Urtext Edition
Associating the term 'Sturm und Drang' with Haydn's creative period from ca. 1765 to ca. 1772 is considered controversial among scholars, but it does describe a unique group of works within his sympho...
Associating the term 'Sturm und Drang' with Haydn's creative period from ca. 1765 to ca. 1772 is considered controversial among scholars, but it does describe a unique group of works within his sympho...
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- Instrumental Part: Cello (Urtext)
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Letters of the composer have come down to us only on a few of Haydn's symphonies, amongst them the 'Laudon' Symphony Hob. I:69. In one of these letters, Haydn agrees to the publisher's suggestion to n...
Letters of the composer have come down to us only on a few of Haydn's symphonies, amongst them the 'Laudon' Symphony Hob. I:69. In one of these letters, Haydn agrees to the publisher's suggestion to n...
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Letters of the composer have come down to us only on a few of Haydn's symphonies, amongst them the 'Laudon' Symphony Hob. I:69. In one of these letters, Haydn agrees to the publisher's suggestion to n...
Letters of the composer have come down to us only on a few of Haydn's symphonies, amongst them the 'Laudon' Symphony Hob. I:69. In one of these letters, Haydn agrees to the publisher's suggestion to n...
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Letters of the composer have come down to us only on a few of Haydn's symphonies, amongst them the 'Laudon' Symphony Hob. I:69. In one of these letters, Haydn agrees to the publisher's suggestion to n...
Letters of the composer have come down to us only on a few of Haydn's symphonies, amongst them the 'Laudon' Symphony Hob. I:69. In one of these letters, Haydn agrees to the publisher's suggestion to n...
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- Instrumental Part: Double Bass (Urtext)
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Joseph Haydn wrote Symphony No. 22 in E-flat major in 1764 as part of his tenure as Vice-Kapellmeister at the Esterházy court. The work is unique because of its instrumentation with two cors anglais:...
Joseph Haydn wrote Symphony No. 22 in E-flat major in 1764 as part of his tenure as Vice-Kapellmeister at the Esterházy court. The work is unique because of its instrumentation with two cors anglais:...
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The six movements of Joseph Haydn’s Symphony No. 60 “Il Distratto” once served as incidental music for the comedy “Le Distrait” by Jean-François Regnard (1655–1709), which was performed at the Esterhá...
The six movements of Joseph Haydn’s Symphony No. 60 “Il Distratto” once served as incidental music for the comedy “Le Distrait” by Jean-François Regnard (1655–1709), which was performed at the Esterhá...
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- Set of Parts - Harmony (Urtext)
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The six movements of Joseph Haydn’s Symphony No. 60 “Il Distratto” once served as incidental music for the comedy “Le Distrait” by Jean-François Regnard (1655–1709), which was performed at the Esterhá...
The six movements of Joseph Haydn’s Symphony No. 60 “Il Distratto” once served as incidental music for the comedy “Le Distrait” by Jean-François Regnard (1655–1709), which was performed at the Esterhá...
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Haydn composed his Symphony in F major Hob. I:67 around 1775/76, approximately ten years after his creative period began at the Esterházy Palace. At this time, the opera activities there were in a pha...
Haydn composed his Symphony in F major Hob. I:67 around 1775/76, approximately ten years after his creative period began at the Esterházy Palace. At this time, the opera activities there were in a pha...
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Haydn composed his Symphony in F major Hob. I:67 around 1775/76, approximately ten years after his creative period began at the Esterházy Palace. At this time, the opera activities there were in a pha...
Haydn composed his Symphony in F major Hob. I:67 around 1775/76, approximately ten years after his creative period began at the Esterházy Palace. At this time, the opera activities there were in a pha...
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Haydn composed his Symphony in F major Hob. I:67 around 1775/76, approximately ten years after his creative period began at the Esterházy Palace. At this time, the opera activities there were in a pha...
Haydn composed his Symphony in F major Hob. I:67 around 1775/76, approximately ten years after his creative period began at the Esterházy Palace. At this time, the opera activities there were in a pha...
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Almost ten years after Haydn began his creative period at Esterházy Palace, he wrote his Symphony in B flat major Hob around 1774/75. I:68. At this time, the opera business at the princely court was i...
Almost ten years after Haydn began his creative period at Esterházy Palace, he wrote his Symphony in B flat major Hob around 1774/75. I:68. At this time, the opera business at the princely court was i...
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In the years 1775 to 1776, about ten years after Haydn had taken up his work at Esterházy Palace, he composed his Symphony in B flat major Hob. I:66. At this time, the opera business at the princely c...
In the years 1775 to 1776, about ten years after Haydn had taken up his work at Esterházy Palace, he composed his Symphony in B flat major Hob. I:66. At this time, the opera business at the princely c...
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In 1776, around ten years after Haydn took up his position at Esterházy Palace, he composed his Symphony in D major Hob. I:61, which is characterized by a fuller woodwind sound compared to the symphon...
In 1776, around ten years after Haydn took up his position at Esterházy Palace, he composed his Symphony in D major Hob. I:61, which is characterized by a fuller woodwind sound compared to the symphon...
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Beethoven composed the ballet music 'Die Geschöpfe des Prometheus' during 1800-01, commissioned by the ballet master Salvatore Viganò for performances with his Viennese company. Although the ballet wa...
Beethoven composed the ballet music 'Die Geschöpfe des Prometheus' during 1800-01, commissioned by the ballet master Salvatore Viganò for performances with his Viennese company. Although the ballet wa...
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Beethoven's incidental music op. 84 was written in 1809 for a performance of Goethe's drama 'Egmont' at the Burgtheater in Vienna. Numerous composers of the day tried their hand at writing music for t...
Beethoven's incidental music op. 84 was written in 1809 for a performance of Goethe's drama 'Egmont' at the Burgtheater in Vienna. Numerous composers of the day tried their hand at writing music for t...
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Beethoven's incidental music op. 84 was written in 1809 for a performance of Goethe's drama 'Egmont' at the Burgtheater in Vienna. Numerous composers of the day tried their hand at writing music for t...
Beethoven's incidental music op. 84 was written in 1809 for a performance of Goethe's drama 'Egmont' at the Burgtheater in Vienna. Numerous composers of the day tried their hand at writing music for t...
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Beethoven's incidental music op. 84 was written in 1809 for a performance of Goethe's drama 'Egmont' at the Burgtheater in Vienna. Numerous composers of the day tried their hand at writing music for t...
Beethoven's incidental music op. 84 was written in 1809 for a performance of Goethe's drama 'Egmont' at the Burgtheater in Vienna. Numerous composers of the day tried their hand at writing music for t...
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Beethoven's 'Coriolan' overture was composed in 1807. Whether the work was originally intended as a concert overture or for the stage has not been clarified to this day. The work was first performed a...
Beethoven's 'Coriolan' overture was composed in 1807. Whether the work was originally intended as a concert overture or for the stage has not been clarified to this day. The work was first performed a...
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Beethoven's 'Coriolan' overture was composed in 1807. Whether the work was originally intended as a concert overture or for the stage has not been clarified to this day. The work was first performed a...
Beethoven's 'Coriolan' overture was composed in 1807. Whether the work was originally intended as a concert overture or for the stage has not been clarified to this day. The work was first performed a...
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Beethoven's 'Coriolan' overture was composed in 1807. Whether the work was originally intended as a concert overture or for the stage has not been clarified to this day. The work was first performed a...
Beethoven's 'Coriolan' overture was composed in 1807. Whether the work was originally intended as a concert overture or for the stage has not been clarified to this day. The work was first performed a...
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- Orchestra and Continuo
- Instrumental Part: Viola (Urtext)
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- Orchestra and Continuo
- Instrumental Part: Viola (Urtext)
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- Orchestra and Continuo
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Oratorium (englisch/deutsch). Kritischer Bericht; Urtextausgabe; Gesamtausgabe.
Oratorium (englisch/deutsch). Kritischer Bericht; Urtextausgabe; Gesamtausgabe.
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- Critical Comment (Urtext)
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Oratorium - Oratorio in three Parts (english/german). Viola - Einzelstimme
Oratorium - Oratorio in three Parts (english/german). Viola - Einzelstimme
- Soloists, Mixed Choir (SATB), Orchestra and Continuo
- Instrumental Part: Viola (Urtext)
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