast' (1736), in 1739 Handel produced a second setting of the 'Ode to St Cecilia' ('Song for St Cecilia's Day'). At its première it was combined with 'Alexander's Feast'....
- Soloists (SATB), Mixed Choir (SATB), Flute, 2 Oboes, 2 Trumpets, Timpani, 2 Violins, Viola and Continuo
- Instrumental Part: Organ (Urtext)
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Following upon 'Alexander's Feast' (1736), in 1739 Handel produced a second setting of the 'Ode to St Cecilia' ('Song for St Cecilia's Day'). At its première it was combined with 'Alexander's Feast'....
Following upon 'Alexander's Feast' (1736), in 1739 Handel produced a second setting of the 'Ode to St Cecilia' ('Song for St Cecilia's Day'). At its première it was combined with 'Alexander's Feast'....
- Soloists (SATB), Mixed Choir (SATB), Flute, 2 Oboes, 2 Trumpets, Timpani, 2 Violins, Viola and Continuo
- Instrumental Part: Viola (Urtext)
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Throughout his life, Antonio Vivaldi wrote almost thirty instrumental works that use the cello as a solo instrument. Vivaldi knew how to tailor his music to the cello and in doing so, helped to establ...
Throughout his life, Antonio Vivaldi wrote almost thirty instrumental works that use the cello as a solo instrument. Vivaldi knew how to tailor his music to the cello and in doing so, helped to establ...
- 2 Cellos, 2 Violins, Viola and Continuo
- Instrumental Part: Viola (Urtext)
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For a long time, Camille Saint-Saëns was reluctant to compose a chamber music work with trumpet for his friend Émile Lemoine and his chamber music association "La Trompette": "I can gladly write you a...
For a long time, Camille Saint-Saëns was reluctant to compose a chamber music work with trumpet for his friend Émile Lemoine and his chamber music association "La Trompette": "I can gladly write you a...
- Trumpet, Piano, 2 Violins, Viola, Cello and Double Bass
- Instrumental Part: Viola (Urtext)
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For a long time, Camille Saint-Saëns was reluctant to compose a chamber music work with trumpet for his friend Émile Lemoine and his chamber music association "La Trompette": "I can gladly write you a...
For a long time, Camille Saint-Saëns was reluctant to compose a chamber music work with trumpet for his friend Émile Lemoine and his chamber music association "La Trompette": "I can gladly write you a...
- Trumpet, Piano, 2 Violins, Viola, Cello and Double Bass
- Instrumental Part: Cello (Urtext)
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For a long time, Camille Saint-Saëns was reluctant to compose a chamber music work with trumpet for his friend Émile Lemoine and his chamber music association "La Trompette": "I can gladly write you a...
For a long time, Camille Saint-Saëns was reluctant to compose a chamber music work with trumpet for his friend Émile Lemoine and his chamber music association "La Trompette": "I can gladly write you a...
- Trumpet, Piano, 2 Violins, Viola, Cello and Double Bass
- Instrumental Part: Double Bass (Urtext)
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Schon zu Haydns Lebzeiten trug die Sinfonie Nr. 26 den Beinamen 'Lamentazione', obwohl nicht nachgewiesen ist, dass dieser von Haydn stammt. Das Werk muss vor 1770 entstanden sein. Im ersten und zweit...
Schon zu Haydns Lebzeiten trug die Sinfonie Nr. 26 den Beinamen 'Lamentazione', obwohl nicht nachgewiesen ist, dass dieser von Haydn stammt. Das Werk muss vor 1770 entstanden sein. Im ersten und zweit...
- 2 Oboes, 2 Horns, 2 Violins, Viola and Continuo
- Instrumental Part: Viola (Urtext)
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