Urtext Edition
Beethoven described his grandly conceived 'Missa solemnis' as 'my greatest work' and sold manuscript copies to some of the subscribers even before it had appeared in print. This Urtext edition takes i...
Beethoven described his grandly conceived 'Missa solemnis' as 'my greatest work' and sold manuscript copies to some of the subscribers even before it had appeared in print. This Urtext edition takes i...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Violin 1 (Urtext)
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Beethoven described his grandly conceived 'Missa solemnis' as 'my greatest work' and sold manuscript copies to some of the subscribers even before it had appeared in print. This Urtext edition takes i...
Beethoven described his grandly conceived 'Missa solemnis' as 'my greatest work' and sold manuscript copies to some of the subscribers even before it had appeared in print. This Urtext edition takes i...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Violin 2 (Urtext)
- Bärenreiter Verlag
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> Score with realization of the organ part > Bilingual Foreword (Eng/Ger) and Critical Commentary (Eng) > Idiomatic piano reduction Beethoven's sacred works include two settings of the Mass. The'Mass...
> Score with realization of the organ part > Bilingual Foreword (Eng/Ger) and Critical Commentary (Eng) > Idiomatic piano reduction Beethoven's sacred works include two settings of the Mass. The'Mass...
- 4 Soloists (SATB), Mixed Choir (SATB), 2 Flutes, 2 Oboes, 2 Oboes d'Amore, 2 Violins, Viola and 2 Viole da Gamba
- Instrumental Part: Violin 1 (Urtext)
- Andrea Campora
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> Score with realization of the organ part > Bilingual Foreword (Eng/Ger) and Critical Commentary (Eng) > Idiomatic piano reduction Beethoven's sacred works include two settings of the Mass. The'Mass...
> Score with realization of the organ part > Bilingual Foreword (Eng/Ger) and Critical Commentary (Eng) > Idiomatic piano reduction Beethoven's sacred works include two settings of the Mass. The'Mass...
- 4 Soloists (SATB), Mixed Choir (SATB), 2 Flutes, 2 Oboes, 2 Oboes d'Amore, 2 Violins, Viola and 2 Viole da Gamba
- Instrumental Part: Violin 2 (Urtext)
- Andrea Campora
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- Soloists, Mixed Choir (SSAATTBB) and Orchestra
- Instrumental Part: Violin 1 (Urtext)
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- Soloists, Mixed Choir (SSAATTBB) and Orchestra
- Instrumental Part: Violin 2 (Urtext)
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Violine 1, Posaune (3), Pauke, Streicher, Orgel - Einzelstimme; Urtextausgabe
Violine 1, Posaune (3), Pauke, Streicher, Orgel - Einzelstimme; Urtextausgabe
- Mixed Choir (SATB) and Orchestra
- Instrumental Part: Violin 1 (Urtext)
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- Mixed Choir (SATB) and Orchestra
- Instrumental Part: Violin 2 (Urtext)
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> Informative Foreword in the score (Ger/Eng) > Text underlay in two languages (Lat/Ger) > Piano reduction by the composer The first great orchestral psalm Mendelssohn's first great orchestral psalm t...
> Informative Foreword in the score (Ger/Eng) > Text underlay in two languages (Lat/Ger) > Piano reduction by the composer The first great orchestral psalm Mendelssohn's first great orchestral psalm t...
- Soloists (STB), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Violin 1 (Urtext)
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> Informative Foreword in the score (Ger/Eng) > Text underlay in two languages (Lat/Ger) > Piano reduction by the composer The first great orchestral psalm Mendelssohn's first great orchestral psalm t...
> Informative Foreword in the score (Ger/Eng) > Text underlay in two languages (Lat/Ger) > Piano reduction by the composer The first great orchestral psalm Mendelssohn's first great orchestral psalm t...
- Soloists (STB), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Violin 2 (Urtext)
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Mendelssohn’s contemporaries frequently mentioned his 'Hymn of Praise' in the same breath as Beethoven’s Ninth - and often enough viewed it as an imitation. Mendelssohn authority John Michael Cooper,...
Mendelssohn’s contemporaries frequently mentioned his 'Hymn of Praise' in the same breath as Beethoven’s Ninth - and often enough viewed it as an imitation. Mendelssohn authority John Michael Cooper,...
- Soloists (SST), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Organ (Urtext) Download
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Mendelssohn’s contemporaries frequently mentioned his 'Hymn of Praise' in the same breath as Beethoven’s Ninth - and often enough viewed it as an imitation. Mendelssohn authority John Michael Cooper,...
Mendelssohn’s contemporaries frequently mentioned his 'Hymn of Praise' in the same breath as Beethoven’s Ninth - and often enough viewed it as an imitation. Mendelssohn authority John Michael Cooper,...
- Soloists (SST), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Violin 1 (Urtext)
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- Also available for download!
Mendelssohn’s contemporaries frequently mentioned his 'Hymn of Praise' in the same breath as Beethoven’s Ninth - and often enough viewed it as an imitation. Mendelssohn authority John Michael Cooper,...
Mendelssohn’s contemporaries frequently mentioned his 'Hymn of Praise' in the same breath as Beethoven’s Ninth - and often enough viewed it as an imitation. Mendelssohn authority John Michael Cooper,...
- Soloists (SST), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Violin 2 (Urtext)
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- Also available for download!
Mendelssohn’s contemporaries frequently mentioned his 'Hymn of Praise' in the same breath as Beethoven’s Ninth - and often enough viewed it as an imitation. Mendelssohn authority John Michael Cooper,...
Mendelssohn’s contemporaries frequently mentioned his 'Hymn of Praise' in the same breath as Beethoven’s Ninth - and often enough viewed it as an imitation. Mendelssohn authority John Michael Cooper,...
- Soloists (SST), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Viola (Download) (Urtext)
- Bärenreiter Verlag
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immediately available
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Mendelssohn’s contemporaries frequently mentioned his 'Hymn of Praise' in the same breath as Beethoven’s Ninth - and often enough viewed it as an imitation. Mendelssohn authority John Michael Cooper,...
Mendelssohn’s contemporaries frequently mentioned his 'Hymn of Praise' in the same breath as Beethoven’s Ninth - and often enough viewed it as an imitation. Mendelssohn authority John Michael Cooper,...
- Soloists (SST), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Cello (Download) (Urtext)
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immediately available
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Mendelssohn’s contemporaries frequently mentioned his 'Hymn of Praise' in the same breath as Beethoven’s Ninth - and often enough viewed it as an imitation. Mendelssohn authority John Michael Cooper,...
Mendelssohn’s contemporaries frequently mentioned his 'Hymn of Praise' in the same breath as Beethoven’s Ninth - and often enough viewed it as an imitation. Mendelssohn authority John Michael Cooper,...
- Soloists (SST), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Double Bass (Urtext) Download
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Mozart’s magnificent unfinished 'Great Mass in C minor K. 427' is impressive not only for its monumentality and musical beauty but for its fragmentary state which has fascinated scholars and performer...
Mozart’s magnificent unfinished 'Great Mass in C minor K. 427' is impressive not only for its monumentality and musical beauty but for its fragmentary state which has fascinated scholars and performer...
- Soloists (SSTB), 2 Mixed Choirs (SATB) and Orchestra
- Instrumental Part: Violin 1 (Urtext)
- Ulrich Leisinger
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Mozart’s magnificent unfinished 'Great Mass in C minor K. 427' is impressive not only for its monumentality and musical beauty but for its fragmentary state which has fascinated scholars and performer...
Mozart’s magnificent unfinished 'Great Mass in C minor K. 427' is impressive not only for its monumentality and musical beauty but for its fragmentary state which has fascinated scholars and performer...
- Soloists (SSTB), 2 Mixed Choirs (SATB) and Orchestra
- Instrumental Part: Violin 2 (Urtext)
- Ulrich Leisinger
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As Mozart specialist Ulrich Konrad was able to prove in 2020, the version of Wolfgang Amadeus Mozart's “Masonic Funeral Music” that is widely in use today does not stem from the composer himself. Rath...
As Mozart specialist Ulrich Konrad was able to prove in 2020, the version of Wolfgang Amadeus Mozart's “Masonic Funeral Music” that is widely in use today does not stem from the composer himself. Rath...
- Orchestra
- Instrumental Part: Violin 1 (Urtext)
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As Mozart specialist Ulrich Konrad was able to prove in 2020, the version of Wolfgang Amadeus Mozart's “Masonic Funeral Music” that is widely in use today does not stem from the composer himself. Rath...
As Mozart specialist Ulrich Konrad was able to prove in 2020, the version of Wolfgang Amadeus Mozart's “Masonic Funeral Music” that is widely in use today does not stem from the composer himself. Rath...
- Orchestra
- Instrumental Part: Violin 2 (Urtext)
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Brahms' elegy Nänie op. 82, based on the poem by Friedrich von Schiller, was composed in 1880/81 following the death of the painter Anselm Feuerbach, whom Brahms greatly admired. In contrast with the...
Brahms' elegy Nänie op. 82, based on the poem by Friedrich von Schiller, was composed in 1880/81 following the death of the painter Anselm Feuerbach, whom Brahms greatly admired. In contrast with the...
- Mixed Choir (SATB) and Orchestra
- Set of Parts - Violin 1 (Urtext)
- Carus-Verlag
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Brahms' elegy Nänie op. 82, based on the poem by Friedrich von Schiller, was composed in 1880/81 following the death of the painter Anselm Feuerbach, whom Brahms greatly admired. In contrast with the...
Brahms' elegy Nänie op. 82, based on the poem by Friedrich von Schiller, was composed in 1880/81 following the death of the painter Anselm Feuerbach, whom Brahms greatly admired. In contrast with the...
- Mixed Choir (SATB) and Orchestra
- Set of Parts - Violin 2 (Urtext)
- Carus-Verlag
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Der Komponist Albert Lortzing ist heute vor allem für seine komischen Opern wie Zar und Zimmermann oder Der Waffenschmied bekannt. Doch er hat auch geistliche Musik geschrieben. 1822 – unter dem Eindr...
Der Komponist Albert Lortzing ist heute vor allem für seine komischen Opern wie Zar und Zimmermann oder Der Waffenschmied bekannt. Doch er hat auch geistliche Musik geschrieben. 1822 – unter dem Eindr...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Violin 1 (Urtext)
- Carus-Verlag
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ships within 2-5 working days
Der Komponist Albert Lortzing ist heute vor allem für seine komischen Opern wie Zar und Zimmermann oder Der Waffenschmied bekannt. Doch er hat auch geistliche Musik geschrieben. 1822 – unter dem Eindr...
Der Komponist Albert Lortzing ist heute vor allem für seine komischen Opern wie Zar und Zimmermann oder Der Waffenschmied bekannt. Doch er hat auch geistliche Musik geschrieben. 1822 – unter dem Eindr...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Violin 2 (Urtext)
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Unter den gut 20 großen Messen von Jan Dismas Zelenka kommt der Missa Sancti Josephi eine Schlüsselstellung zu. In der vermutlich 1732 für ein Heiligenfest (deshalb ohne Credo) komponierten Messe grei...
Unter den gut 20 großen Messen von Jan Dismas Zelenka kommt der Missa Sancti Josephi eine Schlüsselstellung zu. In der vermutlich 1732 für ein Heiligenfest (deshalb ohne Credo) komponierten Messe grei...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Violin 1 (Urtext)
- Carus-Verlag
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ships within 2-5 working days
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